From 1935 to 1951, Time Magazine bridged the gap between print & radio news reporting and the new visual medium of film, with March of Time: award-winning newsreel reports that were a combination of objective documentary, dramatized fiction and pro-American, anti-totalitarian propaganda. They “often tackled subjects and themes that audiences weren’t used to seeing — foreign affairs, social trends, public-health issues — and did so with a combination of panache and subterfuge that today seems either absurd or visionary.” (Previous two links have autoplaying video.) By 1937, the short films were being seen by as many as 26 million people every month and may have helped steer public opinion on numerous issues, including (eventually) America’s entry to WWII. Video samples are available at Time.com, the March of Time Facebook page and the entire collection is available online, (free registration required) at HBO Archives. [more inside]
posted by zarq on Aug 22, 2011 - 8 comments

In 2009, Ctrl.Alt.Shift, the "youth initiative of Christian Aid," held a national competition in the UK for aspiring filmmakers aged 18 to 25. Their mission: create a short film treatment based around three key issues: "War + Peace," "Gender + Power" and "HIV + Stigma." The results were then screened to an audience at the 2009 Raindance Film Festival. The films: 1000 Voices, HIV: The Musical, Man Made, No Way Through and War School. (All YouTube links. Vimeo links and descriptions of each film are inside this post.) These films deal with adult subject matter and may be disturbing for some viewers. Some may also be nsfw. [more inside]
posted by zarq on May 24, 2011 - 3 comments

VE and VJ Day, in London. In Colour.
posted by The Whelk on May 8, 2011 - 14 comments

Threads (1984). (1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13) Testament (1983). (1, 2, 3, 4, 5, 6, 7) [more inside]
posted by Joe Beese on Feb 25, 2011 - 66 comments

Only 60,000,000 citizens killed?! Success!!! A 1950s Air Force film on what might happen in the event of a U.S.-Soviet nuclear conflict has been declassified and is available in full, online, from the National Security Archive of George Washington University.
posted by markkraft on Feb 21, 2011 - 54 comments

Restrepo is a feature-length documentary that chronicles the deployment of a platoon of U.S. soldiers in Afghanistan's Korengal Valley. The movie focuses on a remote 15-man outpost, "Restrepo," named after a platoon medic who was killed in action. It was considered one of the most dangerous postings in the U.S. military. This is an entirely experiential film: the cameras never leave the valley; there are no interviews with generals or diplomats. The only goal is to make viewers feel as if they have just been through a 90-minute deployment. This is war, full stop. The conclusions are up to you. (previously) [more inside]
posted by Joe Beese on Dec 14, 2010 - 41 comments

Japan Air Raids "is an ongoing project to build a digital archive dedicated to the international dissemination of information about the World War II air raids against Japan." They have seeded it with quite a bit of material (e.g. Target Tokyo, narrated by Ronald Reagan in the documentary and propaganda section) and promise there is much more to come. [Warning, some images may disturb] [via]
posted by unliteral on Dec 12, 2010 - 21 comments

Death of a Nation – East Timor. [more inside]
posted by cthuljew on Aug 28, 2010 - 12 comments

Erik Malmstrom, veteran, writes an opinion piece for the New York Times about the purpose of war movies Malmstrom talks about The Hurt Locker and The Messenger, as well as the documentary Restrepo. He argues to give the Hollywood films some slack, yet he argues that the documentary provides "reality" because it operates without the Hollywood filter.
posted by la_scribbler on Mar 9, 2010 - 12 comments

For quite some time, I’d wanted to make a screwball comedy. A fast-talking, wildly acclerating ensemble comedy that gets stupider and stupider. I never imagined it would be about a war, and inspired by a very recent war at that. But Simon, Jesse, Tony and I all felt that the more we found out about the dysfunction in Washington and the naivety in London leading up to the Iraq invasion, the more obvious it was that the only way to deal accurately and fairly with this topic was as a screwball comedy. - The Oscar nominated script for In The Loop, with an introduction by writer Armando Iannucci.
posted by Artw on Feb 13, 2010 - 33 comments

Jack Kirby's Inglorious Basterds
posted by Artw on Nov 18, 2009 - 33 comments

The War Prayer -- Mark Twain's post-humously published anti-war classic, brought to life.
posted by empath on May 28, 2007 - 17 comments

'Films from the Homefront' is a (new) collection of amateur documentaries, newsreels, government films, and home movies documenting life for the ordinary people in Britain during World War II, with background text descriptions/explication. Browse the themes. The films are QT and wmv format. I found it both poignant and funny, for instance, seeing kids don gasmasks during air raid drills then attempt to continue writing in their lessons. [via Glasgow School of Art Library]
posted by peacay on Feb 16, 2007 - 4 comments

A 10 minute home movie taken by an SS officer has been discovered in an English church. It shows SS officers and secretaries relaxing in the summer of 1942 in southern Russia. The last couple of minutes shows footage from a slave labor camp in that area. The footage was taken at the height of the German success in Russia, a few months before the turning point in the Russian campaign - and probably the turning point in the Second World War.
posted by bobbyelliott on Oct 26, 2006 - 51 comments

When I Came Home: Iraq War veteran Herold Noel suffers from post-traumatic stress disorder and lives out of his car in Brooklyn. Using Noel's story as a fulcrum, this doc examines the wider issue of homeless U.S. military veterans-from Vietnam to Iraq-who have to fight tooth-and-nail to receive the benefits promised to them by their government.
posted by riley370 on May 21, 2006 - 45 comments

