The State of Comic Book Retail - David Harper's latest comics industry survey shows bricks and mortar comic stores to be in a surprising period of opportunity and change. But are there now too many comics?
Sales of digital comics have soared in the past three years. Readers love the look of comics on the iPad screen and they also love the convenience of in-app purchasing, which allows consumers to buy and store their comics within a single app. So it’s a big deal when Apple bans a comic—usually because of sexual or mature material or nudity—and it has happened to at least 59 comics this year. - Are comics too hot for Apple? Publishers Weekly looks at Apples role as Gatekeeper in the wake of their rejection of Sex Criminals #3 and retroactive removal of Sex Criminals #1 from the iOS marketplace. Strangely the books remain available via iBooks. This is not the first time Apples policies have been confusing or raised concerns of censorship, such as with the Saga of Saga #12 earlier this year, and before the rise of comixology with the banning/unbanning of Ulysses Seen (previously).
Saga, by Brian K. Vaughan and Fiona Staples , has swept the Eisners, taking home awards for Best Continuing Series, Best New Series and Best Writer. Here's why you should be reading it.
The Will Eisner Comic Industry Awards, commonly shortened to the Eisner Awards, are prizes given for creative achievement in American comic books since 1988. The digital comic category was added in 2005. Some say the category could be expanded, given the abundance of digital creations. Regardless, there are 42 different titles nominated in the past 8 years. The 2013 nominations have been made: Ant Comic, by Michael DeForge (previously, twice) | Bandette, by Paul Tobin and Colleen Coover | It Will All Hurt, by Farel Dalrymple (previously) | Our Bloodstained Roof, by Ryan Andrews (previously) | Oyster War, by Ben Towle. Nominations and winners from prior years inside. [more inside]
What happens when you’re a crimefighter and your sidekick grows up to be an arrogant, ungrateful douchebag? What on Earth could draw the two of you back together again?. Insufferable is a new web comic from Mark Waid (writer of Captain America, 52 Kingdom Come and Daredevil among others), creator of Irredeemable, and ex-chief creative officer of Boom Studios) being offered via Thrillbent, a platform he he and others hope will revolutionise digtial comics. Waid's goal in the long run: to create a collective of new creators and industry veterans who want to aggregate their content and use the digital medium in new and different ways. [more inside]
"See, lots of people love comics. Lots of people make comics. Most of us aren’t included in the mainstream. Now with our own books, we can reach a far broader audience than capes comics or art/autobiographical comics can." Comics creator Alex de Campi talks about digital comics, the realities of funding indie comics, and bypassing the mainstream - finding the Self-Publishing Holy Grail. De Campi is not new to digital comics, and has written at length about the nuts and bolts of publishing a story in a dizzying array of languages and formats. She is now using crowdfunding to publish Ashes, the follow-up to her Eisner nominated graphic novel Smoke.
An extended fugue state ramble about the shape of comics and, God, I don't know, a dozen other things.
Why people like digital comics: you can charge for them, and they look pretty on an iPad. Why people like webcomics: they're free. - Warren Ellis looks at The Broadcast Of Comics.
Perhaps I don’t have the allegiance to paper that I ought to because anybody who invests in The Absolute Sandman, all four volumes, is now carrying 40 pounds of paper and cardboard around with them. And they hurt and they complain, “Oh, I feel guilty.” And I look at it and go, you’re not getting anything that is quantitatively or qualitatively better than the experience you’d be getting on an iPad, where you can enlarge the pages, you can move it around, it’s following the eye, and you can flip the pages. - Neil Gaiman on digital comics. Will this be the year of comics readng devices, as comiXology CEO David Steinberger says? Comixology is certianly leading the way, announcing tools for independant comics creators that will allow them to publish their comics via the comixology store, complete with the "guided views" which are a core part of their viewing experience. One creator who is full embracing digital is Alex De Campi, whose Napoleonic comic Valentine is not only published across a range of devices (iOs, Epub, Android, Kindle) but also in 14 languages, something that would have been difficult-to-impossible otherwise. Previous digital comics, Comixology suggestions