New Year's Eve is fast approaching, and for lots of folks that means... drinking. Plenty of drinking. And since there's no shortage of singers and songwriters who've had a little something to say about that particular topic, maybe some of the following tunes can serve as an appropriate soundtrack to your own joyous (or not?) imbibing of spirits. For example, there's... Jimmy Liggins with his succinct rendition of
Drunk, and there's...
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posted by flapjax at midnite
on Dec 30, 2011 -
67 comments
A decade on, the Coen brothers' woefully underrated
O Brother, Where Art Thou? [alt] is remembered for
a lot of things: its sun-drenched, sepia-rich
cinematography (a pioneer of
digital color grading), its
whimsical humor,
fluid vernacular, and
many subtle references to Homer's
Odyssey. But one part of its legacy truly stands out:
the music.
Assembled by
T-Bone Burnett, the soundtrack is a cornucopia of American folk music, exhibiting everything from
cheery ballads and
angelic hymns to
wistful blues and
chain-gang anthems. Woven into the plot of the film through radio and live performances, the songs lent the story a
heartfelt, homespun feel that echoed its cultural heritage,
a paean and uchronia of the Old South.
Though the multiplatinum album was recently
reissued, the movie's medley is best heard via famed documentarian
D. A. Pennebaker's
Down from the Mountain, an
extraordinary yet
intimate concert film focused on a night of live music by the soundtrack's stars (among them
Gillian Welch,
Emmylou Harris,
Chris Thomas King, bluegrass legend
Dr. Ralph Stanley) and wryly hosted by
John Hartford, an accomplished
fiddler,
riverboat captain, and
raconteur whose struggle with terminal cancer made this his last major performance. The film is free in its entirety on
Hulu and
YouTube -- click inside for individual clips, song links, and breakdowns of
the set list's fascinating history.
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posted by Rhaomi
on Dec 22, 2011 -
107 comments
For safety's sake, please consider all links herein either nsfw or potentially offensive*
Let's Have a Shambles! with the
Country Teasers!
Formed somewhere in Scotland in 1993 around one
Ben Wallers, the Country Teasers forged an unusual contrast between
acerbic lyrics, trash punk twang, and
honest affect(at)ion of
country-western tropes and
sounds. They were also equal opportunity offenders, their songs frequently featuring seemingly
misanthropic, misogynistic, and even
racist lyrics. But despite their affrontive controversy, perhaps
they aren't quite so easy to dismiss.
Though rarely does he give in-person interviews, Mr. Wallers will, when confronted,
defend his "schlock tease," though not without
characteristic aplomb.
Although the Country Teasers are pretty much dead,
their extensive discography has plenty of
noteworthy diversions.
Some albums to start with are 1996's
Satan Is Real Again or Feeling Good About Bad Thoughts, 1999's
Destroy All Human Life, and 2006's
Back to the Future.
Mr. Wallers continues to release new records under the moniker
The Rebel. A number of Teaser records were released on
In The Red records.
*Although if you do find it offensive, I'd simply request considering if that is perhaps the point.
posted by SomaSoda
on Nov 9, 2011 -
5 comments
There's a new crop of Australian bands that take inspiration from old blues, but twist the music in a strange fashion. The trend may have started with
CW Stoneking (Jungle Blues,
Love Me Or Die), who channeled the old bluesmen despite being a
young man. Its continued on to Sydney's
Snowdroppers, who started out as a
house band for burlesque shows and kept that dirty sensibility up with songs like
Rosemary ,
Do The Stomp, and their signature tune
Good Drugs, Bad Women (lyrics NSW). Frequent Snowdroppers touring partners
Gay Paris add a Southern horror twist (
House Fire In the Origami District, My First Wife? She Was A Foxqueen! ) and an antic stage energy. Some of the bands relay on gimmicks, like Adelaide's
The Beards, who sing about how
you should consider having sex with a bearded man and point out that
if your dad doesn't have a beard, you've got two moms. The Beards recently performed at the
World Beard and Mustache Championships. Horror-country-rockers
Graveyard Train have picked up the torch dropped when Sydney psychobilly masters
Zombie Ghost Train (
Graveyard Queen) disbanded. Graveyard Train tunes like
Mummy,
Ballad for Beelzebub ,
Tall Shadow and
Dead Folk Dance combine cheerful Misfits horror theming with stompy country. Most of the singers from this loose scene are joining forces in Sydney this week to
pay tribute to Tom Waits.
posted by Lovecraft In Brooklyn
on Oct 4, 2011 -
32 comments
Hank Williams III has had a rocky relationship with his label, Curb Records, from the beginning, when his first album with them was
an album with his grandfather and father, "
thanks to the wonders of 21st century digital overdubbing." A decade and a half later,
Hank 3 was free from Curb Records, though the label snuck out one last album, even though the contract was over. It was actually
an old album from a decidedly non-country style, but that didn't stop Curb from
offering it as a Hank III album at a fire-sale discount, ensuring
Billboard Country charting. That was in June of this year. Jump ahead to September:
Hank 3 released three albums over four CDs, spanning his broad musical styles and beyond.
