Film preservation 2.0 Unless the unique challenges of digital preservation are met, we run the risk of a future in which a film from 1894 printed on card stock has a better chance of surviving than a digital film from 2014.
posted by mediareport
on Mar 2, 2014 -
Assembling a Film's Billing Block.
The blurb at the bottom of a movie poster is called the "billing block." And while it might look like a bar code of haphazardly packed type, it is in fact the product of detailed legal agreements and intense contract negotiation. Below is the the billing block for a fictional film and an explanation of how it was constructed. (via kottke.org
posted by xingcat
on Feb 24, 2014 -
The 2013 Black List has been released. For those unfamiliar, the “Black List” is a list of the most liked unproduced screenplays circulating around Hollywood, as voted on by over 250 film executives, and past Black List scripts include The Social Network, Saving Mr. Banks, The King’s Speech, and Slumdog Millionaire.
posted by Artw
on Dec 16, 2013 -
These movies offer not just a twist, but a twist atop a twist, and a joke atop the joke: the “superjoke,” as Billy Wilder called it. Those themes repeat: the lively, often-painful love triangle, the sexual and romantic jealousy, the thrill of sex, and in this case, the carnal kicks co-mingling with the art of stealing, an act more erotic than gold-digging. (Gold-fleecing is much more penetrating.) And then—important during one of the worst economic times in America’s history—there’s Lily and Gaston’s hard, artful work, something to respect.
Ernst Lubitsch’s charming pre-Code transgressions
posted by timshel
on Nov 19, 2013 -
“What I wanted was for kids to see a movie where they don’t need to aspire to be in an army to aspire for an adventure. And I used very deliberate language that is a reference to westerns. I don’t have captains, majors, generals. I have a marshal, rangers . . . it has the language of an adventure movie. I want kids to come out of the movie and say, I want to be a Jaeger pilot! I really think that would be my dream come true.”
- Guillermo del Toro on being a monster loving pacifist
. Designer Wayne Barlowe
talks about Pacific Rim's creatures. But has maneuvering at Legendary doomed the film
before it has even opened?
posted by Artw
on Jul 8, 2013 -
"If I had to conduct an experiment that would give an insight into neorealism, I'd build a time machine and travel to Italy, circa 1952. I'd ask Vittorio De Sica to make a film using Hollywood actors like Montgomery Clift and Jennifer Jones. I'd then team De Sica up with a Hollywood producer, the kind that liked to impose his will and sensibility onto a film—someone like David O Selznick. In bringing these two worlds of cinema together, I'd hope for a clash of sensibilities so great that it would result in two cuts of the same film, one by De Sica and the other by Selznick. I would run these two films side by side and examine each cut, and in the difference I would find something to say about the essence of neorealism."
Sight & Sound magazine's excellent video essay 'What is neorealism?' compares Terminal Station to Indiscretion of an American Wife.
posted by EXISTENZ IS PAUSED
on Jun 25, 2013 -
The problem is that cinema, as I define it and as something that inspired me, is under assault by the studios and, from what I can tell, with the full support of the audience. The reasons for this, in my opinion, are more economic than philosophical, but when you add an ample amount of fear and lack of vision and a lack of leadership you’ve got a trajectory that is pretty difficult to reverse.
- "Retired" director Steven Soderbergh
speaks to the San Francisco International Film Festival about the state of cinema
, full audio at bottom of page 2
posted by Artw
on Apr 29, 2013 -
6 Insane Stereotypes That Movies Can't Seem to Get Over.
Cracked.com list of overused, tired and offensive stereotypes of Africa, Asians, women, and more that frequently pop up in mainstream films.
"Imagine if every single movie set in America was filmed in Alaska and focused on gang violence -- that's how Africans feel every time they watch a Hollywood movie about warlords fighting in the desert. Which is a problem for their tourism industry: A board member for the Association for the Promotion of Tourism to Africa even takes the time to explain that there are "middle class people in every African country commuting to work every day, complaining about taxes and watching their kids play soccer every weekend."
That's right: Instead of focusing on the rich wildlife and history, the tourism industry actually has to remind people that coming to their country isn't a fucking death warrant."
posted by sweetkid
on Feb 27, 2013 -
The Q&A With Jeff Goldsmith
is an irregularly released podcast where Mr. Goldsmith interviews, at length (each episode runs an hour or more), working Hollywood and foreign screenwriters. The most recent episode is a panel conversation with the year's Oscar-nominated screenwriters. You can listen to the podcasts on his site or subscribe in iTunes or on Android.
