A ro-ro ferry briefly "docks" at the island of Kimolos. Video. Everyone, and everything gets soaked.
As a young man in the 1920s, Dock Boggs [previously] recorded some songs that were released as 78s, and they are wonderful treasures of southern Americana, but I was always even more fond of his recordings from the 1960s, when, as an old man, he was rediscovered during the folk boom. So I was delighted to find that three of his 60s-period performances have recently shown up on YouTube. Here's Pretty Polly, Country Blues and I Hope I Live, all from 1966. [more inside]
The stark, modal banjo and achingly poignant, weathered voice of the great Dock Boggs [previous] are the perfect aural accompaniment to a slideshow of William Gedney's [previous] powerfully intimate photographs: Kentucky, 1964. [more inside]
For lovers of old-time, mountain banjo styles and songs, Roscoe Holcomb and Dock Boggs are revered figures. To many, however, plucker and singer David Akeman remains uncelebrated or unknown, even by his stage name of Stringbean. Is it because he was for a time actually famous as a country music showbiz staple, and therefore lacks folk cred? Or maybe the purists just can't get with those low-hanging pants the man was known for, his original hillbilly homeboy styling? Or was it cause on any given tune his left hand would likely be off the neck of the banjo more than on it? Whatever the reason, it's time folks took a new look at Stringbean. After all, the lines between folk and commercial styles have always been blurry in American music. Let's hear it for Stringbeeeeeeeaaan! [more inside]