On June 7th, the Disney XD channel will premiere a new, 10-part miniseries: Tron Uprising
. The series, which will feature the voices of Elijah Wood, Lance Henriksen, Bruce Boxleitner (reprising his role as 'Tron',) Mandy Moore and Paul Reubens, will combine 2D and CGI animation styles, and is set between the events of the first and second Tron movies. Trailers: 1
. 2011 ComicCon Preview
. Disney released a full-length "prelude episode" yesterday evening (US Only): Beck's Beginning
) [more inside]
posted by zarq
on May 13, 2012 -
Weekend At Kermie's: The Muppets' Strange Life After Death.
Elizabeth Stevens asks:
What if, in 1990, instead of recasting Kermit—something that had been done to Mickey and Bugs Bunny before him—the Muppets had continued on Kermit-less, as "The Simpsons" did after Phil Hartman died. Recall Susan’s words on "Seasame Street" about Mr. Hooper in 1982: “Big Bird, when people die, they don’t come back.” Let’s say Robin showed up saying his uncle Kermit had passed away? Or, if that was too dark for Disney, what if Kermit had left show business to go off to start a family with Piggy? Someone else could lead the gang of weirdoes.
It would’ve made more artistic sense than what happened
posted by zarq
on Jul 14, 2011 -
Los Angeles Magazine asks, "Can the LA Times be saved?"
One suggestion is to hire Nikki Finke
, Hollywood's ultimate contrarian reporter
. Finke was canned in 2002 by the New York Post
over a series of articles critical of Disney. [1 2] She sued in response.
Shortly afterwards, she landed at the LA Weekly
, where she boasts an incredible archive of weekly columns
- recent entries include a quasi-defense of Mel Gibson
, coverage of Cruise versus Redstone
, and Michael Ovitz's gay problem
. On the side, she likes to bite people's heads off
, and reminisce about a New York that's now gone
. She now gets to let it all out on her own blog, Deadline Hollywood Daily
. [previously mentioned 1 2 3 4]
posted by phaedon
on Mar 20, 2007 -
It's the plot, stupid. USA Today
runs their usual insightful commentary about the upcoming release of Lilo and Stitch. It obsesses over the absence of CGI graphics pointing to Atlantis
as evidence for the failure of traditional animation to draw box office. Funny me, I thought that Atlantis
bombed because of a plot better left in 50s serial format, a cast of sterotypes rather than characters, and no sense of humor beyind dirty French jokes repeated over and over again. And is huge success of Pixar
due to their pioneering animation, or their brilliant comic talent?
What causes FX myopia anyway? Granted I can understand why fanboys obsess over the wrong things in a movie. Do the studios set it up by trying to hype each new summer release as the next big technical development (while the artistic development gets trumped by Waking Life
posted by KirkJobSluder
on Jun 18, 2002 -