New Year's Eve is fast approaching, and for lots of folks that means... drinking. Plenty of drinking. And since there's no shortage of singers and songwriters who've had a little something to say about that particular topic, maybe some of the following tunes can serve as an appropriate soundtrack to your own joyous (or not?) imbibing of spirits. For example, there's... Jimmy Liggins with his succinct rendition of
Drunk, and there's...
[more inside]
posted by flapjax at midnite
on Dec 30, 2011 -
67 comments
There's a new crop of Australian bands that take inspiration from old blues, but twist the music in a strange fashion. The trend may have started with
CW Stoneking (Jungle Blues,
Love Me Or Die), who channeled the old bluesmen despite being a
young man. Its continued on to Sydney's
Snowdroppers, who started out as a
house band for burlesque shows and kept that dirty sensibility up with songs like
Rosemary ,
Do The Stomp, and their signature tune
Good Drugs, Bad Women (lyrics NSW). Frequent Snowdroppers touring partners
Gay Paris add a Southern horror twist (
House Fire In the Origami District, My First Wife? She Was A Foxqueen! ) and an antic stage energy. Some of the bands relay on gimmicks, like Adelaide's
The Beards, who sing about how
you should consider having sex with a bearded man and point out that
if your dad doesn't have a beard, you've got two moms. The Beards recently performed at the
World Beard and Mustache Championships. Horror-country-rockers
Graveyard Train have picked up the torch dropped when Sydney psychobilly masters
Zombie Ghost Train (
Graveyard Queen) disbanded. Graveyard Train tunes like
Mummy,
Ballad for Beelzebub ,
Tall Shadow and
Dead Folk Dance combine cheerful Misfits horror theming with stompy country. Most of the singers from this loose scene are joining forces in Sydney this week to
pay tribute to Tom Waits.
posted by Lovecraft In Brooklyn
on Oct 4, 2011 -
32 comments
Within that small and very specific sub-genre of musical Americana identifiable as the
train imitation, there is one amazing performance, from 1926, that set the standard:
Pan-American Blues. The man who recorded it did a fine and fanciful job of evoking the sounds of a
fox chase as well, and his rhythmically compelling solo rendition of
John Henry stands as testament to the potential for musical greatness achievable by one man and a humble harmonica. He was an African-American who was a founding member of the Grand Ole Opry, a musical institution that we rarely (as in,
never) today associate with black people, and his touching and tragic story, documented
here, is one that will be of interest to those concerned with the racial, economic and socio-cultural history of American popular music. He stands at one of its more unexpected intersections: his name is
DeFord Bailey.
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posted by flapjax at midnite
on Dec 30, 2010 -
15 comments
It’s maybe a
little early yet for year’s end retrospectives, but who cares:
we’ve got 157 songs, 10.5 hours, 1.12 GB of “some of the best and most notable music from 2010... covering indie, pop, rock, punk, folk, rap, R&B, soul, dance, country, modern classical, ambient and electronic music, and in many cases, hard-to-classify genre hybrids.” —Curated by FluxBlog’s own Matthew Perpetua.
posted by kipmanley
on Dec 3, 2010 -
30 comments
Peter Grudzien lives in New York and makes psychedelic country music or at least used to, since only two albums of his material ever came out,
The Unicorn in 1974, and
The Garden of Love, which is mostly a collection of demos. His songs are varied, ranging from noise music to straight up country, and their subject matters are equally wide-ranging, from strange fare, such as
lyrics about his clone being at Stonewall, to
straight-up love songs. His best known original is probably
The Unicorn, a beautiful song whose
lyrics recast the early 70s New York gay demimonde in terms of a barren zombie-filled wasteland which will be reborn when the titular unicorn is found by the queen. Other songs on YouTube are
White Trash Hillbilly Trick,
New York Town and an instrumental cover of the Georgia Gibbs hit
Kiss Me Another. Finally,
here's a lovely cover of The Unicorn by Calgary folkie Kris Ellestad.
posted by Kattullus
on Nov 21, 2010 -
16 comments
"With
this blog, I want to use the Folkways Anthology as a roadmap to explore American folk music and maybe other countries traditions along the way. I’ll use texts, images, music and videos gathered from my personal collection and from the net to make this work-in-progress enjoyable and educational the best I can."
(via)
posted by 1f2frfbf
on Mar 12, 2009 -
17 comments
John Prine released
John Prine in 1971 with the songs
Illegal Smile,
Spanish Pipedream,
Hello In There,
Sam Stone,
Paradise,
Pretty Good,
Your Flag Decal Won't Get You Into Heaven Anymore,
Far From Me,
Angel From Montgomery,
Quiet Man,
Donald & Lydia,
Six O'clock News and
Flashback Blues.
An interview from 1971.
posted by stavrogin
on Jun 3, 2008 -
38 comments
“We consider the 'primitive' music of blues singers such as Leadbelly to be more authentic than that of the Monkees.
But all pop musicians are fakes . . . Hugh Barker and Yuval Taylor . . . have turned out their personal record collections to produce a persuasive defence of inauthenticity as the defining characteristic of great popular music[.]” (
via)
posted by jason's_planet
on Apr 20, 2007 -
144 comments
701 78s. A huge set of "old-time" music recordings from 1924-1946, made available in RealAudio format by honkingduck.com. Not high sound quality, but an invaluable collection for anyone with any interest in early recorded bluegrass, folk, country, blues, etc.
posted by staggernation
on Nov 10, 2003 -
23 comments
