Salt Lake City progressive doom band SubRosa play a three-song set at Hellfest 2014. [Fat of the Ram, 0.04; Ghosts of a Dead Empire, 15.40; The Usher, 27:50.] [more inside]
Through Silver In Blood turns 20. Invisible Oranges reflects on the dense, white-hot cornerstone of Neurosis' 30 year career. A marriage of ritualistic drumming, suffocating noise, and crushing distortion, best exemplified in this profound live rendition of Locust Star. [more inside]
Let’s not kid ourselves, we ain’t young. We have pretty big ideas garnered from many years of listening to shitty records, splendid records, and albums that are supposed to be influential. Each time we notice our name getting mentioned on certain genre specific internet forums we get the fear. Who in their right minds wants to get stuck playing one sort of thing for seven years and beyond?London/Somerset/Watford band Hey Colossus, "the most exciting guitar band on the planet" according to Artrocker Magazine, have spent 12 years producing noisy/doom/stoner-influenced/experimental/riff-rock. Near the end of 2015, however, they declared that "it is more subversive for us to compose songs with rigid song structures than it is to absentmindedly clang off another riff-athon." The result, the Radio Static High LP, can now be streamed at The Guardian or via Spotify. [more inside]
Death is the Mother of Beauty The doom metal band named, uh, DoOoM, has churned out seven instrumental tracks of…doom, written by MeFi's Own gwint! (I'm only on track five, but I'm that excited.) In the vein of Sleep or Trouble, they are heavy and chill. Over giant-heartbeat-like kick drums, elegant and grounded riffs flow. They are wrapped generously in hearty, fibrous fuzz. Let your brain sink through the layers of the earth guided by a wise capybara as your body pretends to work this afternoon! [via mefi projects] [more inside]
Last week, American doom/stoner metal band Sleep released a single entitled 'The Clarity', their first new recording in over sixteen years, via the 2014 Adult Swim Singles series. [more inside]
Twenty years ago tonight, id Software uploaded Doom to an FTP server at the University of Wisconsin-Madison and completely changed the video gaming industry. [more inside]
Psychonaut by The Cosmic Dead is free psych rock. Going Up, Coming Down by Sudden Death of Stars is free French psych with sitars. Kosmonaut 1 by Kosmonaut is free Tangerine Dream-style space rock. Sedan by Sedan is free hypnotic piano and drums. Ouroborus by Hypatia Lake is free stoner rock. Watch Your Back by Butchers is free slacker noise psych. Tumbleweeds by Across Tundras is free prairie rock. Concrete Light by Luger is free neo-kraut in a Stereolab vein. Born to Deal in Magic: 1952-1976 by Shooting Guns is free instrumental stoner doom. You Can't Win by The Runnies is free female-fronted organ trio psych. War of the Giants by Axxicorn is free stoner metal. [more inside]
Massive, sprawling, jarring, yet soothing, intimate, and inescapable. Listening to Giant Squid is like waking up to find yourself trying to escape from underneath a mile-wide sheet of lake ice. Featuring stark contrasts between soothing instrumentals and oceanic heavy riffs, intertwined with male/female vocal harmonies that are alternately calm and frantic, Giant Squid creates a dynamic that is haunting and irresistible. [more inside]
Hello Chococat, Oh No! Doom, Sludge, Noise(warning: ewwtube): the music of Monarch (warning:murdochSpace); they're from Bayonne.
[nytimesfilter] Why is the New York Times obsessed with doom metal? For a newspaper that gives perfunctory (at best) coverage to non-classical, non-top-40 music, the publication of two articles about one marginal subgenre of indie rock seems incredibly conspiratorial.