Women Who Conquered the Comics World
Robbins knows something about the glass ceiling for women cartoonists because she first hit it herself in the early 1970s, when she tried to join the male-dominated “underground comix” movement based in San Francisco. After the men cartoonists shut her out, Robbins joined forces with other women cartoonists to create their own women’s-lib comic books. She went on to become a well-respected mainstream comic artist and writer, as well as a feminist comics critic who’s written myriad nonfiction books on the subject of great women cartoonists and the powerful female characters they created. Naturally, Robbins has spent some time hunting down the original cartoons from the women who paved the way for her career, and as luck would have it, she found the very first comic strip ever drawn by a woman, “The Old Subscriber Calls” by Rose O’Neill, practically in her backyard.
posted by Room 641-A
on Sep 16, 2014 -
If you heard the recent NPR's Codeswitch
segment on The Green Turtle
, the first Asian superhero
created in the United States, you heard descriptions of the 1940s comic. But there's more (so much more!) online. Start with the entire run of The Green Turtle
on the amazing Digital Comic Museum
, which hosts public domain Golden Age comics
(late 1930s until the late 1940s or early 1950s). If you want to know more about Chu F. Hing, the artist behind the original Green Turtle, here's an extensively researched biography
on the astounding Chinese American Eyes blog
, which covers "famous, forgotten, well-known, and obscure visual artists of Chinese descent in the United States." [more inside]
posted by filthy light thief
on Jul 16, 2014 -
We might not get laughed out of the room, but the question is: would we want to be stuck in it with some guy who would ask: Since we already have Aristophanes, who needs Kurtzman? Since we have Erasmus of Rotterdam, why would we want Steve Martin? With Wagner still available, who cares about the Firehouse Five? Furthermore, would we let that guy organize the party music?
Eddie Campbell on fallacies of comics criticism.
posted by rollick
on Feb 7, 2013 -
What appears at first to be taking a more stringent view is in fact applying irrelevant criteria. It dismantles the idea of a comic and leaves the parts hopelessly undone.
is the shape-shifting, hell-raising sidekick to Ballister Blackheart, the biggest name in supervilliany. [more inside]
posted by mokin
on Dec 27, 2012 -
Mr. A debuted in 1967, in the third issue of Witzend, a collection of more artistically fulfilling side projects by mainstream comics professionals led by Wally Wood. In his very first panel, the Objectivist hero addresses his readers directly, stating his case that in moral life, there are no shades of gray, only evil or good, black or white. The hero stares at us, blank, emotionless. There’s a montage around him showing that his calm face is actually a metal mask, and that evil is truly disgusting. At the story’s end, Mr. A. beats up a nasty juvenile delinquent, ironically named Angel, and then allows the kid to fall to his death from a city rooftop.
- Pat Barrett [more inside]
posted by Egg Shen
on Sep 22, 2012 -
is a podcast in which comics writer and former Rock Paper Shotgun journalist Kieron Gillen (X-Men, Thor, Phonogram
) talks to artists and writers about the process involved in writing a single issue of a comic. Decompressed 6
broke format and is instead a discussion with Mark Waid
and Matt Fraction
about scripting comics using the "Marvel Method"
, or "plot first" - in which the artist draws the comic from a story outline and dialogue is added later, rather than the writer supplying a panel by panel script. For a while out of favour even at Marvel, the method is seeing a resurgance. The podcast page contains visual aids, and embedded version of the podcast, the script of DEFENDERS #9 complete with B&W art and additional links, including links to Warren Ellis’ 3-part tutorial on writing comics (1
). Jamie McKelvie
and a vultue put in guest appearances. Further example comicbook scripts are available at the Comic Book Script Archive
posted by Artw
on Aug 26, 2012 -
Crisis on Infinite Earths was a 12-issue comic book maxi-series published in 1985 and 1986 in which DC Comics condensed their multiverse into a single universe, thus "simplifying" and "improving" it. Whether they succeeded in that goal is a good question, and one I shan't address. Crisis is, however, incredibly important to understanding DC continuity, as well as being possibly the most significant crossover series of all time.
posted by Egg Shen
on Aug 22, 2012 -
In preparation for his then upcoming retrospective Transe Forme, Fondation Cartier recorded Moebius doing a series of digital drawings. Recorded in late 2010, these are some of, if not, the last recordings of Moebius drawing that we are likely to see.
- Moebius Drawing
posted by Artw
on Aug 6, 2012 -
Comics artist Frazer Irving adapts Mary Shelly's Frankenstein in hauntingly beautiful black and white:
posted by Artw
on Aug 2, 2012 -