Some are kept in shoe boxes in a forgotten closet corner. Others are glued carefully into albums and kept on the family bookshelf. Many have been lost forever, destroyed out of panic or indifference. In Ukraine, whose tumultuous 20th-century history has spilled over into a bloody battle for its 21st-century identity, every picture tells a story. RFE/RL's Daisy Sindelar traveled to six Ukrainian cities to talk to people about what their old family photographs say to them about who they, and their country, are today. [more inside]
Who are these sisters? We’re never told (though we know their names: from left, Heather, Mimi, Bebe and Laurie; Bebe, of the penetrating gaze, is Nixon’s wife). The human impulse is to look for clues, but soon we dispense with our anthropological scrutiny — Irish? Yankee, quite likely, with their decidedly glamour-neutral attitudes — and our curiosity becomes piqued instead by their undaunted stares. All four sisters almost always look directly at the camera, as if to make contact, even if their gazes are guarded or restrained.*
Staging lives: "Who do you want to be? Or, more accurately, who could you have been? Czech photographer Dita Pepe takes these musings quite literally, re-imaging her life in a hundred different scenarios in her series Self Portraits with Men. Pepe’s photographs are disarming in their nonchalant subtly, the artist possessing an uncanny ability to become a seamless member of each family." [more inside]
There's a deep, dark lake here, and the cabin is perched next to the rocky shore. Old, and made of peeling, stained logs, it belongs to my grandfather, Antonio 'Pit' Allard. He's had it for as long as I can remember.
In 1971, the newly-created US Environmental Protection Agency (EPA) hired a bunch of freelance photographers to collectively document environmental issues around the country. They were given free rein to shoot whatever they wanted, and the project, named Documerica, lasted through 1977. After 40 years, the EPA is now encouraging photographers to take current versions of the original Documerica photos and are showcasing them on flickr at State of the Environment. There are location challenges, and a set has been created with some of the submissions, making side-by-side comparisons. [more inside]
Portraits of My Family by Camilla Catrambone. "These portraits aim to represent my family members through the objects they've owned." [Via]
Split Family Faces. "How much do you and members of your family really look alike? Quebec, Canada-based graphic designer and photographer Ulric Collette has created a shockingly cool project where he's exploring the genetic similarities between different members of the same family. By splitting their faces in half and then melding them together, he creates interesting new people that are sometimes quite normal looking and other times far from it. He calls this series Genetic Portraits."
đẹp khoe, xấu che, or “show the good, hide the bad” - from the inaugural issue of the Trans Asia Photography Review. [more inside]
"The 2000 census found that nearly 23 percent of families living in Letcher County, KY, fell below the poverty line. The median household income in most counties is at or below $25,000, with individuals making on average $12,000 a year." The White Family by Carl Kiilsgaard [more inside]
Sibling rivalry. Meet Edward Mapplethorpe, photographer. Yes, he's related to the other one. They're brothers -- which has actually made things harder for Edward than you might think. In his latest show, just wrapping up at NYC's Foley Gallery, Edward does amazing work using darkroom techniques alone: "The exhibition is composed of unique works solely created in the darkroom without the use of traditional cameras." (This one is my fave from the current show; of his earlier work, I particularly like this one and this one [nsfw].)
Hundreds of twins in group photos from a Twin Festival. Twins Days in Twinsburg, Ohio claims to be the world's largest annual gathering of twins. Sarah Small's Photographs Twin Festivals