This video plays the opening and closing shots of 55 films side-by-side. Some of the opening shots are strikingly similar to the final shots, while others are vastly different--both serving a purpose in communicating various themes. Some show progress, some show decline, and some are simply impactful images used to begin and end a film. [Obvious spoilers for the final shots of the 55 movies listed in the video's description]
Deep water freediving exposes its practitioners to a form of narcosis, which induces several symptoms, among which a feeling of euphoria and levity that earned this phenomenon its nickname of “raptures of the deep”. In the short film, Ocean Gravity, world champion freediver Guillaume Néry shows us what freediving looks like. In the short film, Narcose, he shows us what it feels like. [warning: may be vertigo-inducing, NSFW] [more inside]
- L.A. Weekly: I Went to UCLA, But My Real Film School Was Vidiots
- Laist: Filmmakers And Fans Mourn The Loss Of Los Angeles' Greatest Video Store
- Academy Originals: Rewind: The Story of Vidiots
Vidiots video store set to close in April after 30 years
- Vidiots Foundation
Projections in the Forest is a micro-scale projection video ("making of" short) that imitates a bioluminescent forest (project site), with projections to look like foxfire and such bioluminescent mushrooms, plus some animals and elements that usually don't generally glow in the dark. If you like such projection techno-magic, 3hund have a few other projection projects on their Vimeo account.
Xmas or Bust: The Untold Story of National Lampoon's Christmas Vacation. The modern holiday classic and third installment in National Lampoon's Vacation series turns 25 this year! Join hapless patriarch Clark Griswold as he struggles to maintain his sanity in a Christmas season full of eccentric relatives, mounting workplace stress, and increasingly outlandish domestic disasters. Full video - Scenes: Eat My Rubber - The Griswold Family Christmas Tree - Bend Over and I'll Show You - Gift-shopping - Decorating - Christmas Lights - Cousin Eddie - Let 'Er Rip, Hang Ten! - MERRY CHRISTMAS, SHITTER WAS FULL - Home Movies - Aunt Bethany - Turkey Dinner - The Cat - Clark Breaks Down - SQUIRREL - Hostages - The National Anthem - More: Quotes from IMDb - PDF Transcript - What's the Damage?
Ridley Scott's new film Exodus: Gods and Kings recasts the myth of Moses in typically grimdark swords-and-sandals fashion. It... ain't so good. Want something more artful? Look no further than The Prince of Egypt [alt], an underrated masterpiece of DreamWorks' traditional animation era. Directed by Brenda Chapman (a first for women in animation), scored to spectacular effect by Hans Zimmer and Stephen Schwartz, and voiced by, among others, Voldemort, Batman, and Professor X, the ambitious film features gorgeous, striking visuals and tastefully integrated CGI in nearly every scene. It also manages the improbable feat of maturing beyond cartoon clichés while humanizing the prophet's journey from carefree scion to noble (and remorseful) liberator without offending half the planet -- while still being quite a fun ride. Already seen it? Catch the making-of documentary, or click inside for more. [more inside]
Jeff Quitney has curated hundreds and hundreds* of YouTube playlists with thousands and thousands of vintage educational, training and institutional films and documentaries. If you hate multi-link posts you can jump right in because the playlists aren't organized. In addition to including extensive background information and links to other resources in the video descriptions, he has restored or improved the video and audio in most of the films. Space, the military, and biology are well represented, but so are pets, food, and outdoor recreation and survival. Armchair travelers will be able to travel around the world, but you can also stay at home and watch cartoons. Travel back in time for the latest breaking newsreels, and add your own weather reports from vintage USAF meteorology films. And if you like women’s tennis, then you’ve just hit the motherlode.*I stopped counting at 480 [more inside]
A New Wave of Black Filmmaking: Experimental and Black Speculative Indie Films "A brief survey of the contemporary Black independent film scene yields a long and ever-growing list of experimental and Black speculative (including horror, Afrofuturism, sci-fi, fantasy, fan fiction) short cinema, film trailers, music videos and other projects. (/The Atlanta Black Star) [more inside]
Kichwateli (Kenya, 2011; 07:46), The Day They Came (Nigeria, 2013; 03:59), The Tale of How (South Africa, 2006; 04:28; previously), Alive in Joburg (South Africa, 2006; 06:22; previously), Umkhungo (South Africa, 2010; 30:34; trailer alt. link), Evolve (Egypt, 2014; 24:17), Mwansa the Great (Zambia, 2011; 23:11; two trailers as alt. links), and Pumzi (Kenya, 2009; 21:51): eight short works of SF/fantasy via The Skiffy and Fanty Show.
