A Journey Into the Mind of P. [YouTube]
A documentary, written & directed by Donatello Dubini & Fosco Dubini, mostly on the authors [Thomas Pynchon] reclusivness, how it's been dealt with by some hysterical fans, old friends, critics... containing some interesting interviews & speculations on the themes of Gravity's Rainbow & how they relate to the historical realities of the american fifties & sixties, the paranoid politics of cold war logic, megalomaniac experimental psychology, the callous mindset of military engineering, & so on...[more inside]
12 Angry Men Inside Amy Schumer Pitch-perfect reenactment of the Sidney Lumet classic. (SLYT - 21 minutes, and worth every one) [more inside]
The Black Widow Conundrum - how Black Widow being the most popular female superhero of the decade is both exciting and disappointing. Also Ike Perlmutter thinks female-led films bomb, The Mary Sue discusses Joss Whedon leaving Twitter.
Shit People say to Women [film] Directors. Tumblr - Exactly as described. The first part of their About page states: SHIT PEOPLE SAY TO WOMEN DIRECTORS is an anonymous open blog for any female-identifying individual to submit personal accounts of absurd, offensive, threatening, or downright fucked-up “shit” people have said to you while working in the film business. [more inside]
The signature image in Little Boy, a colossal miscalculation in audience uplift, is of the title character stretching out his arms, scrunching up his face, and groaning with intense concentration. Small for his age, hence the nickname, 7-year-old Pepper Flint Busbee (Jakob Salvati) performs this ritual several times throughout the film, always when attempting to move an object with the sheer power of his belief. More often than not, it actually works: Onstage, during a magic show, he appears to slide a glass bottle across a table, Jedi-style. Later, in a far grander display of his apparent gifts, he wows a crowd of skeptics by seemingly creating an earthquake while trying to nudge a mountain. What Pepper really wants, though, is to bring his father back from the war. And so he stands on a dock and points his hands in the direction of the Pacific Ocean, defying the setting sun, focusing all his desire on one point in the distance, until…Little Boy: The Film That Goes There [more inside]
The family shows up at Hank’s house unaware that they’ll be sharing it with assorted wildlife whose collective attitude toward humans ranges from playful to scarily aggressive. Oh, and all the animals are real, and largely untrained, and when they paw and pounce on their human costars, you can see real terror in the actors’ eyes — like actual Oh shit please God no terror.The making of Roar, possibly the Most Dangerous Movie of All Time.
Remember when Captain America had a district attorney alter-ego named Grant Gardner? And he fought The Purple Death Scarab? No? Then you might need to rewatch the original 1944 Captain American Republic Serials! Bonus: The (deservedly) short lived Captain America Cartoon 1966
Comic-Book Writer Nick Spencer talks about writing the print version of Ant-Man as Marvel releases a second trailer for the movie and Vulture looks at the film's long production history.
"When Tony Scott took his own life in 2012, we lost an unquestionably significant filmmaker. Some dwelled on the whys of his demise (thus leading to the rumor that the man was dying of terminal cancer when he jumped from San Pedro’s Vincent Thomas Bridge), but ultimately none of that matters one bit. Scott was a genius behind the camera, leaving behind a filmography that was unified in tone and consistently flat out entertaining. It’s a shame that his pictures have been regularly dismissed as nothing more than hollow diversions; mindless drivel meant for mass consumption and disposal. While their appeal is most certainly broad, there’s nothing vapid about them." - Acid In The Coliseum: The Films Of Tony Scott [more inside]
The Trouble with Clint by Jacob Krell [Los Angeles Review of Books]
“Clint Eastwood is many things to many people, but contemporary critics tend to agree that he is an auteur, i.e., someone with real directorial insight, care, and reach, someone whose individual artistic stamp can and should be used as a heuristic lens. Insofar as so much of his early career as an actor found him traipsing through the storied landscapes of American westerns and action films, it’s hardly surprising that Eastwood’s own directorial mark is often constituted through toying with genre, as he’s done with the western, to acclaimed effect (Unforgiven); with the boxing drama, to acclaimed (and deeply manipulative) effect (Million Dollar Baby); and with the B-movie, to effect somewhere between perplexing and appalling (Gran Torino).”Previously. Previously. Previously.
