Kat Chow, with NPR's Code Switch, put together a short piece on the history and the prevalence of the well-known nine note "stereotypical Asian theme." As described in a 2005 Straight Dope forum question: You know, the one that goes dee dee dee dee duh duh dee dee duh. Featured heavily in braindead Hollywood flicks made by clueless directors who want to give a scene an "oriental" feel. Also a variation of it can be heard in David Bowie's "China Girl." [more inside]
Cartoon Brew's animation historian Amid Amidi posted an almost-definitive collection of Automobile-themed cartoons from the 1950s and 1960s. [more inside]
"Over the years in animation, there have been a lot of great animators. Ub Iwerks was one of those people. We know his work, but we don't necessarily know the man." The Hand Behind the Mouse: The Ub Iwerks Story (in 5 parts on DailyMotion: 1, 2, 3, 4, and 5) tells of the life of Ubbe Eert Iwerks, from the formation of the friendship with Walt Disney when they met at advertisement studio in Kansas City, their artistic collaborations and Ub's 20 years of animation, to Iwerk's technical creations that kept Disney animated pictures ahead of other studios. [more inside]
He had an awesome name for an animator. He created Mickey Mouse. He won two Academy Awards. He invented rotoscoping. Now he is mostly forgotten, except among cartoon aficionados. Also forgotten: Flip the Frog. He was Ub Iwerks.