Things That Don't Suck
, Some Notes on The Stand
I recently reread The Stand for no particular reason other than I felt like it. I'm honestly not sure how many time[s] I've read it at this point, more than three, less than a half dozen (though I can clearly remember my first visit to that horrifyingly stripped bare world as I can remember the first reading of all the truly great King stories). It's not my favorite of King's work, but it is arguably his most richly and completely imagined. It truly is the American Lord of The Rings, with the concerns of England (Pastorialism vs. Industrialism, Germany's tendency to try and blow it up every thirty years or so) replaced by those of America (Religion, the omnipresent struggle between our liberal and libertarian ideals, our fear of and dependence on the military, racial and gender tension) and given harrowing size.
I'm happy to say that The Stand holds up well past the bounds of nostalgia and revisiting the world and these characters was as pleasurable as ever. But you can't step in the same river twice, even when you're revisiting a favorite book. Even if the river hasn't changed you have. This isn't meant as any kind of comprehensive essay on The Stand. Just a couple of things I noticed upon dipping my toes in the river this time.
[Spoiler alert: assume everything, from the link above to those below, contains SPOILERS.] [more inside]
posted by joseph conrad is fully awesome
on Aug 19, 2014 -
If the sheer number of Leonard adaptations is remarkable, what is more remarkable still is how few of them are any good.
No one was more aware of, or blunt about, this disappointing onscreen record than Leonard himself. His first crime novel, The Big Bounce
, was twice adapted for film, in 1969 and 2004. Leonard memorably described the earlier effort as the “second-worst movie ever made”; it was not until he saw the 2004 version, he later said, that he knew what movie was the worst.
posted by Rustic Etruscan
on Jan 3, 2014 -
In 2005, Steven Spielberg and Dreamworks produced a 6 episode miniseries that spanned the period of expansion of the United States into the American West, from 1825 to 1890. Through fictional and historical characters, the series used two primary symbols--the wagon wheel and the Lakota medicine wheel -- to join the story of two families: one Native American, one White settlers, as they witnessed many of the 19th century's pivotal historical milestones. The award-winning Into The West
can now be seen in its entirety on YouTube
. [more inside]
posted by zarq
on Sep 20, 2012 -
The zombie apocalypse happened -- and we won.
But though society has recovered, the threat of infection is always there -- and Los Angeles coroner Tommy Rossman is the man they call when things go wrong.
posted by Drexen
on May 27, 2012 -
Lily, the caretaker's daughter, was literally run off her feet...
Today is the feast of Epiphany, the last day of the traditional Christmas season; the day also when the Misses Morkan held that grand affair, their annual dance, in James Joyce's "The Dead." [more inside]
posted by Iridic
on Jan 6, 2012 -
"You're going nowhere, son. Just you, me ad the walls. So wipe that bloody grin off before it's shot off, and don't slouch. You toe rag. You
bin. Pay attention when I break you. And break you I will, boy. You're in my manor, now."
Buck up! It's Terry Finch's THE REPRISALIZER!
Follow Bob Shuter
, whose mission of reprisal against his brother's killers, their families, associates, progeny and property takes him across the desolate wasteland of 70s Britain, primarily Kent AKA FINCHLAND
. Finch, writer of The Reprisalizer and DRAW!
, the cowboy whose name means death, is soon to be the subject of a major motion picture
from Matthew Holness, creator of Garth Marenghi's Darkplace
posted by Artw
on Dec 13, 2011 -
This may only occur to the obsessive student of The Parent Trap, but once the subtleties are noticed, hints start stacking up, and a creeping sense of the mythic pervades the film...
Join Chris Stangl, King of the Beanplaters
, as he obsessively studies The Parent Trap
, Little Shop of Horrors
, Teen Wolf
, the original Buffy the Vampire Slayer
, and more
posted by Iridic
on Oct 28, 2010 -
Matt Helm is a fictional character created by author Donald Hamilton. He is a U.S. government counter-agent—a man whose primary job is to kill or nullify enemy agents—not a spy or secret agent in the ordinary sense of the term as used in spy thrillers. ... The character appeared in 27 books over a 33-year period beginning in 1960... A movie series was made in the mid-to-late 1960s starring Dean Martin... the series bore no resemblance at all to the character, atmosphere, or themes of Hamilton's original books, nor to the hard-edged action of Bond. One reason was the attitude of the filmmakers that the only way to compete with the Bond films was to parody them.
- Wikipedia (links may be mildly NSFW) [more inside]
posted by Joe Beese
on Oct 14, 2009 -
"To make off with hubby's fortune, yea, I think I heard of that happenin' once or twice around L.A. And… you want me to do what exactly?" He found the paper bag he'd brought his supper home in and got busy pretending to scribble notes on it, because straight-chick uniform, makeup supposed to look like no makeup or whatever, here came that old well-known hard-on Shasta was always good for sooner or later. Does it ever end, he wondered. Of course it does. It did. Thomas Pynchon
's next novel, the 416-page Inherent Vice
, is described by Penguin Press
as "part noir, part psychedelic romp, all Thomas Pynchon — private eye Doc Sportello comes, occasionally, out of a marijuana haze to watch the end of an era as free love slips away and paranoia creeps in with the L.A. fog." While we wait for its August 4 publication, we can read an essay on the dystopian musical he co-wrote at Cornell
or watch a clip of that movie they made of Gravity's Rainbow
. [more inside]
posted by Joe Beese
on Feb 6, 2009 -
Don't believe the hype
Debunking the so-called genius of Prince, The Sopranos and 'Blade Runner'. Amusingly harsh yet convincing cases all round. Can I add 'Goodfellas' to the list? Never has so much been written about a film so lacking. I prefered 'Casino'.
posted by feelinglistless
on Dec 4, 2004 -