TV serials, says Richard Beck, self-consciously set out from the very beginning to get us to take them seriously. From
Hill Street Blues to
The West Wing to
The Sopranos and
The Wire,
how the television series convinced us that it was art — and now, why
Lost's achievement of success via casual genre mixing and narrative derangement might signal that there's no future creative ground left within the old limits of serial drama.
posted by hat
on May 24, 2010 -
120 comments
Winner of an Emmy for best dramatic series in 1988, thirtysomething (ABC, 1987-1991) represented a new kind of hour-long drama, a series which focused on the domestic and professional lives of a group of young urban professionals-- a socio-economic category of increasing interest to the television industry. The series attracted a cult audience of viewers who strongly identified with one or more of its eight central characters, a circle of friends living in Philadelphia. And its stylistic and story-line innovations led critics to respect it for being "as close to the level of an art form as weekly television ever gets," as the New York Times put it. -
Museum of Broacast Communications [more inside]
posted by Joe Beese
on Jun 9, 2009 -
75 comments
HBO's Deadwood is quite possibly the best television show ever produced. Not only is it amazingly gripping stuff, it's also meticulously researched. (Pretty easy to do when the
entire city is a registered
historic landmark.)
Sure, we all know that
Wild Bill and
Calamity Jane were real people. As it turns out, though, almost
every main character in the show (and many minor ones) had a real life counterpart, as did many of the
events.
Deadwood notables
EB Farnum,
Reverend H W Smith,
Seth Bullock and his partner
Sol Star,
Colorado Charlie Utter,
Al Swerengen with his Gem Saloon, and the crosseyed gambler
Jack McCall all lived and breathed in one of America's most storied cities.
posted by absalom
on Dec 10, 2004 -
82 comments