In This Horror Film, Blood Is All Too Real [New York Times] ‘Terror at the Mall’ on HBO documents an Attack in Kenya.
One year ago, gunmen from the Shabab militant group in Somalia laid siege to the Westgate shopping mall in Nairobi, Kenya. Armed with AK-47s and grenades, they stalked their victims from a gourmet burger restaurant at the entrance to the vegetable aisle of a grocery store at the back. The British filmmaker Dan Reed assembled thousands of hours of footage gleaned from more than 100 security cameras inside the mall, video from television crews and modest cellphones, as well as still photographs. Then he and his team tracked down more than 200 people and interviewed 82 of them on camera, many survivors or their rescuers.[more inside]
Back in 2012, fashion photographer and filmmaker Milton Tan shot a time lapse film over a six month period, of planes overflying Singapore's Changi Beach on their way to and from Changi airport. After his "The Air Traffic" video went viral, managers at the airport made Tan an offer: six months of access to a restricted runway for a second film: The Air Traffic Two. (Via) [more inside]
Last night was the third annual Internet Cat Video Film Festival in Minneapolis. (previously, previouslier) This year's fest was curated by 2012 Golden Kitty award winner, Will Braden, of Henri fame. [more inside]
Jamestown Baloos (1957) [SLYT] by Robert Breer [PDF] (previously) "is a frenetic, three-part stop-motion animation that features an army of everyday forms and figures — geometric shapes, a piece of string, newspaper clips, a pin-up girl, even Napoleon Bonaparte — flashing across the screen. Placed in increasingly compromised situations and choreographed to a jingoistic tune, the figures essentially become puppets of their former selves. Such unrelenting visuals recall not only Fernand Léger’s early experimental film, Ballet Mécanique (1924), as Breer himself has mentioned, but also early twentieth-century Dadaist collage. Dada artists like Kurt Schwitters and Hannah Höch created witty, unapologetic works that reflected the chaos and violence of modern existence. Jamestown Baloos serves, as their works did, as a pointed indictment on the absurdity of war."
A short and sweet 10-minute documentary on musician and artist Daniel Johnston. [SLYT] [more inside]
Walking City - "Referencing the utopian visions of 1960’s architecture practice Archigram, Walking City is a slowly evolving video sculpture. The language of materials and patterns seen in radical architecture transform as the nomadic city walks endlessly, adapting to the environments she encounters."
Vintage Los Angeles is Alison Martino's YouTube channel featuring a look back at Los Angeles during the 40s, 50s, 60s, and 70s. There's an accompanying blog and a facebook page, too.
"Everything is fine and the world is beautiful. It's raining, it's dark, I woke up at 5:30AM, I'm commuting in traffic. I would have had a headache, I would have been miserable, I would have wondered how my life took me to this point. This point I'm at right now. But no, no, everything is fine. Life is beautiful. The rain drops are just falling and in each one I see the reflection of every persons life around me. Humanity is beautiful. In this still frame shot of traffic on this crowded bus I just found love and peace. Heroin is a wonder drug. Heroin is better than everything else. Heroin makes me who I wish I was. Heroin makes life worth living. Heroin is better than everything else." [more inside]
This documentary pokes fun at the ways in which Inuit people have been treated as “exotic” documentary subjects by turning the lens onto the strange behaviours of Qallunaat (the Inuit word for white people). The term refers less to skin colour than to a certain state of mind: Qallunaat greet each other with inane salutations, repress natural bodily functions, complain about being cold, and want to dominate the world. Their odd dating habits, unsuccessful attempts at Arctic exploration, overbearing bureaucrats and police, and obsession with owning property are curious indeed. A collaboration between filmmaker Mark Sandiford and Inuit writer and satirist Zebedee Nungak, Qallunaat! brings the documentary form to an unexpected place in which oppression, history, and comedy collide.Qallunaat! Why White People Are Funny
Our Drone Future — A short film by Alex Cornell. "Created with DJI Phantom Drones, After Effects, Premier, Logic, GoPro, and a liberal interpretation of FAA regulations". If not actually the future of domestically deployed drones, it's probably the future of sub-$2K filmmaking hardware (if you don't include the software licenses and, um, FAA fines).
