A couple has an intimate conversation in a restaurant, unaware that their every word is being closely monitored. This is
Table 7, a short film from indie filmmaker
Marko Slavnic.
posted by jbickers
on Dec 1, 2011 -
37 comments
"Once upon a time there was a game that nobody ever played, sitting on the floor in the back room of an empty arcade. The game was full of life and strife, mega-monsters and robot fights. We Are The Strange
was the title. Now meet the players who live inside, idle." The story of filmmaker
M dot Strange and his solo indie masterpiece,
We Are The Strange.
[more inside]
posted by Rhaomi
on Apr 9, 2009 -
5 comments
The Room: The Movie. Triple-threat (actor/writer/director)
Tommy Wiseau made his cinematic debut in 2003 with the
The Room (see
trailer and
various scenes),
"a blend between a
softcore porn flick and a Tennessee Williams stageplay." Wiseau ("who's not just one of the most unusual
looking and
sounding-with
an unidentifiable Eastern European accent-leading men ever to
grace the screen, but a narcissist nonpareil whose movie makes
Vincent Gallo's "The Brown Bunny" seem
the apotheosis of cinematic self-restraint...may be something of a first: A movie that
prompts most of its viewers to ask for their money back-before even
30 minutes have passed." -
Variety),
allegedly raised $6 million outside Hollywood to cover production and marketing costs of the self-described "black comedy about love, passion, betrayal and lies" (see
various rough dress rehersals).
Audience members, including comedian
David Cross, have been
"marveling at the bizarre editing, bad bluescreen, uncomfortably explicit
sex scenes and, of course, the enigma of Wiseau himself" as the film
played monthly for years in Los Angeles. Available on
DVD, diehard "roomies"
swear by the
theatrical experience,
shout out their own commentary,
hurl spoons at the screen and singalong to the
soundtrack. Some call it
"The Rocky Horror of the New Millenium" and stage
"Room"
parties. If you look at the
marketing campaign or
survived a screening you might see The Room as
"a seminar on how
NOT to make a movie." [Inspired by
Boing Boing]
posted by boost ventilator
on Jun 1, 2006 -
28 comments
I don't know what "independent film" means. At a time when the
Weinsteins are trying to extricate themselves from Disney, it seems an appropriate question to ask. There are Indie films (non-industry money) that are
supposed to imitate fancy hollywood films, there are new studios being opened outside of LA by Wealthy Christians in Denver hoping to convert through
CS Lewis movies and there are
Garden State,
Lost in Translation,
Eternal Sunshine etc. which are like other Hollywood films: have stars, and studio money but are marketed as "Independent Films." What makes these independent? Finally, and seemingly too infrequently, there are privately financed and self-distributed unusual films like
Assisted Living which despite their
obvious merits and the
critic's adoration are presumably ignored by the studios, blasted by the brain-numbing
EW and distributed instead by the two young first-time
filmmakers
Why can't we see more non-hollywood and non-hollywood espousing independent ART on the screen? Why do we let every other multi-million dollar romantic comedy be sold to us as "indy" just because it has a quirky soundtrack or aesthetic sensibility. What can we do about it? I'm going to the movies. You?
posted by tallbuildings
on Apr 15, 2005 -
30 comments
"What did you think of Seabiscuit?" the young man added helpfully. Even the deadpan Jarmusch laughed.
Jim Jarmusch's new movie (the first feature-lenght after 1999's
Ghost Dog),
"Coffee And
Cigarettes", is "
a droll, ironic look at two of our favorite addictions". The black and white movie (trailer
here) has a strange (or
Stranger than Paradise?) cast: Roberto Benigni, Steven Wright, Steve Buscemi, Iggy Pop, Tom Waits, Cate Blanchett, Meg White, Jack White, Alfred Molina, Steve Coogan, GZA, RZA, Bill Murray, ... Jarmusch's philosophy: "When you're watching movies, the guy's girlfriend calls him, she's having something bad happening, and he says, 'I'll take a cab. I'll be right over.' Cut to him getting out of the cab. And my brain always says,
what about the cab ride? The incidental thing, the thing that's not the destination?". (more inside)
posted by matteo
on Mar 28, 2004 -
18 comments
Independent film festivals often see a wide group of styles brought together and none more eclectic than the films being broadcast through the
Iconscious Film Festival - "A diverse audio/visual festival featuring online events and live screenings of work from a selection of artists and film makers.
A lucid optical experience brought electronically to unsuspecting net users and clubgoers worldwide." Pick of the bunch is probably Ben Milner's
No Soul Journey whilst
Vector(Remix) is strangely compelling.
Real Player required.
posted by Kiell
on Oct 18, 2003 -
1 comment
Rabbit Proof Fence is a movie about Australia's "
stolen generation," the 100,000 Aboriginal and "half-caste" children kidnapped between 1910 and 1970 and raised in institutions, as part of a policy to "breed out" their Aboriginal blood and integrate them into white society. The
movie is the true story of three girls who ran away and walked 1500 miles back home. Molly, the oldest one, walked it again years later when they captured her and her children. Here's a
teacher's guide (pdf) based on the gov't report about the stolen generation. (book by Molly's daughter
Doris Pilkington, movie soundtrack by
Peter Gabriel. It's getting a lot of press despite its low profile -- go support your local indie theater)
posted by fotzepolitic
on Feb 11, 2003 -
13 comments
Low or no budget horror films. They're awful, and oh so enticing (prolly 'cause they can be awful, amusing, and sometimes really good).
How do you do
special effects on no budget? Boggles the mind. As Halloween as it gets, the independant film makers and horror officiandos have their own
portal. Crawl down these
haunted corridors at your own risk.
posted by Wulfgar!
on Oct 31, 2001 -
7 comments
Ghost World is made into a movie. The comic on which it is based is by
Daniel Clowes, an "alternative" comics author of some fame. I think I'm just a bit shocked that, of all comics, a movie would be made about ... well, anything by Daniel Clowes. Starring Steve Buscemi and
Thora Birch from American Beauty. (Thanks to
URB magazine (print) for the tip and
Memepool for the Clowes interview pointer.)
posted by moz
on Jun 25, 2001 -
9 comments