“You can’t roll a joint on an iPod” or how the iPod killed the music industry. First the music biz overlooked the computer CD rom when they put copy control on cd burners. Then they eliminated the single. Shortly after that "mp3" replaced "sex" as the most popular search term. Apple has become the largest music seller largely against the wishes of the music biz, but 99 cents beats free. Yesterday Apple announced they were eliminating DRM. The questions remains, who needs Universal Music Group, Sony BMG, Warner Music Group, and EMI, does Apple? When is Apple just going to replace them? There were rumors a year ago that they would launch a record label with Jay-Z but that does not appear to have come to fruition.
posted by caddis on Jan 7, 2009 - 105 comments

Bob Lefsetz has been sharing his opinions on the music industry for years. In last night's newsletter, he announces, "Let the games begin!" - and indeed, let them. Universal Music has declined to re-sign to a long term deal with Apple, essentially leaving them open to exclusive deals with other services. The fact that Doug Morris (chairman of UMG) and Zach Horowitz (President of Universal's parent company, Vivendi) have been gearing up to loosen the stranglehold that iTunes has on online distribution is not exactly news. They've used similar tactics against Microsoft's Zune and YouTube. But with the release of the iPhone and following his well-timed decision to openly "share his thoughts" on DRM, not to mention his landmark deal with (perennial "armpit of the industry") EMI to sell their music DRM-free and at a higher cost - the real question is: is Steve Jobs ready to play hardball?
posted by phaedon on Jul 2, 2007 - 48 comments

EMI announces they will begin offering their catalog through online stores sans DRM. Apple's iTunes Store to be among the first, offering a 2-tier price structure featuring 2 different quality versions. Sorry if this is a repeat. I swear I searched first.
posted by Thorzdad on Apr 2, 2007 - 107 comments

European music copyrights from the '50s due to expire this year, and to grossly oversimplify things, RIAA is on the warpath, saying that imports from there would be acts of piracy. Considering that there's a gold mine's worth of material begging to be shown the light again (the Maria Callas material mentioned in the article, for example), no doubt there will be some great releases...but will EMI's actions be more the exception than the rule? (NYT link, yadayada)
posted by PeteyStock on Jan 2, 2003 - 17 comments