"I merely want to remind us that cyberspace is a literary invention and does not really exist, however much time we spend on the computer every day. There is no such space radically different from the empirical, material room we are sitting in, nor do we leave our bodies behind when we enter it, something one rather tends to associate with drugs or the rapture. But it is a literary construction we tend to believe in; and, like the concept of immaterial labor, there are certainly historical reasons for its appearance at the dawn of postmodernity which greatly transcend the technological fact of computer development or the invention of the Internet." - Fredric Jameson looks back on Neuromancer by William Gibson
John Powers (of Star Wars: A New Heap) writes The Future of Art: Rosalind Krauss is a Jedi - "If Krauss is Leia, Le Corbusier is a pretty great candidate for General Tarkin." Star Wars Semiotics - "At HiLobrow we’re wary of structuralist heuristic devices. But we do enjoy tinkering with them — and we’ve noticed that the logical expansion of binary oppositions does help stimulate the imagination. However… does Powers’ square function properly?" A Crisis in Criticism: Star Wars is not Literature, it is an Object. - "Glenn's post is good natured and whip smart - but he's dead wrong. While he is no doubt the superior semiotician ... and I can't hope to outsmart the guy, mine is the better diagram." Star Wars Highbrow: Thesis Antithesis Synthesis - "In addition to describing the square above Glenn's original post also discussed his choices for the cardinal points at some length in terms of a "highbrow-lowbrow-middlebrow-nobrow-hilobrow schema." It is a scheme he has charted elsewhere, admitting that "aesthetic and lifestyle choices aren't entirely independent of social class."" [more inside]
Alex Ross writes for the New Yorker: Walter Benjamin, Theodor Adorno, and the critique of pop culture.
Now the future is a kind of attenuating peninsula; as we move out on it, one side drops off to catastrophe; the other side, nowhere near as steep, moves down into various kinds of utopian futures. In other words, we have come to a moment of utopia or catastrophe; there is no middle ground, mediocrity will no longer succeed. So utopia is no longer a nice idea, but a survival necessity. "Remarks on Utopia in the Age of Climate Change," from Kim Stanley Robinson. Previously.