CD1:
country (of sorts);
CD2:
haunted ambient soundtrack and
Cajun-tinted country, with guests (
like Tom Waits);
CD3:
cattle-core;
CD4:
doom rock.
posted by filthy light thief
on Sep 20, 2011 -
91 comments
"Call me nuts, but I find extraordinarily endearing the improbable blend of country music traditionalism and tastefully restrained space-age guitar pyrotechnics that can be heard in these tunes." Yes, friends, the fine folks at WFMU are back with the long-awaited 2nd installment of the tasty and wonderful
Country Fuzz Spectacular!
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posted by flapjax at midnite
on Aug 24, 2011 -
8 comments
Say, you wanna hear a sad song? Eddie Hinton was a guitar player, vocalist, and songwriter from Tuscaloosa, Alabama. Co-writer of one of the tenderest, sexiest hits of the late 60s, Dusty Springfield's
Breakfast in Bed, Hinton was a key member of the world-famous
Muscle Shoals Rhythm Section from 1967 to 1971 (turning down an invitation from Duane Allman to be a member of the Allman Brothers Band) who worked as a studio musician on albums by Aretha Franklin, Otis Redding, Wilson Pickett, Percy Sledge, the Staples Singers, and Toots Hibbert, but his early success was
sidetracked by mental problems, booze, and drugs.
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posted by BitterOldPunk
on May 31, 2011 -
22 comments
Toshio Hirano is from Japan.
Toshio Hirano lives here now. He came to this country following a
particular sound and has made a career of it. He even has a
movie about him (
YT trailer)! He plays monthly
here in San Francisco. Last night, as I watched him sing the blues, I reflected on how different yet connected our two countries are. Join me in sending good thoughts to our brothers and sisters in Japan.
posted by Jibuzaemon
on Mar 15, 2011 -
8 comments
Wes Freed (some images NSFW) is a painter who combines Southern gothic subject matter with an outsider art style. He's best known for his work with the great Southern rock band
Drive-By Truckers and has designed most of their album covers, posters, and merchandise.
posted by Lovecraft In Brooklyn
on Mar 14, 2011 -
27 comments
In 1969 banjo virtuoso and bluegrass innovator Earl Scruggs parted ways with his
longtime musical partner
Lester Flatt and the band they led to
great popularity and acclaim,
The Foggy Mountain Boys. Scruggs wanted to push his musical gifts as far as they could go. In 1970 he was the subject of a PBS documentary where he played with artists such as Bob Dylan, Doc Watson, The Morris Brothers, The Byrds, Charlie Daniels, Bill Monroe, Joan Baez, various friends and family members, and even records a track accompanying a Moog. You can watch the whole thing online:
Earl Scruggs, His Family and Friends.
posted by Kattullus
on Jan 28, 2011 -
17 comments
Within that small and very specific sub-genre of musical Americana identifiable as the
train imitation, there is one amazing performance, from 1926, that set the standard:
Pan-American Blues. The man who recorded it did a fine and fanciful job of evoking the sounds of a
fox chase as well, and his rhythmically compelling solo rendition of
John Henry stands as testament to the potential for musical greatness achievable by one man and a humble harmonica. He was an African-American who was a founding member of the Grand Ole Opry, a musical institution that we rarely (as in,
never) today associate with black people, and his touching and tragic story, documented
here, is one that will be of interest to those concerned with the racial, economic and socio-cultural history of American popular music. He stands at one of its more unexpected intersections: his name is
DeFord Bailey.
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posted by flapjax at midnite
on Dec 30, 2010 -
15 comments
It’s maybe a
little early yet for year’s end retrospectives, but who cares:
we’ve got 157 songs, 10.5 hours, 1.12 GB of “some of the best and most notable music from 2010... covering indie, pop, rock, punk, folk, rap, R&B, soul, dance, country, modern classical, ambient and electronic music, and in many cases, hard-to-classify genre hybrids.” —Curated by FluxBlog’s own Matthew Perpetua.
posted by kipmanley
on Dec 3, 2010 -
30 comments
Peter Grudzien lives in New York and makes psychedelic country music or at least used to, since only two albums of his material ever came out,
The Unicorn in 1974, and
The Garden of Love, which is mostly a collection of demos. His songs are varied, ranging from noise music to straight up country, and their subject matters are equally wide-ranging, from strange fare, such as
lyrics about his clone being at Stonewall, to
straight-up love songs. His best known original is probably
The Unicorn, a beautiful song whose
lyrics recast the early 70s New York gay demimonde in terms of a barren zombie-filled wasteland which will be reborn when the titular unicorn is found by the queen. Other songs on YouTube are
White Trash Hillbilly Trick,
New York Town and an instrumental cover of the Georgia Gibbs hit
Kiss Me Another. Finally,
here's a lovely cover of The Unicorn by Calgary folkie Kris Ellestad.
posted by Kattullus
on Nov 21, 2010 -
16 comments
Bluegrass, it's said was invented by
Bill Monroe,
(yt) but where
would bluegrass have been without the banjo style of
Earl
Scruggs?
