"At a time when most old films were still protected by copyright and studios were urging the FBI to prosecute individuals owning copyrighted films, movie collecting was a largely underground and somewhat dangerous activity." In 1977, for example, a 20 year old film collector was visited by the FBI. The agents, posing as fellow collectors, entered his home and seized his collection. His case wasn't unique. Even the stars — most famously, Roddy McDowall — were subject to the legal wrath of the very studios they worked for. Still, some collectors got away with it (including one J. D. Salinger). [more inside]
posted by bubukaba on May 9, 2012 - 16 comments

Though the posters and trailers promise quality performances, Clint Eastwood's biopic J. Edgar seems intent on skirting certain issues in the former FBI director's personal life. The JEH Foundation is already denying the "rumors" louder than ever, but so far there's little indication that they've got anything to fear beyond a little hand-holding. QUEERTY asks: if Clint Eastwood is cool with homos, why is he freaking out about J. Edgar not being a gay movie? Despite the tame promos, screenwriter Dustin Lance Black insists that the gay subplot makes up "about a third" of the story. Meanwhile, an upcoming memoir by former Hollywood pimpster Scotty Bowers is rumored to contain a firsthand account of a gay weekend getaway with Hoover and company.
posted by hermitosis on Oct 9, 2011 - 81 comments

FBI 101 -- "Essentials for Writers," an "exciting and informative" interactive workshop for writers being offered to members of my union -- the Writers Guild of America, East - by the FBI Office of Public Affairs and FBI New York. ... -- Very interesting account of a workshop the FBI puts on for writers in NY. What's in it for the FBI? ...The only question we have for you is 'Will it show us in a good light?'" ...
posted by amberglow on Jun 9, 2007 - 13 comments

The most inspirational film ever has an underexamined dark side, including a 1947 FBI memo that branded the film as subversive and "a rather obvious attempt to discredit bankers." The film's script was influenced by the liberal populism of the 1930s, used suicide as a plot point, and was criticized by a Christian Right website for "lax attitudes on alcohol and drunkenness." The film also inspired a feminist art project on "bad girl" Violet Bick and a dead-on parody of a right-wing Christian movie review. Meanwhile, Jimmy Stewart paid back Frank Capra for reviving his post-WWII career by spying on him for the FBI. The hidden backstory behind It's A Wonderful Life.
posted by jonp72 on Dec 15, 2006 - 66 comments