Tony Zhou has quickly become a favorite here at Metafilter for his video essays on film techniques. His latest work is part editing class / part confessional on the subject of video essays themselves. And it all involves Star Wars, South Park and, most of all, Orson Welles' "F for Fake" (previously and previously).
Footage of 1940s Chicago! The most American of American cities [article] and the wonder city of the middle west.
"Let’s have a look at 50 movie posters and how they’ve been designed for movies that have been remade"— a four part series.
In the video, Michelle Rodriguez offers a few choice words on diversity in casting: “Stop stealing white superheroes.” It caused a bit of an uproar in some circles, and Michelle made a video clarifying her statements. But first, let’s address the premise itself. Are all of these superheroes, “originally” white, whose races are being changed, being stolen?
70-pound costumes. A major studio pulling out at the last moment. Rejection from every corner. Most of the industry asking its producers, "Are you guys out of your minds?" 'Teenage Mutant Ninja Turtles': The Untold Story of the Movie "Every Studio in Hollywood" Rejected.
Why Frogs Have Taken Over Passover: a comprehensive and captivating survey of frogs in legend and literature, just in time for everybody's plague-ridden holiday remembrance. [via mefi projects]
Sundays is a beautiful science fiction short film by Dutch director Mischa Rozema of PostPanic Pictures for roughly $50000. The film was also intended to be a concept pitch for a feature, and it worked as intended, sparking a bidding war between Hollywood studios.
This week in The Dissolve’s Forum section, Noel Murray and Alan Sepinwall discuss Midnight Run and what makes the 1988 film an enduring favorite. This is not the first time Sepinwall has written about his favorite movie.
Midnight Run, previously, by our very own AlonzoMosleyFBI
Midnight Run, previously, by our very own AlonzoMosleyFBI
Stanley Pickle is a short stopmotion/liveaction film directed by the illustrator and photographer Vicky Mather
Senses of Cinema on two Jean-Pierre Melville classics: Temenuga Trifonova on Le Samouraï and Brian L. Frye on Bob le flambeur
Yozhik v tumane - Soyuzmultfilm Yuri Norstein (YT, 1975) (Hedgehog in the Fog, Wikipedia) is ten delightful minutes of one of the most beloved animated movies in the world. That hedgehog, that owl: just look at them. Just a small good thing for your day. Discovered via Thomas Pynchon's "Bleeding Edge," source of the post title.
Start your weekend right with this supercut of dance-scenes from 80+ different movies, from youtuber MsTabularasa and set to Walk the Moon's "Shut Up and Dance."
Fictional user interfaces in film, TV and games. Kit FUI UI BAKA SciFi Interfaces VisualPunker: UI FakeUI Screens on screen [more inside]
This video plays the opening and closing shots of 55 films side-by-side. Some of the opening shots are strikingly similar to the final shots, while others are vastly different--both serving a purpose in communicating various themes. Some show progress, some show decline, and some are simply impactful images used to begin and end a film. [Obvious spoilers for the final shots of the 55 movies listed in the video's description]
A few years ago, I had lunch with the head of a major motion picture studio, who declared that his central problem was not finding good people—it was finding good ideas. Since then, when giving talks, I’ve asked audiences whether they agree with him. Almost always there’s a 50/50 split, which has astounded me because I couldn’t disagree more with the studio executive. Pixar President Ed Catmull on the culture that generates Pixar's artistic and commercial success.
Frontera! Revolt and Rebellion on the Rio Grande (20:06; 2014) is an experimental animated documentary that briefly describes the Narváez, de Niza, Coronado, and Oñate expeditions en route to an account of Po'pay and the Pueblo Revolt. It features music by Greg Landau ("Women of the City" with Omar Sosa) with lyrics and vocals by Deuce Eclipse (SoundCloud; "Que Pasa" with J-Boogie).
A nice collection of "Five best moments" at The Guardian:
"Each week readers help us pick five highlights from an actor's film career"
"Each week readers help us pick five highlights from an actor's film career"
"There are several ideas of what happened here this evening. It could have been a fantastic promotion stunt, or a demonstration against the film establishment, but a lot of people think it was actually a motion picture being produced here at the film festival. The only thing sure is that the 13th annual San Francisco Film Festival got off to a smashing start." That's a bit of reporter humor, which accurately captures the diverse goals and ideas behind Pie Fight '69, a most memorable yet virtually forgotten piece of San Francisco's cinema history. The film from a half dozen cameras, run by members of Grand Central Station independent film collective, was lost until 1999. The rediscovered film was cut into a short documentary, which you can see on Archive.org, YouTube, and Vimeo.
