When it comes to home theaters, I thought I'd seen it all. But nothing's come close to this. First, I'm going to try to describe the sheer magnitude of Jeremy Kipnis' theater. His Stewart Snowmatte laboratory-grade screen is the biggest I've ever seen in a home, and in the back of the theater, there's a Sony ultra-high-resolution (4,096-by-2,160) SRX-S110 digital projector. I'm looking everywhere, jotting down questions, and Kipnis sounds almost giddy talking about his theater's capabilities. He refers to his baby, the Kipnis Studio Standard (KSS), as "The Greatest Show on Earth." And from the looks of it, he may be right.
I should hope so, it cost six million dollars.
posted by the_very_hungry_caterpillar
on Feb 14, 2008 -
120 comments
The Room: The Movie. Triple-threat (actor/writer/director)
Tommy Wiseau made his cinematic debut in 2003 with the
The Room (see
trailer and
various scenes),
"a blend between a
softcore porn flick and a Tennessee Williams stageplay." Wiseau ("who's not just one of the most unusual
looking and
sounding-with
an unidentifiable Eastern European accent-leading men ever to
grace the screen, but a narcissist nonpareil whose movie makes
Vincent Gallo's "The Brown Bunny" seem
the apotheosis of cinematic self-restraint...may be something of a first: A movie that
prompts most of its viewers to ask for their money back-before even
30 minutes have passed." -
Variety),
allegedly raised $6 million outside Hollywood to cover production and marketing costs of the self-described "black comedy about love, passion, betrayal and lies" (see
various rough dress rehersals).
Audience members, including comedian
David Cross, have been
"marveling at the bizarre editing, bad bluescreen, uncomfortably explicit
sex scenes and, of course, the enigma of Wiseau himself" as the film
played monthly for years in Los Angeles. Available on
DVD, diehard "roomies"
swear by the
theatrical experience,
shout out their own commentary,
hurl spoons at the screen and singalong to the
soundtrack. Some call it
"The Rocky Horror of the New Millenium" and stage
"Room"
parties. If you look at the
marketing campaign or
survived a screening you might see The Room as
"a seminar on how
NOT to make a movie." [Inspired by
Boing Boing]
posted by boost ventilator
on Jun 1, 2006 -
28 comments
It's still about the means of production, you see — but in the overdeveloped world, at least, it's not about the production of goods and services anymore. Today's virtual revolutionary is happy to leave all that to capitalists. The virtual revolutionary wants to control the production of meaning — representations of herself and her world as she wants them to seem. Or be. Or whatever.
That's all she asks.
Or, rather, takes.
Thomas de Zengotita welcomes the big world of the small screen. Peter Bogdanovich, instead,
still mourns that last picture show.
posted by matteo
on Mar 26, 2006 -
22 comments
Have a region free DVD player? Just love movies?
DVD Beaver reviews DVDs and compares releases from different countries so you can be sure you're getting the best print/audio available.
posted by dobbs
on Feb 8, 2004 -
10 comments
Yet another reason to avoid the Battlefield Earth DVD: A brand new "feature" called Regional Coding Enhancement, or RCE. Having the word "enhancement" in the title might make us think that we, the consumer, might actually benefit for this technology, but that isn't the case. The only people to benefit are the movie studios who, not content to gouge us on DVD prices (DVD's are cheaper to press than video tapes) have made it impossible to backup a DVD, or play a foreign DVD on a North American DVD player. Now, thanks to RCE, if you own a region-free DVD player, guess what? You can't play Battlefield Earth on it!
posted by johnnydark
on Jul 8, 2001 -
30 comments
A new era in movie piracy . These guys managed to hack Microsoft's MPEG 4 codec, and have provided a means of ripping DVD movies to this new format (check the readme file). The little program they have on their site will "update" your Windows Media Player to be able to play the new divx format.
The compression is comparable to current .avi and .mpg formats, but the image quality is near-DVD. Wow. I just watched "Disturbing Behaviour" in this new format and I must say I'm very impressed. No ugly chunky blocks like with MPEG. I dunno if I'd ever pay to see movies in the theatre again. Heh, sure sounds familiar eh? (*cough* MP3 *cough*) Looks like there might be some big new players joining the RIAA real soon. :)
posted by PWA_BadBoy
on May 8, 2000 -
4 comments
(probably my last post about Magnolia) There were a few 'easter eggs' in Magnolia worth mentioning. What may be the
first non-555 phone number in a movie was mentioned, but I can't remember it, if anyone tracks it down, please post. There was the 1-877-TAME-HER number that was mentioned on every ad done by Tom Cruise's character. You can call it and hear a special message. If you don't feel like leaving your computer, you can use
dialpad.com to make the call. Also, at the end credits of the gameshow, they flash a URL,
wdkk.com, which maps to the Magnolia website. At one point, a audience member of the quiz show has a sign that says 'Exodus 8:2' which
I looked up, and it reads 'And if thou shalt REFUSE to let [them] go, behold I will smite all thy borders with frogs'. Usually when I see a movie, I don't pick up on these things, I guess Magnolia really was
that good.
posted by mathowie
on Jan 10, 2000 -
3 comments
