“When I was doing my Post-Doc at UCL I used to go to the British Museum to relax, and work in the beautiful library there, so I chose the space for the mix. I wanted to capture the ambient atmosphere in the central courtyard, so I did some binaural recording to include in the mix. I also wanted to make the mix something of an exploration through history and ideas in line with the contents of the museum, so I brought in lots of disparate music spanning the centuries and continents. I also mixed it in a way to be like a journey though the museum, turning corners and regularly coming across something totally different and unexpected, with each track being like a different exhibit. Hence the name of the mix, in that, each piece of music almost has a visual content.” --
Max Cooper & The British Museum [more inside]
posted by empath
on Apr 21, 2013 -
11 comments
Contrary to popular belief,
cats can make great DJs. It's just a small sample, but it's nice to see him really get into it as the set progresses.
posted by gman
on Jan 27, 2012 -
32 comments
Introduced to Western culture by the Beatles in their single
Norwegian Wood, the
sitar has featured prominently in North Indian classical music for centuries. Princeton-based computer scientist Ajay Kapur updates the instrument with his
ESitar, an audio and video controller that uses
gesture input (PDF) and
machine learning algorithms to facilitate joining the computer with Ajay in his sitar performance. Undergraduate engineering students at the University of Pennsylvania work from the other direction, building
RAVI-bot, an
award-winning, self-playing
robotic sitar (YouTube) programmed to generate music from classical
Raga scales and melodies all on its own. For those in the Philadelphia area, be sure to check out a live performance of RAVI-bot at the local
Klein Art Gallery.
posted by Blazecock Pileon
on Apr 19, 2007 -
32 comments
To work around the proprietary whims of digital audio software developers and laptop processor limitations during the mid- and late-1990s, a small band of technically-minded people, including the electronic musician
Blitter, pulled together in the late 1990s to engineer the open-source
OPEN DSP EZ-Kit platform, a 16-bit computer designed entirely with a focus on low cost and extensible control and DSP arithmetic capabilities. While this project and
similar commercial offerings never seemed to gain the critical mass needed to sustain long-term interest, perhaps the new
Arduino hardware project from MIT's
Processing hardware group may gain a foothold with
Processing and
Pure Data audio software hobbyists and artists alike, allowing the creative community to extend, enhance and share inventive uses of new technology. Arduino's use has
already begun in
fascinating museum installations around the world, and has become a part of this year's
SONAR and
Ars Electronica festivals.
posted by Blazecock Pileon
on Aug 12, 2006 -
10 comments