Homecoming - anti-war movie from National Amusements featuring the ungrateful dead. This will possibly invoke some controversy.
posted by ab'd al'Hazred on Dec 2, 2005 - 21 comments

The Emperor's Bunker. "The Japanese, with sadness and irony, stressed that Hirohito couldn't even speak properly. This was partly to do with the fact that he didn't have to speak - people spoke in his name and he was isolated from real life". "The Sun", the third part in Russian director Aleksandr Sokurov's 'Men of Power' tetralogy after the gloom of Moloch (1999), about Hitler and Eva Braun, and the despairing tones of "Taurus" (2001), focused on the wheelchair-bound Lenin in his death throes, "The Sun" seems almost upbeat. This, after all, is a film about reconciliation. More inside.
posted by matteo on Sep 13, 2005 - 21 comments

Channel 4's 100 Greatest War Films as voted for by their (generally more clued-up than average) viewership has plenty for you to disagree with, but much to recommend. Filmsite.org has a history of war films (as does Berkeley) for the completists among you. There are more war films from and about Vietnam and Indochina than you can shake a bayonet at (see also the 1999 NYT article, Apocalypse Then: Vietnam Marketing War Films to learn a little about the Vietnamese government's 1960s and 70s archive of war film). The [British] national archives have archived film from pre-WWI to the Cold War.
posted by nthdegx on May 17, 2005 - 74 comments

"We were wrong, terribly wrong. We owe it to future generations to explain why." In The Fog of War, a revelatory new documentary about his life and times, a disquieted Robert McNamara implores us to understand why he did the things he did as an Air Force lieutenant colonel who helped plan the firebombing of Japanese cities in World War II, and, later, as a secretary of defense and pivotal decision-maker during Vietnam, which some Americans came to call "McNamara's War." One of the movie's most powerful passages covers McNamara's little-known service in World War II, when he was attached to Gen. Curtis LeMay's 21st Bomber Command stationed on the Pacific island of Guam. LeMay's B-29s showered 67 Japanese cities with incendiary bombs in 1945, softening up the country for the two atomic blasts to come. McNamara was a senior planning officer. Story by "Killing Fields"' Sydney Schanberg in the American Prospect (more inside)
posted by matteo on Nov 12, 2003 - 83 comments

It is well that war is so terrible, or we should grow too fond of it. Platoon. Full Metal Jacket. The opening sequence of Saving Private Ryan. It's surprising that anyone volunteers for the armed forces after a steady diet of Hollywood depictions of the horrors of war. In "Jarhead" Gulf War sniper Anthony Swafford contends that these"...Vietnam War films are all pro-war, regardless of what... Kubrick or Coppola or Stone intended. Filmic images of death and carnage are pornography for the military man." Does the terrible beauty of Apocalypse Now actually help military recruitment?
posted by spotmeter on Mar 3, 2003 - 44 comments

War as a Way of Life The latest Reggio/Glass collaboration - Naqoyqatsi - is coming out Oct. 18. From the looks of the trailer, this could be the coolest of the trilogy. Of course, who could forget the scene from Koyaanisqatsi where Reggio jumps from scene of Twinkies rushing through production line to fast-forward scene of daily-grinders moving up escalators in subway station - priceless. Just more 70's grad-student dope-smoking backdrop -- or essential media for our age?
posted by minnesotaj on Sep 26, 2002 - 15 comments

Nuclear war on film The Los Angeles Times [registration required] reviews the potrayal of nuclear war in the movies.
posted by kirkaracha on Jun 23, 2002 - 9 comments

"Leave no man behind" is the tagline for the new Scott/Bruckheimer battlepic, Blackhawk Down.

In October of 1993, US Rangers and Delta Force personnel stationed outside of Mogadishu, Somalia, launched what should've been a 30 minute grab-and-go mission to capture higher-ups under the command of Mohammed Aidid, a Somali warlord. Before it was all over, many hours later, 19 US servicemen and 1000+ Somalis were dead.

PBS has a decent writeup on the Bakara Market ambush, but I still feel like I am missing something. Some sources share the movie's claim that the US was there to support humanitarian relief efforts, that Aidid was preventing the distribution of food. Others say we were there to protect American oil interests.

So what really happened on that day in October 1993? The movie opens on Friday, I saw it last night, and I am still exhausted. Admittedly, this film is far better than Pearl Harbor (no contrived love-triangles are used as a framing device here), but for all the simulated shooting and on-screen heroism, it still seems hard to make out the truth through all of the Hollywood dust. So I guess I am wondering, can we prevent Hollywood's versions of history from replacing the truth (or even the truth-as-we-knew-it)? Should we even try? Is it even possible?
posted by grabbingsand on Jan 16, 2002 - 39 comments

Promises "What is it really like to live in Jerusalem? PROMISES offers touching and fresh insight into the Middle East conflict when filmmakers Shaprio, Goldberg and Bolado travel to this complex and charged city to see what seven children — Palestinian and Israeli — think about war, peace and just growing up." airs tonite (check your local listings) i've seen a few POV documentaries before and they were pretty good.
posted by kliuless on Dec 13, 2001 - 3 comments