Unlike many cinematic exports, the Disney canon of films
distinguishes itself with an impressive dedication to dubbing
Through an in-house service called Disney Character Voices International
, not just dialogue but songs, too, are skillfully
re-recorded, echoing the voice acting, rhythm, and rhyme scheme of the original work to an uncanny degree
(while still leaving plenty of room for lyrical reinvention
The breadth of the effort is surprising, as well -- everything from Arabic
gets its own dub, and their latest project, The Princess and the Frog
, debuted in more than forty tongues
Luckily for polyglots everywhere, the exhaustiveness of Disney's translations is thoroughly documented online in multilanguage mixes
and one-line comparisons
, linguistic kaleidoscopes that cast new light on old standards. Highlights:
"One Jump Ahead," "Prince Ali,"
and "A Whole New World"
) - "Circle of Life," "Hakuna Matata,"
(The Lion King
) - "Under the Sea"
and "Poor Unfortunate Souls"
(The Little Mermaid
) - "Belle"
and "Be Our Guest"
(Beauty and the Beast
) - "Just Around the Riverbend"
) - "One Song"
) - "Bibbidi-Bobbidi-Boo"
) - Medley
) - "When She Loved Me"
(Toy Story 2
) - Intro
posted by Rhaomi
on Nov 12, 2010 -
He invented or popularized
a startling array of the fundamental elements of film: the dissolve, the fade-in and fade-out, slow motion, fast motion, stop motion, double exposures and multiple exposures, miniatures, the in-camera matte, time-lapse photography, color film (albeit hand-painted), artificial film lighting, production sketches and storyboards, and the whole idea of narrative film.
By 1897, in a studio of his own design and construction – the first complete movie studio – his hand forged virtually everything on his screen. Norman McLaren writes, "He was not only his own producer, ideas man, script writer, but he was his own set-builder, scene painter, choreographer, deviser of mechanical contrivances, special effects man, costume designer, model maker, actor, multiple actor, editor and distributor." Also, his own cinematographer, and the inventor of cameras to suit his special conceptions. Not even auteur directors such as Charles Chaplin, Orson Welles, John Cassavetes, and Stanley Kubrick would personally author so many aspects of their films."
Inside: 57 films by Georges Méliès, the Grandfather of Visual Effects
. [more inside]
posted by Paragon
on Feb 3, 2010 -