David Malki!, of the "illustrated jocularity"
Wondermark, has released
Wondermark Kinetic. It's a series of ad-libbed, paper-puppeteered videos in an approximation of his usual, surreal style. (If you're unfamiliar with what that style is, he conveniently keeps a list of
his own favorite strips.) I particularly like how a story slowly emerges from the rough start of
this one.
[more inside]
posted by gilrain
on Sep 30, 2011 -
2 comments
Two and a half years ago, we explored
the early history of Cartoon Network... but it wasn't the only player in the youth television game.
As a matter of fact,
Fred Seibert -- the man responsible for the most inventive projects discussed in that post -- first stretched his creative legs at the network's
truly venerable forerunner:
Nickelodeon.
Founded as Pinwheel, a six-hour block on Warner Cable's innovative
QUBE system, this humble channel struggled for years before Seibert's innovative branding work transformed it into a national icon and capstone of a media empire.
Much has changed since then, from the mascots and game shows to
the versatile orange "splat." But starting tonight in response to popular demand, the network is
looking back with
a summer programming block dedicated to the greatest hits of the 1990s, including
Hey Arnold!, Rocko's Modern Life, The Adventures of Pete & Pete, The Ren & Stimpy Show, Double Dare, Are You Afraid of the Dark?, Legends of the Hidden Temple, and
All That.
To celebrate, look inside for the complete story of the early days of the network that incensed the religious right, brought doo-wop to television, and slimed a million fans -- the golden age of Nickelodeon.
(warning: monster post inside) [more inside]
posted by Rhaomi
on Jul 25, 2011 -
116 comments
Larry Gonick is a veteran American cartoonist best known for his delightful comic-book guides to science and history, many of which have previews online. Chief among them is his long-running
Cartoon History of the Universe (later
The Cartoon History of the Modern World), a sprawling multi-volume opus documenting everything from the Big Bang to the Bush administration. Published over the course of three decades, it takes a truly global view -- its time-traveling Professor thoroughly explores not only familiar topics like Rome and World War II but the oft-neglected stories of Asia and Africa, blending caricature and myth with careful scholarship (cited by
fun illustrated bibliographies) and tackling even the most obscure events
with intelligence and wit. This savvy satire carried over to Gonick's
Zinn-by-way-of-
Pogo chronicle
The Cartoon History of the United States, along with a bevy of
Cartoon Guides to other topics, including
Genetics, Computer Science, Chemistry, Physics, Statistics, The Environment, and (yes!)
Sex. Gonick has also maintained a few sideprojects, such as
a webcomic look at Chinese invention,
assorted math comics (
previously), the
Muse magazine mainstay
Kokopelli & Co. (featuring the shenanigans of his
"New Muses"), and
more. See also
these lengthy interview snippets, linked
previously. Want more? Amazon links to the complete oeuvre inside!
[more inside]
posted by Rhaomi
on Jun 6, 2011 -
29 comments
"What are they talking about?" Was it just an April Fools' joke? Are they really gonna end
Red Vs. Blue: arguably the most successful
machinima series ever? Will Blood Gulch be silent of one-liners and snide comments once more, or is this a blatant attempt by
Rooster Teeth to drum up interest in their 100th episode? Considering the fact they started it four years ago
on April Fools Day, it's really hard to tell.
(surprise! no youtube links!)
posted by ZachsMind
on Apr 3, 2007 -
11 comments
"I would like to do better, to be better than I am". He's the French New Wave
maverick and Academy Award winner (
at 26, for his first short) who, to commemorate the tenth anniversary of the liberation of Auschwitz -- with considerable personal pain and the admission that "
no description, no picture can reveal the true dimension" of what happened in the camps -- made what François Truffaut called "
the greatest film ever made", duly
censored by French authorities. Four years later he baffled audiences with "
the first modern film of sound cinema",
shattering the rules of chronology to describe the “anguish of the future”: even if all he ever wanted was "
to stop death in its tracks"
(French language link),
only for one minute. But he is also the unabashed lover of
la bande dessinée who
learnt English by reading comic books and
in the Seventies dreamed (French language link) of making
"Spider-Man" into a movie (the Hollywood studios were not convinced), the
MGM old-school musical and
operetta nut so in love with design that "
half of the fashion photography of the past 40 years owes a debt" to him. Now,
Alain Resnais' new
work, just shown
at the Venice Film Festival where
his buddy David Lynch was awarded a lifetime achievement Golden Lion, is a French film
inspired by an
English play with 54 short scenes, music by the X-Files's Mark Snow. (more inside)
posted by matteo
on Sep 8, 2006 -
20 comments
Palestinian comic booted from Jackie Mason's comedy show Ray Hanania, a Palestinian comic in Chicago, was set to open for headlining act Jackie Mason. A few hours before the show, Mason had him booted. "It's not exactly like he's just an Arab-American. This guy's a Palestinian," said Jyll Rosenfeld, Mason's manager. "Jackie does not feel comfortable having a Palestinian open for him." Ouch. (Imagine if the tables were turned: "Ray does not feel comfortable having a Jew open for him")
Too bad, really. If there's one thing the I/P conflict needs, it's more humor. Like this
Muslim-Jewish Comedy Night.
posted by laz-e-boy
on Aug 28, 2002 -
68 comments