In 1977 Dial Press of New York published Robert Mayer’s first novel, Superfolks. It was, amongst other things, a story of a middle-aged man coming to terms with his life, an enormous collection of 1970s pop-culture references, some now lost to the mists of time, and a satire on certain aspects of the comic superhero, but would probably be largely unheard of these days if it wasn’t for the fact that it is regularly mentioned for its supposed influence on a young Alan Moore and his work, particularly on Watchmen, Marvelman, and his Superman story, Whatever Happened to the Man of Tomorrow? Alan Moore and Superfolks: Part 1: The Case for the Prosecution, Part 2: The Case for the Defence, Part 3: The Strange Case of Grant Morrison and Alan Moore.
In 2010, DC Comics offered Alan Moore the rights back to Watchmen. This is a factually accurate account of what happened. (SLYT)
"iZombie will be the last time I’ll ever write for DC... I decided quite some time ago, but waited until after the cancellation of my book was announced to discuss it. The short version is, I don’t agree with the way they treat other creators and their general business practices." writer Chris Roberson ends his relationship with DC Comics, pointing at a post by David Brothers as a summation of his ethical concerns. Roberson's work at DC has included turning around Superman after J. Michael Straczynski left mid-story, iZombie and a spin-offs from Vertigo's Fables featuring Cinderella as a super spy. He is currently working on the creator owned Memorial, published by IDW.
Now, the original Watchmen was groundbreaking and shocking by showing Dr. Manhattan’s blue dong. I propose that we outdo that in this fight scene by showing his anus as often as possible.
Chip Zdarksy spills the beans on the time DC asked him to write Watchmen 2. May not be safe... for people.