This is The Big Picture, an official television report of the United States Army, produced for the armed forces and the American people. Now to show you part of The Big Picture here is Master Sargent Stuart Queen
The series consists of ~822 documentaries produced by the United States Army Signal Corps Army Pictorial Service from 1951 to 1971 to educate both soldiers in uniform and the American public about military concerns as well as things like historical battles, world geography, famous soldiers, the latest weapons, space exploration, strategic objectives, peaceful initiatives, and the life of a soldier. Being a product of the Federal Government it belongs to the the American people, and is thus freely available to all to copy and distribute. Most can now be viewed on archive.org [more inside]
Why We Fight is a series of seven documentary films commissioned by the United States government during World War II whose purpose was to show American soldiers the reason for U.S. involvement in the war. Later on they were also shown to the general U.S. public to persuade them to support American involvement in the war.
Each of them is in the common domain having been produced by the US government, available online, and linked below the fold: [more inside]
Former CNN journalist Amber Lyon
is speaking out against the network
after it decided for "editorial reasons" not to air its documentary iRevolution
on CNN International. Lyon worked on a 13-minute segment
interviewing democratic activists in Bahrain, who risked their own safety to be heard. Glenn Greenwald reveals that at the same time, CNN was being paid by the Bahrain Economic Development Board to produce pro-state coverage
as part of its "Eye On" series
. A senior producer complained to Lyon about the nature of her coverage: "We are dealing with blowback from Bahrain govt on how we violated our mission, etc."
Человек с киноаппаратом
("Man with a Movie Camera") is a classic experimental documentary film that was released in 1929. Directed by pioneer Soviet filmmaker Dziga Vertov
, this classic, silent documentary film has no story and no actors, and is actually three documentaries in one. Ostensibly it documents 24 hours of life in a single city in the Soviet Union. But it is also a documentary of the filming of that documentary and a depiction of an audience watching that documentary and their responses. "We see the cameraman and the editing of the film, but what we don't see is any of the film itself." [more inside]
From 1935 to 1951, Time Magazine bridged the gap between print & radio news reporting and the new visual medium of film, with March of Time
: award-winning newsreel reports that were a combination of objective documentary, dramatized fiction and pro-American, anti-totalitarian propaganda. They “often tackled subjects and themes that audiences weren’t used to seeing
— foreign affairs
, social trends
, public-health issues — and did so with a combination of panache and subterfuge that today seems either absurd or visionary.” (Previous two links have autoplaying video.)
By 1937, the short films were being seen by as many as 26 million people every month and may have helped steer public opinion on numerous issues,
) America’s entry to WWII
. Video samples are available at Time.com,
the March of Time Facebook page
and the entire collection is available online, (free registration required)
at HBO Archives. [more inside]
- Given Saddam Hussein's central place in the American Consciousness over the last couple decades and particularly in recent years, I found 60 minutes' interview with FBI interrogator
George Piro pretty fascinating.
Why We Fight,
the BBC documentary from Eugene Jarecki
about the American military-industrial complex and its origins (trailer@apple
). For some reason its up in full at Google Video, so if you didn't get a chance to see it in the theaters, well, here it is! 1hr,40m - save it for later, perhaps. It's named after a series of war propaganda newsreels
, directed by Frank Capra, demonstrating the need to enter WWII. These too are available on GV
, as well as archive.org - to your surprise and delight. And for your convenience: Reels One
, Five parts 1
, and Seven
Leni Riefenstahl, dead at 101
In response to her film making for the Nazi regime, she said "It reflects the truth as it was then, in 1934. It is a documentary, not propaganda."
Revoke the Oscar.
Should "Bowling For Columbine" be considered non-fiction if it manipulated scenes and knowingly left out key information? Would a new category be better, like say adjusted documentary or propaganda? Or is it impossible
to make a documentary without some point of view?