As part of a 1995 Wired special issue on scenarios of the future, Douglas Coupland ( previously ) noted that most time capsules seem irrelevant to the modern eye, and dared to contemplate:
If you could send a time capsule back 20 years [to 1975], what artifacts [from 1995] would you choose?[more inside]
Karen, Rick, Luke and Rachel are four people marooned in an airport lounge sometime in the very near future. The price of oil goes through the roof, and a kind of apocalypse takes over the world- or at least the world that they can see through the windows of the bar and on the crackling, intermittent news reports. Thick ash falls from the sky. The taps are dry. Cellphones don't work. Sealed in, the four can only talk to each other, examine their lives and the meaning of love, and try to confront their own demons. There is no turning back, they realise. [more inside]
Douglas Coupland designs a clothing line for Roots, the Canadian “outdoorsy” retailer whose heyday, like Coupland’s, may well have passed. (Garish official splash screen.) Two points of MeFi interest: The motherboard pattern (at “Canada & International” store; at USA store; also at pop-up stores like Vancouver’s) and Coupland’s unexplicated claim that “[t]he sexiest thing about Canada is that we have a future.”
30 objects, 40 audio and videocassettes, and 1,425 photographs, among them a Polaroid snapshot of Terry Fox’s artificial leg - Douglas Coupland submits his personal objects to the University of British Columbia. [more inside]
The literary voice of our generation...err...of his generation...umm...of your generation?
I've liked most of the things Douglas Coupland has written and although this interview at amazon about his upcoming book sounds like he's giving most of the book's plot away, I'll still pick up a copy. I wish amazon would put warnings up saying 'spoilers ahead' on links such as that interview.