Ignatiy Vishnevetsky proposes that today’s best action directors aren’t working in Hollywood, but in direct-to-video. [more inside]
Media Studies professor Anne Helen Petersen writes about the dominant role of Netflix in her students’ film and television consumption, and its effect on the lasting influence of works that are — or are not — available there:
Through this reliance on Netflix, I’ve seen a new television pantheon begin to take form: there’s what’s streaming on Netflix, and then there’s everything else…[more inside]
ROSLER, Martha: Martha Rosler Reads Vogue (1983) and Born to be Sold: Martha Rosler Reads The Strange Case of Baby S/M (1988) are accessible works of video art created by Martha Rosler in association with Paper Tiger Television to illustrate basic issues in feminist thought. Rosler is also well-known for her video performance piece, Semiotics of the Kitchen (1975), which continues to inspire new work. Her Vital Statistics of a Citizen, Simply Obtained (1977) has a similar take on the measurement of a woman's body. KREISINGER, Elisa: Pop Culture Pirate is the home of remix artist Elisa Kreisinger's feminist utopian works, including videos related to Mad Men: Set Me Free (2012); Don Loves Roger (2012); and The Evolution of Peggy Olson (2013). But also Queer Housewives of NYC (2009): One & Two. Queer Carrie (2009-2010): One, Two, & Three. The Real Feminists of Beverly Hills (2011). The Real House Husbands of New Jersey (2012). Ann Romney Loves Women (Remix) (2012). And For Your Consideration: Oscars 2011 (2012). That's two ... [more inside]
Susie Sie is a film artist who eschews computer effects and 3D modeling for capturing the dreamlike beauty of real objects. CYMATICS is her latest work, using lycopodium powder, a speaker, and macro photography. Other works include SILK, BLACK, Ampersand and EMERGENCE. Recommended with headphones and in full-screen mode.
"Gentlemen: I have a story that may be of interest to you. It is not widely known who invented the circuitry concept for the automatic sequential performance of musical pitches - now well known as a sequencer. I, however, do know who the inventor was - for it was I who first conceived and built the sequencer." This is the opening to an undated, unaddressed letter, found in Raymond Scott's personal papers (yes, the same fellow whose kooky soundtracks scored everything from Looney Tunes and Merrie Melodies to Ren & Stimpy, The Simpson, and Animaniacs). You can read the rest of Scott's letter, along with Bob Moog's recollections of visiting Raymond's electronics laboratory in the mid-1950s. Or you could jump ahead to the mid-1960s, when Jim Henson was in his late 20s to early 30s, and he was working on a variety of odd projects after a successful run with Sam and Friends, but before he it it big with Sesame Street. It was at this point that he teamed up with Scott on a few short, experimental films. [more inside]
It's debatable whether the troubled World War Z signals the end of the ongoing zombie craze, but the film that started it all is much more clear: Danny Boyle's bleak, artful cult horror-drama 28 Days Later, which saw its US premiere ten years ago this weekend. From its iconic opening shots of an eerily abandoned London (set to Godspeed You! Black Emperor's brooding post-rock epic "East Hastings") to the frenzied chaos of its climax, Boyle's film -- a dark yet humanist tale of a world eviscerated by a frighteningly contagious epidemic of murderous rage -- reinvented and reinvigorated the genre that Romero built (though many insist its rabid, sprinting berserkers don't really count). And while sequel 28 Weeks Later with its heavyhanded Iraq War allusions failed to live up to the original (despite boasting one of the most viscerally terrifying opening sequences in modern horror), and 28 Months looks increasingly unlikely, there remains a small universe of side content from the film, including music, short films, comics, and inspired-by games. [more inside]
Tiger in a Jar is a film production company run by husband and wife team Matt and Julie Walker, located in Salt Lake City, Utah. Their work is inspired by everyday life and the joy found in simple but meaningful activities.
"One day I dreamed that my parents, my brothers and I went to visit three islands and I jumped into the water without protection," she wrote in her diary. "I felt like I could be in the water and not drown. I was curious and I swam into the deep water and then I saw my skeleton with my name written on it." Roger Omar collects children's dreams, and asks artists to illustrate them. [more inside]
An amateur film shot in 1939 by French tourist Jean Vivier documents a trip to New York City, in color.