(yt) Together they
created a sound that has become known
as Bluegrass. In 1945 George Elam Scruggs joined up with
Monroe's Blue Grass Boys, two years later Scruggs left to form
a group with
Lester Flatt(yt), but not before gifting Monroe with
the amalgam that was and is Bluegrass. Other players like
Chubby Wise born 1915, Lake City, Florida(yt), and bassist Howard
Watts became known as the "Original Bluegrass Band".
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posted by nola
on Feb 28, 2010 -
19 comments
"Hello, I'm Johnny Cash." On January 13, 1968, Johnny Cash played two concerts at
Folsom State Prison with June Carter, Carl Perkins, the Statler Brothers, and his band, the Tennessee Three.
At Folsom Prison, drawn mainly from the first show, is often ranked as one of the best albums of all time and
turned Cash's career around. Reporter Gene Beley covered the concert and
recorded some songs from the audience.
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posted by kirkaracha
on Oct 23, 2009 -
22 comments
Timi Yuro, an Italian-American singer born in Chicago (where, the story goes, her nanny snuck her into clubs to watch singers like Dinah Washington and Mildred Bailey), was arguable the greatest
blue-eyed soul artist of the '60s.
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posted by The Card Cheat
on Aug 22, 2009 -
8 comments
Fifty years ago, those decrying rock 'n' roll as devil music that would crumble the morals of America needed to look no further than
Wanda Jackson for evidence. Her
raspy, brassy voice,
suggestive lyrics, and
sexual energy were almost unbelievable for the Eisenhower years. Coaxed into singing rockabilly by her then-boyfriend,
Elvis, she had a
string of
rock hits, before marrying and IBM programmer and switching to more traditional,
conservative country music.
posted by Jon_Evil
on Aug 20, 2009 -
23 comments
"The ability to convey the depths of despair, the heights of jubilation and the serenity of an abiding faith are all that is required to be known as “The Voice.” Unfortunately, very few possess the ability to do all that and what’s more unfortunate, we lost one of those few–possibly the best of those few–with the death of
Vern Gosdin at the age of 74."
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posted by dawson
on Apr 29, 2009 -
7 comments
"With
this blog, I want to use the Folkways Anthology as a roadmap to explore American folk music and maybe other countries traditions along the way. I’ll use texts, images, music and videos gathered from my personal collection and from the net to make this work-in-progress enjoyable and educational the best I can."
(via)
posted by 1f2frfbf
on Mar 12, 2009 -
17 comments
Surely one of the most memorable musician photos ever is this one:
Johnny Cash, making his feelings known with customary aplomb. But did you ever notice he was wearing a jumpsuit in that photo, and not his more standard black shirt/trousers ensemble? Well,
that very jumpsuit just went for a handsome $120,000 at auction. Someone else just paid $300,000 for one of Elvis'
peacock-emblazoned jumpsuits. And remember that little
necklace John Lennon wore on the cover of
Two Virgins? Yep, the
only thing he wore. Fetched a cool $528,000. Meanwhile, in Japan, a
bunch of grapes just went for $910. What a bargain!
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posted by flapjax at midnite
on Aug 11, 2008 -
21 comments
John Prine released
John Prine in 1971 with the songs
Illegal Smile,
Spanish Pipedream,
Hello In There,
Sam Stone,
Paradise,
Pretty Good,
Your Flag Decal Won't Get You Into Heaven Anymore,
Far From Me,
Angel From Montgomery,
Quiet Man,
Donald & Lydia,
Six O'clock News and
Flashback Blues.
An interview from 1971.
posted by stavrogin
on Jun 3, 2008 -
38 comments
Sometimes, when you've had your fill of people basking in the golden light of their self-righteous indignation, you just wanna hear a song about somebody telling those holier-than-thou-ers where to get off. Something like, say,
Harper Valley PTA.
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posted by flapjax at midnite
on Apr 24, 2008 -
39 comments
Just the other day I was thinking about World War 2-era propaganda songs, so of course I gave a listen to
Smoke On the Water. Say what? You didn't know it was about kickin' Hitler's ass? Or Hirohito's? Guess you weren't listening well enough when ol'
Red Foley sang:
"...there'll be nothing left but vultures to inhabit all that land, when our modern ships and bombers make a graveyard of Japan..." I tell you, they just don't write songs like that anymore, friends. Anyway, by 1951 Red was looking forward to
Peace in the Valley.
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posted by flapjax at midnite
on Apr 9, 2008 -
20 comments
