Adam Thirlwell has written five essays in as many years for The New Republic. They all concern themselves with literature, especially French, though the first one was about Charles Dickens and how he was the most avant-garde writer of the 19th Century. The second was about Roland Barthes' plans to write a novel which came to nothing when he died. In Visionary Materialism, Thirlwell explores Rimbaud's Illuminations from several angles. Genocide and the Fine Arts is about Claude Lanzmann, the director of Shoah, and his complicated relationship with his famous work. The latest one, Baudelaire's Humiliation as a Way of Life, is about Baudelaire's place at the crux of the 19th Century revolution in letters.
"Some remarkable Books, Antiquities, Pictures and Rarities of several kinds, scarce or never seen by any man now living."
Musæum Clausum is a catalog of invented books, pictures and antiquities written by 17th Century Englishman Sir Thomas Browne. It is a fantastical and witty meditation on the ravages of time on literature and other works of man. The Musæum Clausum is perhaps the finest example of the invented, or invisible, library, a genre which seems to have originated with Rabelais. The genre has been of special interest to Beachcombing's Bizarre History Blog (older posts), where he has written about the invisible libraries of writers such as Charles Dickens, Neil Gaiman, H. P. Lovecraft and invisible libraries in video games. The natural medium for invisible libraries might be pictures, and Musæum Clausum inspired a suite of etchings by Erik Desmazieres.
170 years ago, a gala ball was held in his honor on Valentine's Day. Flattered by New York City's elites, the author considered the occasion the finest moment of his life, particularly since he felt the United States was an ideal example of how Britain's class-bound society should live. But in the following weeks, when besieged by fawning groupies and actually meeting directly with the less than well-heeled folk of the New World, that his disposition turned sour. [more inside]
"It was a good thing to have a couple of thousand people all rigid and frozen together, in the palm of one's hand." - Charles Dickens
Charles Dickens' A Christmas Carol has been reprinted, abridged, disected, redrawn and re-told on film numerous times, but the original 66 page manuscript has rarely been seen by the public. The manuscript was obtained by The Morgan Library & Museum during the 1890s, where it is currently on display. If you can't make it to New York this time of year, you can take a close look at 4 heavily edited pages and attempt to decipher Dickens' original writing, thanks to The New York Times.
An Interactive Map of Charles Dickens' London. After you have had a chance to peruse the map, see then and now pictures or take a quiz about Dickens' London. If you want to see it with your own eyes, take a walking tour. Or if you are daring enough, you can try to virtually survive Dickens' London.