Nerdist talks to Sam Raimi about fruit, his career in retail sales, how he got started making movies, the links between comedy and horror, the Evil Dead TV show and of course why Spider-Man 3 was "awful".
'"The good news is we solved the murder of your husband. The bad news is you're under arrest.' Everyone's a noir hero!" A new HBO documentary explores what happens when the media are mixed up in a crime from the very beginning-- with fiction and film added in for good measure. A local news writer is incensed with HBO for bringing it all up again. (She will not be watching the documentary.)
The Dissolve (previously, previously) looks at the Coen Brothers' 1996 "homespun Midwestern murder story" Fargo: Masculinity And Mike Yanagita, Keynote: Fargo in Five Quotes, Morality And The Coens
The 1991 CBs made-for-TV movie adaptation of Shadow Of A Doubt and the 1943 Alfred Hitchcock version are based on the same source material and contain many of the same lines, beats, and scenes. So why is one considered a classic film noir and the other a flop? The Dissolve puts the two movies next to each other and tries to find out.
Miller's Crossing, 20 Years Later Photographing (and finding) the exact filming locations for the Coen Brothers' New Orleans classic and comparing them to present day. [via mefi projects]
Jean-Xavier de Lestrade’s documentary gets new installments. Previously. Eight years later, Michael Peterson went back to court and Lestrade filmed it again.
The Snipist - a post-apocalyptic nightmare set in a post-rabies Britain (warning: absolutely bleak). A Gun For George - a short film about crime-writer Terry Finch, author of the 70s Kentish fiction masterpieces The Reprisalizer. [more inside]
"What is a cult film? A cult film is one that has a passionate following, but does not appeal to everyone. James Bond movies are not cult films, but chainsaw movies are. Just because a film has become a cult movie does not automatically guarantee quality. Some are very bad; others are very, very good. Some make an awful lot of money at the box office; others make no money at all. Some are considered quality films; others are exploitation movies. One thing cult movies do have in common is that they are all genre films - for example gangster films or westerns. They also have a tendency to slosh over from one genre into another, so that a science fiction film might also be a detective movie, or vice versa. They share common themes as well, themes that are found in all drama: love, murder and greed." - of the British TV film slots accompanied by an introduction perhaps the most celebrated is Moviedrome, running between 1988 and 2000 and presented first by Repo Man director Alex Cox and then film critic Mark Cousins. [more inside]
Michael Mann's "Thief" is a film of style, substance, and violently felt emotion, all wrapped up in one of the most intelligent thrillers I've seen. - Roger Ebert [more inside]
In 1962, the Mansfield (Ohio) Police Department stationed officers armed with a movie camera behind a two-way mirror in a public restroom known for its "cruisy" atmosphere. With the help of the footage shot, dozens of men were arrested, prosecuted, and convicted on sodomy charges, which at the time carried mandatory minimum sentences of a year in prison. In 2007, the original surveillance footage was obtained by filmmaker William E. Jones. He's screened the unedited 56 minute film as Tearoom at festivals and museums the world over, providing a clandestine look at the scrutiny small-town Midwestern gay men faced in the 1960's. [warning: explicit, NSFW material lies beyond most links] [more inside]
Zaire Paige had a breakout role in Antoine Fuqua's movie, Brooklyn's Finest. He was seen as a rising star. But, it all went away when he murdered a gang rival and was sentenced to 107 years in prison. [more inside]
Last month How Did This Get Made (previously) held a live panel discussion of Superman III, a movie that started as a bizarre pitch involving everyone from Brainiac to Supergirl and Mr. Mxyzptlk, and ended up as a Richard Pryor vehicle. However for some truly crazy stories you may want to skip ahead to part II, where they are joined by Jack O'Halloran - Non from Superman I and II, boxer and son of the head of Murder, Inc. - who talks at length about his life, the movies, and choking Christopher Reeve.
"Bob Shuter, suburban vigilante. Driven by rage to wage a one-man war on the underworld of Kent, Bob Shuter is... The Reprisalizer."
"You're going nowhere, son. Just you, me ad the walls. So wipe that bloody grin off before it's shot off, and don't slouch. You toe rag. You bin. Pay attention when I break you. And break you I will, boy. You're in my manor, now." Buck up! It's Terry Finch's THE REPRISALIZER! Follow Bob Shuter, whose mission of reprisal against his brother's killers, their families, associates, progeny and property takes him across the desolate wasteland of 70s Britain, primarily Kent AKA FINCHLAND. Finch, writer of The Reprisalizer and DRAW!, the cowboy whose name means death, is soon to be the subject of a major motion picture from Matthew Holness, creator of Garth Marenghi's Darkplace.
Although [Michael] Mann has said he was inspired by a true story from Chicago in the late 1960s, the film is no gritty realist number about desperate thievery. Rather, HEAT is a high-gloss creature of its time, utilizing the classic "duel between cop and robber"... to thematize lifestyle issues in the mid-1990s. Specifically I argue that, for all its slickness and emphasis on style and personality, HEAT is a film about work and its increasing personal costs. For the characters in HEAT, work provides excitement* and challenge, but it ultimately excludes any emotional life outside of the demands of the job. *That's the shootout scene
After 25 years I revisited To Live and Die In L.A. (1985), William Friedkin's cynical, fatalistic, hardboiled and high-energy crime noir about corruption and survival in the city of no angels. The script is literate, the characters are believable, the performances are brutally honest, the unpredictable twists keep coming, the action never stops, and the car chase is shot for real without any fake process. (spoilers)
It's been estimated that the average UK adult is now registered on more than 700 databases and is caught many times each day by nearly five million CCTV cameras. So how hard would it be for an average citizen to disappear completely? That’s the subject of a new documentary film: Erasing David, (Trailer: YouTube, Vimeo) which premieres this evening in the UK on More4. It's also now available worldwide online at the iTunes store and through several Video On Demand services, as well as through Good Screenings. [more inside]
Film director Roman Polanski, who won numerous awards for films like Chinatown and The Pianist, has been detained for extradition to the US, whilst travelling to Switzerland to collect a lifetime achievement award at the Zürich Film Festival. [more inside]
The drama behind the making of The Godfather is nearly as intriguing as the movie itself. A recent Vanityfair piece recounts "how the clash of Hollywood sharks, Mafia kingpins, and cinematic geniuses shaped a Hollywood masterpiece." A follow-up article tells of a fateful dinner between the film's stars and members of the famous Genovese crime family. [more inside]
Truman Capote's Blood Work Two soon-to-be released films on Truman Capote's life, Capote and Have You Heard? begin as the novelist drops into rural Kansas to begin work on what became "In Cold Blood". More inside.
"It has always been as if I carry chaos with me the way others carry typhoid. My purpose in writing is to transcend my existence by illuminating it." Crime novelist Edward Bunker, who died last Tuesday at age 71 (LATimes obit), became at 17 the youngest inmate at San Quentin after he stabbed a prison guard at a youth detention facility. It was during his 18 years of incarceration for robbery, check forgery and other crimes that Bunker learned to write. In 1973, while still in prison, he made his literary debut with "No Beast So Fierce", a novel about a paroled thief James Ellroy called "quite simply one of the great crime novels of the past 30 years" and that was made into the movie "Straight Time" starring Dustin Hoffman. Also a screenwriter ("Runaway Train"), Bunker appeared as an actor in nearly two dozen roles, most notably as Mr. Blue in "Reservoir Dogs." (more inside)