<<Vertigo is an impossible object: a gimcrack plot studded with strange gaps that nonetheless rides a pulse of peculiar necessity, a field of association that simultaneously expands and contracts like its famous trick shot, a ghost story whose spirits linger even after having been apparently explained away, and a study of obsession that becomes an obsessive object in its own right, situated likewise on the edge of unreality. This video series avoids assigning the film any determinate shape and tries instead to enter it through a number of side doors, each indicative of a way of seeing.
Part 1 (QT dl ~500mb) explored some of the ground-level weirdness of the film’s construction, offers a suggestion that the film may exist in its own unique tense, and examines two iterations of the (Chris) Marker Hypothesis*.
Part 2 (QT dl ~1.5gB) is spooky, reading the film through a phantom appendage then laying down a sort of Vertigo tarot before moving onto slightly more solid ground with a new consideration of Hitchcock’s concept of the MacGuffin.
Part 3 (QT dl ~1.9gB) takes the zoom-in-track-out as an emblem, reconsiders the issue of point of view, then throws all the pieces back up in the air. That’s a thematic rundown, from the position of the narrator. The images have their own agendas, which often coincide but sometimes don’t.
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posted by carsonb
on Dec 29, 2011 -
13 comments
Men in Women-in-Prison [Films]
"This dynamic — of eroticized male exclusion from, and investment in, female relationships — was the defining feature of a handful of women-in-prison films from the 1970s. In these movies, female sisterhood, generally in the face of oppression, is itself fetishized — feminism is turned into a kind of masochistic male wet dream. How this unlikely cathexis occurred, and how it functioned, is the subject of this essay."
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posted by carsonb
on Aug 7, 2008 -
23 comments
