Graphic designer Susan Kare was responsible for much of the look of the original Mac operating system. Now, you can take a peek inside the notebook where she sketched out on graph paper the icons for cut and paste. (previously)
A lot of us are interested in fonts. A lot of us are interested in, or have, leg hair. And now, finally, there's a story for both those groups.
Beautiful Type is a patchwork of photos and illustrations having a relationship with typography. AisleOne is focused on graphic design, typography, grid systems, minimalism and modernism. iABC is a collection of beautiful letters. Inspiration Bit has a nice archive of articles about web typography. Nicetype is about fonts, logos, posters and software. Twenty-Six Types celebrates the beautiful letters. Typenuts is type-themed iPhone and desktop wallpapers. Typoretum is about typography, letterpress and printing history. Enjoy.
Ian Hex writes about the features that make for a good UI typeface by comparing and contrasting five different fonts (Segoe UI, Lucida Grande, Ubuntu, Helvetica Neue, and Droid Sans) . He also links to a great post on the making of Azuro. Left out of the race was Nokia Pure.
We and the Color is a blog about creative inspiration in art, graphic design, illustration, photography, architecture, fashion, product, interior, video and motion design. Also on Flickr.
KernType is a game where you put your kerning skills to the test.
Typekit, the subscription based Web Font service founded by Jeffery Veen, has been aquired by Adobe.
"Reading printed text is so fluid and transparent for most people that it's hard to imagine it feeling any other way. Maybe that's why it took a dyslexic designer to create a typeface that optimizes the reading experience for people who suffer from that condition." [more inside]
Typeface based on sculpture becomes motorized sculpture. The (European) typeface Jigsaw, “which was inspired by sculpture,” finds a use in typesetting the names of donors to a (U.S.) regional arts council. “A motorized disk contains approximately 2,000 names.... Pushing an initial letter on the control panel allows the viewer to find a particular name. The disk rotates and stops at the requested letter and displays all the names corresponding to the requested letter by backlighting them with white LEDs.” (Gallery; Vimeo video.) [more inside]
PRESENTED BY 40 SPECIALLY TRAINED ECUADORIAN MOUNTAIN LLAMAS, 6 VENEZUELAN RED LLAMAS, 142 MEXICAN WHOOPING LLAMAS, and 14 NORTH CHILEAN GUANACOS (CLOSELY RELATED TO THE LLAMA)
Llama Font. Say it in llama!
The Lost Type Co-op is a collaboration between Tyler Galpin and Riley Cran. It was founded with the intention of providing unique and quality fonts based on a pay-what-you-want model. All designers get 100% of the donations their font receives.
You might expect a jokey April 1 press release announcing Comic Sans Pro is yet another seasonal prank. Yet here it is, as little as $35 per face or $120 for the whole family.
We love typography. Don't try to deny it. We love it deconstructed. We love asking questions about it, and hearing people talk about it. We’ll even play games about it.
The new Egyptian régime blows its chance to legitimately use the Papyrus font. The Egyptian president’s official site (for standardistas: HTML 3.2 with no language declared!) squanders a chance at typographic symbolism, Typophile explains: “Unfortunately, they had a once-in-a-lifetime opportunity to legitimately use Papyrus and they blew it. Instead it’s Algerian.” (Type specimens: Papyrus; Algerian. Cf. Papyrus Watch [previously].)
Cue up a kaleidoscope of House Industries techniques, substrates, disciplines and muscle memory compressed into high-definition pixels and actively matrixed through modulated electroluminescence with an audio lesson from The Bird and The Bee.
The Museum of Modern Art announced this week it would induct 23 digital-era typefaces into its permanent collection (Times coverage). But what do the designers of these fonts look like? Pics or it didn’t happen: first set; second.
The Art of Hermann Zapf film "was produced in 1967 at Hallmark Cards in Kansas City and in my design studio in Dreieichenhain, Germany... After long discussions and the help of a lot of alcohol we started late in the night. I was sitting at a slanted glass table with a hot spotlight in my neck. Frank Robinson was lying on the floor with the camera ready for a frog-view shot. My task was to write beautiful letters with ink which dried as soon the pen touched the slippery surface of an astralon sheet." — Hermann Zapf
The Great Typekit Table — Finding a good Typekit font for long blocks of text is hard, but Sleepover has done it so you don't have to. They've pared it down according to two simple rules: first, the font has to have lowercase, uppercase, bold, italic, and bold italic; second, the font can't be handwriting, script, or monospace.
