Adam Thirlwell has written five essays in as many years for The New Republic. They all concern themselves with literature, especially French, though the first one was about Charles Dickens and how he was the most avant-garde writer of the 19th Century. The second was about Roland Barthes' plans to write a novel which came to nothing when he died. In Visionary Materialism, Thirlwell explores Rimbaud's Illuminations from several angles. Genocide and the Fine Arts is about Claude Lanzmann, the director of Shoah, and his complicated relationship with his famous work. The latest one, Baudelaire's Humiliation as a Way of Life, is about Baudelaire's place at the crux of the 19th Century revolution in letters.
When Dickens Met Dostoevsky. "So now the meeting between two literary giants had led me to two names with very little behind them: Stephanie Harvey, who had written only these two articles, and Leo Bellingham, whose chief claim to fame may be that he was once compared by Stephanie Harvey to Doris Lessing." [more inside]
"Some remarkable Books, Antiquities, Pictures and Rarities of several kinds, scarce or never seen by any man now living."
Musæum Clausum is a catalog of invented books, pictures and antiquities written by 17th Century Englishman Sir Thomas Browne. It is a fantastical and witty meditation on the ravages of time on literature and other works of man. The Musæum Clausum is perhaps the finest example of the invented, or invisible, library, a genre which seems to have originated with Rabelais. The genre has been of special interest to Beachcombing's Bizarre History Blog (older posts), where he has written about the invisible libraries of writers such as Charles Dickens, Neil Gaiman, H. P. Lovecraft and invisible libraries in video games. The natural medium for invisible libraries might be pictures, and Musæum Clausum inspired a suite of etchings by Erik Desmazieres.
Charles Dickens' A Christmas Carol has been reprinted, abridged, disected, redrawn and re-told on film numerous times, but the original 66 page manuscript has rarely been seen by the public. The manuscript was obtained by The Morgan Library & Museum during the 1890s, where it is currently on display. If you can't make it to New York this time of year, you can take a close look at 4 heavily edited pages and attempt to decipher Dickens' original writing, thanks to The New York Times.
"On the clock striking twelve he appeared slightly agitated, but he soon recovered, walked twice or thrice along the coach house, stopped to bark, staggered, exclaimed 'Halloa old girl!' (his favorite expression) and died... The children seem rather glad of it. He bit their ankles, but that was play..." So wrote Charles Dickens, describing the death of his pet raven "Grip," in a letter to a friend. Grip has an interesting legacy. Having served as an eponymous character in Dickens' Barnaby Rudge [full text] and subsequently inspiring Edgar Allan Poe's The Raven [full text], Grip has the distinction of being named a literary landmark. His taxidermied body is on display in the Rare Book Department at the Philadelphia Free Library.
An informative, gossipy and surprisingly engaging 6-page exploration of the life of Charles Dickens, including his up-and-down relationship with the U.S. press, his inexcusable behavior during his messy and very public separation from his wife, the "histrionic flair" of his performance career, and, of course, his works, including the one George Bernard Shaw called "a more seditious book than Das Kapital." Lots of interesting images, too.
Huck Finn, Heart of Darkness, A Tale of Two Cities, and others - free audio books. Text and audio on the web, or downloadable mp3s with embedded text.
Flaubert on Structural Unity. "I’ve just read 'Pickwick' by Dickens. Do you know it? Some bits are magnificent; but what a defective structure! All English writers are like that. Walter Scott apart, they lack composition. This is intolerable for us Latins". Extracts from the letters of Flaubert (via the very awesome book coolie)