On June 7th, the Disney XD channel will premiere a new, 10-part miniseries:
Tron Uprising. The series, which will feature the voices of Elijah Wood, Lance Henriksen, Bruce Boxleitner (reprising his role as 'Tron',) Mandy Moore and Paul Reubens, will combine 2D and CGI animation styles, and is set between the events of the first and second Tron movies. Trailers:
1,
2. 2011 ComicCon
Preview. Disney released a full-length "prelude episode" yesterday evening (US Only):
Beck's Beginning. (
Via)
[more inside]
posted by zarq
on May 13, 2012 -
38 comments
To paraphrase a character in the film, The Black Hole walks "a tightrope;" if not between "genius" and "insanity," then certainly between "genius" and "banality". If you're looking at this movie as a Manichean exercise between darkness and light, then you can -- for at least a few hours -- entertain the "genius" part of that equation.
posted by Trurl
on Sep 25, 2011 -
106 comments
It was bound to happen eventually. After
a quarter-century,
26 Academy Awards, and an unparalleled streak of
eleven artistic and commercial triumphs, Pixar's latest project,
Cars 2, is
Certified Rotten. Critics have
assailed the film as a slick but hollow vehicle for Disney's
$10 billion-dollar Cars merchandising industry "lifestyle brand," replacing the original's serviceable tale of small-town redemption with
zany spy games,
hyperactive chase sequences, and even more
lowbrow aww-shucks potty humor from
Larry the Cable Guy. But it's not all bad news! Along with
a fun new Toy Story 3 short, preceding today's (3-D) premiere showings is a first look at next year's
Brave --
a darkly magical original story set in ancient Scotland featuring the studio's first female lead (and
director).
Evocative high-res concept art [mirror] is available at the official website, and
character sketches have leaked to the web, with the apparently striking teaser trailer sure to follow. Also, be sure not to miss the sneak peak of
Brave's associated short,
"La Luna"!
posted by Rhaomi
on Jun 24, 2011 -
263 comments
Toy Story 3 hits theaters today, and it's already winning
universal acclaim as an enchanting and heartbreaking wonderwork, employing
understated 3D and a
"real-time" perspective that
deftly capitalizes on the nostalgia and can't-go-home-again angst of a generation that grew up with the series.
It has a strong pedigree, with 11-year-old predecessor
Toy Story 2 the rare sequel to equal its forebear, 1995's
Toy Story (itself the first CGI feature in history).
And it joins a lofty stable of films: over the last 15 years, Pixar has put out an unbroken chain of
ten commercial and critical successes that have grossed over $5 billion worldwide and collected
24 Academy Awards (including the
second-ever Best Picture nom for animation with
Up), a legacy that
rivals some of the greatest franchises in film history.
But there's rumbling on the horizon. Although the studio has been
hailed for its originality (of the 50 top-grossing movies in history, only nine were original stories -- and
five of them were by Pixar), two of their upcoming projects are
sequels, both of them based some of their least-acclaimed films (
Cars 2 in 2011 and
Monsters, Inc. 2 in 2012). And while 2012 will also bring
The Bear and the Bow Brave, the first Pixar flick to feature a female protagonist
[previously], fellow newcomer
Newt has been
canceled. With
WALL-E/Up/Toy Story 3 guru Andrew Stanton focusing on
his 2012 adaptation of
John Carter of Mars and with
forays into live-action already in development,
does this mark the end of the golden age of Pixar? Or is this latest entry lasting proof that even the toughest case of sequelitis can be raised to the level of masterpiece?
[more inside]
posted by Rhaomi
on Jun 18, 2010 -
227 comments
Coloring the Kingdom: the story of the all-female “finishing school” of hand-drawn animation that worked behind the scenes to create the first animated full-length Disney feature, Snow White. (
via.)
posted by 1f2frfbf
on Feb 5, 2010 -
8 comments
People have been trying to make the appearance of three-dimensional movement
almost as far back as
the first movie cameras. The very first efforts used
stereoscopy (
more pre-
vious-
ly), which wasn't functional for theater-settings.
In 1915, the first public test of 3D film was deemed unsuccessful, as images presented with
green/red lenses detracted from the plot, but that didn't stop people from trying to make 3D films.
Polarized glasses are another inexpensive method of simulated 3D, while
shutterglasses are a more costly method. Up to 1998 or so, there were
approximately 187 3D movies made, not counting porn, cartoons and shorts (which bring the 1998 total to 263). 2009 is supposedly
the year that 3D movies really take off, as it has been reported that 3D films are expected to gross over $1bn (£700m) at the box office next year, a five-fold increase on their $200m haul in 2008.
There are some really big titles coming, including
the "3D drug trip" that is Avatar, and
all of the announced future Pixar releases will get the Digital Disney 3-D treatment. But 3D isn't limited to the big screen and big companies. The next format war
could be over 3D TV. And now the independent production company
MeniThings has released the feature-length movie,
Battle for Terra. [via
mefi projects, and a bit more on the movie after the jump]
[more inside]
posted by filthy light thief
on May 8, 2009 -
56 comments
america's heart and soul - so, they wouldn't release fahrenheit 9/11, but this, this is okay. are they making efforts to distance themselves from any involvement with fh9/11, or do they want to make sure that washington
keeps listening?
From the chronicle:
Disney officials insist their 88-minute film, "America's Heart and Soul" -- stitching simple, positive vignettes of everyday Americans with sweeping vistas and up-tempo music -- is neither a response to Moore's politically charged hit nor any type of political statement itself.
more coverage
here, and a
review.
posted by christy
on Jul 1, 2004 -
34 comments
Pixar Dumps Disney: "It is impossible to know how bad this is for Disney." On the other hand:
Disney can begin creating sequels to all of Pixar's films, something it could not do under its current arrangement and is almost certain to exploit. On the third hand:
One film executive suggested that Mr. Jobs could now be considered a candidate to run Disney if indeed Mr. Eisner ever left.
posted by alms
on Jan 29, 2004 -
26 comments
It's the plot, stupid.
USA Today runs their usual insightful commentary about the upcoming release of Lilo and Stitch. It obsesses over the absence of CGI graphics pointing to
Atlantis as evidence for the failure of traditional animation to draw box office. Funny me, I thought that
Atlantis bombed because of a plot better left in 50s serial format, a cast of sterotypes rather than characters, and no sense of humor beyind dirty French jokes repeated over and over again. And is huge success of
Pixar due to their pioneering animation, or their brilliant comic talent?
What causes FX myopia anyway? Granted I can understand why fanboys obsess over the wrong things in a movie. Do the studios set it up by trying to hype each new summer release as the next big technical development (while the artistic development gets trumped by
Waking Life and
Insomnia?)
posted by KirkJobSluder
on Jun 18, 2002 -
7 comments
Online petition to bring Spirited Away, Japan's currently largest grossing film, to thje states. Disney owns the domestic rights to all of Hayao Miyazaki's films (think Princess Mononoke) and has no plans to release
Spirited Away.
posted by skallas
on Aug 30, 2001 -
25 comments
Tron returns with a vengeance. With a theatrical sequel, a 20th anniversary DVD and a first-person PC shooter, you have to wonder why Disney is rollling out the red carpet all of a sudden.
posted by ed
on Jul 27, 2001 -
34 comments
Disney's Atlantis ripped from the anime movie Nadia. Talk about role reversal (you see, a lot of anime creators style comes from trying to emulate Disney style in the early days of the genre) this site presents some interesting evidence that Disney's summer blockbuster is a complete copy of an earlier film released in 1990 in Japan.
posted by Brilliantcrank
on Jun 23, 2001 -
9 comments