The Thirty Years War is a website covers that ginormous kerfuffle that consumed Europe in the first half of the 17th Century from the Second Defenestration of Prague to the Peace of Westphalia. It has a handy map with a place locator which will help you tell your Schweidnitz from your Schweinfurt. Here are some other maps, The Religious Situation in Central Europe about 1618, Principal Seats of War, 1618-1660 and Europe in 1648 - Peace of Westphalia.
The King's Kunstkammer - en vogue in Renaissance Europe, kunstkammers were status symbols of kings, vast collections of art, curiosities, and scientific and natural objects. This is a partial reconstruction of the Royal Danish Kunstkammer, established by King Frederik III in the mid-1600s. Exploring the collection's 250 objects offers insight into princely preoccupations of the era.
"I am an American, so that is why I make films about America. America is sitting on our world, I am making films that have to do with America (because) 60% of my life is America. So I am in fact an American, but I can't go there to vote, I can't change anything. We are a nation under influence and under a very bad influence… because Mr. Bush is an asshole and doing very idiotic things." Lars Von Trier introduces his new film at the Cannes Film Festival: «Manderlay» picks up where «Dogville» left off, with the character originated by Nicole Kidman -- now played by Bryce Dallas Howard -- stumbling onto a plantation that time forgot, where slavery still operates in the 1930s. The film (5 MB .pdf file, official pressbook) ends, as Dogville did, with David Bowie’s Young Americans played over a photomontage of images that range from a Ku Klux Klan meeting to the Rodney King beating, George Bush at prayer and Martin Luther King at his final rest, American soldiers in Vietnam and the Gulf, the Twin Towers. More inside.
"The people of Dogville are proud, hypocritical and never more dangerous than when they are convinced of the righteousness of their actions" (NYT link) "The movie is, of course, an attack on America—its innocence, its conformity, its savagery—though von Trier is interested not in the life of this country (he’s never been here) but in the ways he can exploit European disdain for it." (The New Yorker). Lars Von Trier's new movie, Dogville, is under attack from critics who consider it anti-American. Von Trier, of course, has never been to the US but he counters that he knows more about U.S. culture through modern media than, say, the makers of "Casablanca' knew about Morocco. Kafka hadn't been to Amerika either. Should non US-ian artists leave America alone if they've never been there? Von Trier says that "in my own country, I'm considered anti-Danish - again, that's more about politics than issues of nationality." (more inside)