"The internationalized art world relies on a unique language. Its purest articulation is found in the digital press release. This language has everything to do with English, but it is emphatically not English. It is largely an export of the Anglophone world and can thank the global dominance of English for its current reach. But what really matters for this language—what ultimately makes it a language—is the pointed distance from English that it has always cultivated. " -
Triple Canopy magazine on why do artists' statments and press releases sound so utterly odd and confusing.
posted by The Whelk
on Apr 26, 2013 -
45 comments
The Corpus of American Historical English is a searchable index of word usage in American printed material from 1810 to 2009. Powerful complex searches allow you to trace the appearance and evolution of words and phrases and even specific grammatical constructions, see trends in frequency, and plenty more. Start with the
5-Minute Tour.
posted by Miko
on Jan 7, 2012 -
23 comments
Gullah—the African-influenced dialect of Georgia’s Sea Islands—has undergone few changes since the first slave ships landed 300 years ago, and provides a clear window into the shaping of African-American English.
This classic PBS program traces that story from the west coast of Africa through the American South, then to large northern cities in the 1920s. Studying the origins of West African pidgin English and creole speech—along with the tendency of 19th-century white Southerners to pick up speech habits from their black nursemaids—the program highlights the impact of WWI-era industrialization and the migration of jazz musicians to New York and Chicago.
posted by cthuljew
on Nov 15, 2011 -
12 comments
Unlike many cinematic exports,
the Disney canon of films distinguishes itself with an impressive dedication to
dubbing.
Through an in-house service called
Disney Character Voices International, not just dialogue but songs, too, are
skillfully re-recorded, echoing the voice acting, rhythm, and rhyme scheme of the original work to
an uncanny degree (while still leaving plenty of room for
lyrical reinvention).
The breadth of the effort is surprising, as well -- everything from
Arabic to
Icelandic to
Zulu gets its own dub, and their latest project,
The Princess and the Frog, debuted in
more than forty tongues.
Luckily for polyglots everywhere, the exhaustiveness of Disney's translations is thoroughly documented online in
multilanguage mixes and
one-line comparisons, linguistic kaleidoscopes that cast new light on old standards.
Highlights:
"One Jump Ahead," "Prince Ali," and
"A Whole New World" (
Aladdin) -
"Circle of Life," "Hakuna Matata," and
"Luau!" (
The Lion King) -
"Under the Sea" and
"Poor Unfortunate Souls" (
The Little Mermaid) -
"Belle" and
"Be Our Guest" (
Beauty and the Beast) -
"Just Around the Riverbend" (
Pocahontas) -
"One Song" and
"Heigh-Ho" (
Snow White) -
"Bibbidi-Bobbidi-Boo" (
Cinderella) -
Medley (
Pinocchio) -
"When She Loved Me" (
Toy Story 2) -
Intro (
Monsters, Inc.)
posted by Rhaomi
on Nov 12, 2010 -
31 comments
Since 1980, the
Celtic Media Festival has brought together people who broadcast, and now Webcast, in Celtic languages. Videoblog Gwagenn.TV provides a
report (with autoplaying video) from the 2009 festival whose clips and interviews are spoken and subtitled variously in Breton, French, English, Welsh, Scots Gaelic and Irish, Catalan, and Basque, not all of which are actually Celtic.
[more inside]
posted by joeclark
on Sep 15, 2009 -
5 comments
The Gawain Project is an ongoing translation of the late 14th century anonymous poem
Sir Gawain and the Green Knight (originally written in Middle English) into Modern English, for the amusement of Arthurians and anyone who likes a good story.
[via mefi projects]
posted by Effigy2000
on Feb 13, 2009 -
18 comments
God, you our Fadda. You stay in da sky. We like all da peopo know fo shua how you stay, an dat you good an spesho inside, an we like dem give you plenny respeck. We like you come king ova hea now. We like everybody make jalike you like, ova hea inside da world, jalike da angel guys up inside da sky make jalike you like. Give us da food we need fo every day. Let us go, an throw out our shame fo all da kine bad stuff we do to you, jalike us guys let da odda guys go awready, an we no stay huhu wit dem fo all da kine bad stuff dey do to us. No let us get chance fo do bad kine stuff, But take us outa dea, so da Bad Guy no can hurt us. Cuz you our king, you get da real power, an you stay awesome fo eva. Dass it!
Hawaii Creole English, from the
Language Museum, which lists examples of 2000 languges.
posted by swift
on Jul 18, 2002 -
14 comments