We visited Weirdo Video back in 07 for propaganda films, but the YouTube channel has been steadily updating with yesterday's ephemera. Why not enjoy some vintage newsreels about STRIKES! SULTANS! SUEZ! SAN FRANSISCO! or some FITNESS FADS!
The George Eastman House is producing a series of nicely produced videos, each about 10 minutes long, demonstrating every major technological development in photographic process with guidance from historians, curators, and artists and illustrated by objects from their collection. There are more to come, but you can start now with The Dageurrotype, The Collodion Process, The Albumen Print, The Woodburytype, The Platium Print, and The Gelatin Silver Print.
The British Film Institute's YouTube channels offer a staggering amount (previously) of content on historical cinema, shorts, and discussion. Some short selections from the early and silent period of note - The Sick Kitten (1903) - How Percy Won The Beauty Competition (1909) - Tilly The Tomboy Visits The Poor (1910) - Suffragette Riot In Trafalgar Square (1913) - The Fugitive Futurist, in which a man on the run shows a device that can see far into the future (1924) - Vaudevillian legend Billy Merson Singing 'Desdemona'. Widely considered Britain's first sound film - (1927) Charley In New Town - part of an animated series from the Central Office, this one explaining the need for "New Towns." (1948) - Growing Girls, a filmstrip guide to puberty for young women (1951).
Dan Goodbaum edits together selected excerpts from Elvis Mitchell's interview with Quentin Tarantino about the role of food as a indicator of power in his movies (full interview here). Grantland's 20 Best Tarantino Food Scenes
James Nares' new exhibition 'Street' is at the Metropolitan Museum of Art, in NYC. It is an HD video of pedestrians in Manhattan, slowed way, way down. Watch 2:17 of the 61 minute piece here, and another 2:01 clip here. Villlage Voice, New York Times, Vogue, and an interview with Nares in Interview. [more inside]
The Chopsticks Brothers (筷子兄弟) [Google translated bio] are Xiao Yang and Wang Taili, Chinese indie musician/filmmakers making internet short films which generally function as extended music videos for their original songs. Old Boys (42 min, english sub) October 2010 [Youku copy] - over 52 million views Short video on YouTube, english subtitles [more inside]
High maintenance: a nameless cannabis delivery guy delivers his much-needed medication to stressed-out New Yorkers in this character-driven web series.
Kathryn Bigelow's striking bin Laden manhunt thriller Zero Dark Thirty arrives in wide release tonight on the heels of a final artful trailer -- one with oddly familiar musical accompaniment. The funereal hymn, a cover of Metallica's "Nothing Else Matters" (lyrics), deftly recasts the 90s power ballad as a haunting dirge of quiet grief, shattered ideals, and a singleminded focus on revenge, a perfect distillation of the film's profoundly grim thesis. But while the song may be fitting, it wasn't composed for the project -- it's just the latest success story from Belgian women's choir Scala & Kolacny Brothers, whose mournful reinterpretations of classic and modern rock -- catapulted by their rendition of "Creep" in The Social Network -- have made them famous around the world, with star turns in the likes of Homeland ("Every Breath You Take") and Downton Abbey ("With or Without You"). Cover comparison site WhoSampled offers a list of YouTube comparisons between the covers and the originals; look inside for more of their work in movies and television. [more inside]
Aria was an art movie/promotional stunt put out by Virgin Media in 1987 with famous directors providing a music-video take on various opera pieces. ( A full review by That Opera Chick). Of particular note is Julien Temple's (Of Earth Girls Are Easy fame) adaptation of Verdi's Rigoletto as a zany, cartoonish, ecstasy-fueled and very 80s farce set at the infamous Madonna Inn. Watch the whole delirious sequence here.
Decay is a free, downloadable zombie film set entirely at the Large Hadron Collider at CERN. [more inside]
Computer Boy! (also available here): Abe Forsythe made the movie Computer Boy when he was just 18. It's a 50 min. spoof of The Matrix that was filmed in less than two weeks at actual Matrix shooting locations in Australia and cost just over $2000 to make.* It became a cult hit when it was released online in 2000 & was one of the first internet films to hit 500,000 views.* (wikipedia, imdb) [more inside]