If you are a fan of the quirky type fonts of a pre-digital era, you may enjoy "the" project, a whimsical little romp through the graphic yesteryear brought to you by the hound of lettering. (via Mira y Calla)
Web Design Ledger is a publication written by web designers for web designers. The primary purpose of the site is to act as a platform for sharing web design related knowledge and resources. Topics range from design inspiration to tips and tutorials and everything in between. [more inside]
Mefites love type foundries. Here are some more. Typeplus | Klim Type Foundry | Process Type Foundry | Typejockeys | Village | Darden Studio | Bold Monday | Hand Made Font | SMeltery | Reserves | righttype | OurType | Colophone Foundry
Fraktur mon amour: Ruud Linssen’s Book of War, Mortification and Love is a collection of “essays on voluntary suffering” that works as a specimen of the Fakir blackletter typeface issued by merry pranksters Underware. Bored already? Well, try this on for size: It’s “printed in the author’s blood.”
Cardon Copy takes the vernacular of self-distributed flyers and tear-offs... redesigning them, overpowering their message with a new visual language. [via]
Typography of World Cup jerseys: In general, or just Italy’s. Or read an interview with Paul Barnes, who designed the faces for – yes – Italy and several other Puma-sponsored countries (Algeria, Cameroon, Ghana, Ivory Coast, Switzerland, Uruguay).
Where music geekery and typographical geekery intersect: Rock That Font looks knowledgeably at the typography of notable album covers.
Almost Everything by Kirby Ferguson: A web series featuring a good-natured Canadian geek who uses slick, fast-paced video presentations to comment on the world's ills. Episodes: Apple's Stealth Jabs at Microsoft - Protecting and Maintaining Your Heterosexual House of Cards - Americans Love Lists - Trajan is the Movie Font - Thank You For All the Butt Cracks - Passive Resistance, Like Gandhi - Punchline Piracy - The Fag Bomb - I Love Progress Bars - Slumdog Controversy - The Distraction Machine - Talent is Hard Work - 2012 and the Conspiracy Conspiracy - I Don't Care About Tiger Woods' Penis (An Open Letter to the American Media). Like the background music? The full soundtrack by Windom Earle is available for preview or download on Amazon. A product of Goodiebag.tv (YouTube, Twitter, Facebook, blog, more videos).
The League of Moveable Type offers a growing collection of high-quality, open-source fonts to help make the web a bit nicer to look at.
John Mayer gets some really bitchin’ typography. House Industries (last MeFi mention: 1999!) designs a limited-edition tour poster for the crooner who constantly steals the show on TMZ. “[U]ntil they come up with a JPEG format that makes metallics shimmer like a Solid Gold dancer’s outfit, there just isn’t a substitute for physically walking around a serigraph and watching the light bouncing off metallic and fluorescent inks.” [more inside]
TypeWar: How well do you know your fonts?
Type Design on the Radio. TTBOOK (previously) does an hour-long program about typography (podcast here, RM stream here). Segments include interviews with Jonathan Hoefler and Tobias Frere-Jones of Gotham fame (they say their "Obama Font" worked best of those in the campaign; others agree), a Verdana-centric interview with Matthew Carter (he comments on the IKEA kerfluffle), and interview Kitty Burns Florey, author of Script and Scribble: The Rise and Fall of Handwriting . [more inside]
Ikea de-Futurafies. You may have noticed something at once familiar and unfamiliar about the 2009 Ikea catalogue: The company switched from a custom variant of Futura to the font you stare at all day in your browser, Verdana. And type nerds are losing their shit! [more inside]
Stelae for 7/7. The London 7/7 Memorial consists of “52 pillars (or ‘stelae’), cast in rough textured stainless steel, each representing one of the victims” of the 2005 terrorist bombing attack. Typographer Phil Baines (profile) explains the development of the rough-hewn yet “British” typeface, based on “the 19th-century, untutored signmakers’ sansserif you see on buildings around the city,” that is moulded into the living steel.
Stereotypes -- Derided by typophiles as crass, "ethnic type" has a revealing taxonomy and, surprisingly, serves a purpose.
Custom Letters is an evolving category that includes calligraphy, sign painting, graffiti, stone carving, digital lettering, hand lettering, paper sculpture, and type design.
FONT FIGHT! the long-awaited (by me and other fontaholics) follow-up to Font Conference. Better than the first IMO, but I'm sure we can still take issue with some of the 'characters'. [more inside]
Joe Palca, a science correspondent for NPR's Morning Edition, was meditating on the best way to convey the magnitude of the world's largest known prime number, 243112609-1. He contacted H&FJ at Typography.com to discuss the implications of typesetting a number with more than twelve million digits. Crunching of numbers and fonts ensued.