Anna May Wong was the first Chinese-American movie star, first appearing as an extra in 1919. Her first leading role came in 1922's Toll of the Sea, the first color feature made in Hollywood. She continued appearing in films until 1960, the year prior to her death. [more inside]
International Women's Day was yesterday, but every day is a good day for reading about women cinematographers, photographers, fashion designers and chefs! The Calvert Journal presents here a number of past articles on contemporary Russian women in various creative professions, noting that, "someday, in an equal world, we wouldn’t need a special day to celebrate their achievements".
Sam Simon, writer, producer, philanthropist and co-creator of The Simpsons has passed away of colorectal cancer at the age of 59. Previously.
"Roar" is a 1981 film, nearing a theatrical re-release, that was written and directed by Noel Marshall and co-written and co-directed by a pride of lions. It is perhaps the most dangerous movie production ever. [more inside]
Character actor Daniel Von Bargen ("Seinfeld", "Lord of Illusions", "Super Troopers") has died at the age of 64. One tragic footnote is his 2012 suicide attempt that led to his long illness. Here are some facts about Diabetes and Depression and, as always, there is help for those who need it. (Post Title Quote here)
Join Mr. Piggy on an adventure through time and space in the short, animated film Mr. Piggy Dies in 25 Dimensions. [SLV NSFW]
When Martin Scorsese introduced his Film Foundation’s newly restored version of The Colour of Pomegranates at the Toronto film festival in September he told the expectant audience they were going to witness images and visions “pretty much unlike anything in cinema history”.For a taste of what has been restored, you can watch the entire unremastered film in two parts on YouTube, and the whole film in lower quality on Archive.org. For another novel experience, you can view a much higher quality of the film with a new score by Nicolas Jaar, and see a lower quality version with the new score by Ben Watkins AKA Juno Reactor, as commissioned by the Bialystok Film Festival in Poland last year. Juno Reactor had previously used visuals from Pomegranates for the video of "God is God." [more inside]
The 1969 Armenian film, voted 84th best of all-time in the most recent Sight & Sound magazine greatest movies poll, only gained a belated official release in western cinemas in 1982, but even the cinephiles and critics who have lauded the film with such extravagant praise since should now prepare to see Sergei Parajanov’s masterpiece afresh.
“I’m always surprised to see what I do,” Jean-Luc Godard admits at the beginning of a talk delivered, nearly four decades ago, at Concordia University in Montreal. Could the single most influential filmmaker of his generation, who is still a provocateur at age 84, possibly be as baffled as we? [more inside]
HistoricPlacesLA is the first online information and management system specifically created to inventory, map, and help protect the City of Los Angeles' significant historic resources. It showcases the city's diversity of historic resources, including architecturally significant buildings and places of social importance as well as historic districts, bridges, parks, and streetscapes. You can search for specifics or try some popular seaches, and the map view let's you combine different overlays and base maps.
"A bottle of nerve manna, a disappearing golf ball and some rocks...it all adds up to the Hardly Boys' toughest case yet. The Hardly Boys have returned to Rangeley Lake for another relaxing summer at the Hardly Inn. Fishing, boating, tennis and their friend Chip Mason await them, but the boys soon find themselves enmeshed in a perplexing mystery that puts to the test their sleuthing skills and secret dog powers..." [more inside]
How Adam Savage became obsessed with building a scale model of the maze from Kubrick's film The Shining. The Making Of and The Making Of The Making Of (both SLYT). [more inside]
"We don't want them to see diversity as a burden or a moral obligation. We want them to see it as a business imperative."UCLA’s Bunche Center for African American Studies has released its 2015 Hollywood Diversity Report: Flipping The Script [PDF]. The Hollywood Reporter has the exclusive story (with lots of sidebars.)
How to Save Us (trailer) is a low-budget horror film made by Jason Trost, creator of the cult hit The FP (previously). Jason Trost is a young filmmaker who continually puts out unique, sometimes satirical, but always creative films across all genres, pulling them together despite shoestring budgets derived mostly from crowdfunding that he manages himself. Jason Trost's films often draw negative reviews mostly centered around their lack of budget, however they are unique and odd enough that he has accumulated his fair share of loyal fans and supporters.