Goldsmith is also the publisher of the terrific screenwriting magazine Backstory
--currently only available for the iPad but coming (eventually) to the web and Android. You can download the first issue (which is wonderful, and contains full length scripts along with the interviews and stories) for free.
posted by dobbs
on Feb 7, 2013 -
During the Golden Age of Hollywood and until 1967, mainstream movie studios were banned by the Production Code
from depicting taboo topics like drug addiction, explicit murder and venereal disease, or even showing explicit nudity. But in the 1930's and 1940's, films marketed as "educational" could and did fly under the radar, and three of the best known 'educational' propaganda exploitation films are: Sex Madness
(1935), Reefer Madness
(1936) and The Cocaine Fiends
(1938). [more inside]
posted by zarq
on Oct 15, 2012 -
The Flick Chick - 11 Days of Garbo
: "I recently bought the Greta Garbo Signature Collection
...I've been enjoying the collection so much that I've decided to dedicate the next 11 days to looking at the 11 films included in the collection: three silents, the pre-code films which helped establish her as a star who could continue into the sound age, the films made towards the end of her film career for which she is perhaps best known, and a documentary feature produced by Turner Classic Movies." [more inside]
posted by mediareport
on Sep 5, 2012 -
The wonderful, and fairly rare, 13-part documentary series from 1980 - Hollywood: A Celebration of the American Silent Film
- is narrated by James Mason for Thames Television. Episode One - The Pioneers
- [52 mins] [the rest are linked inside]
"the evolution of film from penny arcade curiosity to art form, from what was considered the first plot driven film, The Great Train Robbery, through to The Birth of a Nation, films showing the power of the medium. Early Technicolor footage, along with other color technologies, are also featured. Interviews include Lillian Gish, Jackie Coogan and King Vidor.*" [more inside]
posted by peacay
on Jun 18, 2012 -
What you see here is a prime example of what happens to film that is neglected and improperly stored.
This is an original reel from It's a Mad, Mad, Mad, Mad World that is now untouchable. The film has turned acidic, sporting the strongest and most foul vinegar-like odor I have ever smelled. In fact,
Robert Harris told me a story of how his contact lenses were singed by the fumes the film produced, causing temporary retinal damage to his eye. [more inside]
posted by Trurl
on Apr 27, 2012 -
The Seventh Art
is an independently produced video magazine about cinema with three sections: a profile on an interesting group/company/organization in the industry, a video essay and a long-form interview with a filmmaker.
posted by You Should See the Other Guy
on Feb 10, 2012 -
Yet by 1944 the IRS named Barbara Stanwyck the highest-paid woman in America. From 1930-57, she did a minimum of two pictures a year, sometimes even four or five. Yet it wasn't workaholism, according to the actress: "I was afraid they'd get somebody better, frankly. I never really thought I had any clout. For a lot of years I was free-lancing, by choice, but I think discipline stays with you. It's this fear that maybe somebody can come in and take over. Maybe a Redford or a Streep can take the luxury of a year off, but I never thought I could. Of course, we were more workable in those days. And they make more money now. Anyway, I never had self-assurance about leaving."
posted by Trurl
on Nov 27, 2011 -
Leonard Michaels' "The Zipper"
: Rita Hayworth is never seen disrobed in the movie, though it is threatened more than once. The atmosphere of dark repression and mysterious forces – the mood or feeling of the movie – might be destroyed by the revelation of her body. It scared me as she began her striptease dance in the nightclub. I didn’t want everybody to see her body, or even to see that Rita Hayworth had a body. [more inside]
posted by Trurl
on Sep 5, 2011 -
An unbelievable collection of Roddy McDowall’s never-before-seen silent home movies from the summer of 1965 were uploaded onto YouTube yesterday, featuring impossibly young, impossibly gorgeous stars like Natalie Wood, Paul Newman, Robert Redford, Jane Fonda, Hope Lange, and Rock Hudson frolicking on the beach. You simply MUST go to the website and watch them all. The takeaway for me, though, is Sal Mineo slinking out the back door with a guilty-looking blond who may or may not be Bobby Sherman. What were THEY up to? Also mesmerizing: The closeup of Natalie Wood’s freckles, Jane Fonda sticking out her tongue, and Paul Newman’s hunky son.
posted by BoringPostcards
on Sep 5, 2011 -