Stodgy design institution does animated supercut video. “The Forty Story” uses iconic snapshots from seemingly every client from Pentagram’s first 40 years to tell the life story of a boy brought into the world when Pentagram was.
With only about as much effort as manufacturing one’s own Great Pyramid of Giza, Atlanta prop-builder Harrison Krix designs and constructs his own Daft Punk–style helmet, complete with 320 red LEDs along the visor and twin cooling fans. (Delightful time-lapse making-of video [YouTube]. Design process: Part 1 ¶ Part 2 ¶ Part 3.) Now, what are you supposed to do with a prop like that? Pop it on and pose next to a DeLorean, obviously.
Creation process of the Eames Lounge Chair and Ottoman. Putting together previous coverage by Treehugger and Vitra, Belgian standardista/Web designer Veerle Pieters offers a step-by-step breakdown, designed in her characteristically beautiful and feminine style, of how the iconic Eames chair and ottoman are constructed. Spoiler alert: It involves a lot of bent plywood.
The late Tony Wilson’s headstone, as designed by Peter Saville. “Factory Records founder Anthony H. Wilson died in August 2007 [MeFi previously]. Just over three years later, a memorial headstone – designed collaboratively by Wilson’s long-term associates Peter Saville and Ben Kelly, with Paul Barnes and Matt Robertson – was unveiled in the Southern Cemetery in Chorlton-Cum-Hardy, Manchester.” A 2001-like Modernist monolith for a scion of Manchester, the “Original Modern.”
How to make a newspaper out of blog entries. Ben Terrett and Russell Davies explain how they turned their friends’ (and strangers’) blog posts, Twits, and Flickr photos into the thousand-copy broadsheet Things Our Friends Have Written on the Internet 2008.
Grace Jones in chocolate. That isn’t a clever illustration of an assembly line of Grace Jones heads on the cover of her new album, Hurricane. Those are real chocolate Grace Jones heads made from 16 moulds of her head and body.
Massimo Vignelli’s 1972 NYC subway map is back Yours for the low, low price of 299 bucks for one copy of the limited edition of 500. (Previous MeFi comments on the famed design, which the New York MTA eventually shitcanned. [Via.])
“Nobody needs information architects anymore” “His problem, he figures, is simple: Nobody needs information architects anymore. The entire discipline was overly specialized, a hologram created by temporarily explosive demand for Web-site design, which vanished last year.” (Link sometimes worked and sometimes did not over the course of ten trials in three browsers. ROBMagazine.com → Table of contents → “Crash Test Dummies” will get you there.)
Grrrlz R the future of computerz! A suprisingly warm-hearted and atypically unguyish analysis of the “ridiculous” new iMac colours and what they represent for future computer use. If Apple blew it by not letting teenage boys play games, are they smart to make iMacs attractive to sensitive, design-focused people (including grrrlz) as so-called digital hubs? Or will the boyz shoot ’em up on Wintel while the grrrlz rip boy-band MP3s on groovy iMacs? (My claim: Bondi blue remains the bestest iMac shade ever. Discuss.)