Deavid Soul ("The Avid Soul") aka "Rich & Famous" are a Japanese duo who make house/disco/funk and, more recently, world music. You may remember them from such Dreamcast darlings as Jet Set Radio and Jet "Grind" Radio. Their style is an instantly recognizable mix of 90s house and classic disco with copious samples from hip hop, disco, R&B, reggae and 80s/70s film. For their latest album, they've collaborated with Exotic Light Orchestra to add a Latin American fusion sound to their already eclectic aural soup. They're real good. [more inside]
Snakes! Bullets! Super secret agents! Bandits! Monkeys and tigers! Espionage and romance! Are you excited yet? Are you on the edge of your seat? Does this sound like a movie to you? Ah, these are the recurring themes in some of classic Bollywood’s greatest cinematic extravaganzas, where acting and plot took a backseat to some of the craziest, over-the-top song and dance scenes ever committed to celluloid. Enter The Bombay Royale, a local 11-piece musical powerhouse who have taken the themes and soundtracks from these films and have infused them with all the colour, production and energy one would expect from a four-plus hour Bollywood movie. The Bombay Royale had first set down to do strictly covers from the gilded ‘60s era of Bollywood, but soon evolved into writing their own material.Sit down with Parvyn Kaur Singh AKA "The Mysterious Lady," one of the singers of the band, for an introduction to the cast of characters behind the albums You Me Bullets Love (Soundcloud; track-by-track description with musical director and saxophonist Andy Williamson, AKA "The Skipper") and The Island of Dr. Electrico (Soundcloud; a review of the Bollywood inspired surf / disco / funk album). [more inside]
Queen's 1982 dance funk single "Body Language" represented a rare move away from their glam stadium anthems into a more spare, disco-driven beat inter-cut with a moaning Freddie Mercury. The accompanying video, full of exposed flesh and suggestive lyrics, was deemed inappropriate for US TV and was one of the first music videos barred from MTV.
10 iconic mixes from the dancefloors of New York. "It’s the city that gave birth to disco, house music and hip hop, the home of iconic, seminal clubs like The Loft, Studio 54, Paradise Garage and the Sound Factory. If you were going to pick one city on earth where you could track the history of dance music through a series of classic sets, then New York would be it. Back in the early 90s, inthemix writer Jim Poe worked as a DJ in New York City, and here he’s selected ten iconic mixes from the history of NY clubs, tracking the city’s evolving sounds from Grandmaster Flash in 1978 to Francois K at Output this year."
In 1977, Lamont Dozier, Motown veteran, released his album Peddlin' Music on the Side, featuring "the Afro-centric disco hit" Going Back to My Roots. That sound was popular in the US, and also in South Africa, where veteran alto player Teaspoon Ndelu covered the song with his group Teaspoon & the Waves as Oh Yeh Soweto, "changing the lyrics and toughening up the beat, but with the same killer riffs!" The one fault with the song could be that it's only half as long as Lamont's original. Fear not, Dr. Horn has edited the track into an extended form, which you can stream or download from Soundcloud. [more inside]
'textbook definition of surrealism' In his epic new bio of James Brown, "The One"--an account of not just the man's life and music, but a panoramic view of African-American, southern and American political and cultural history of the 20th Century--author R.J. Smith briefly discusses "Future Shock," a dance show that Brown hosted in the mid-1970s. It aired on a pioneering Atlanta station, WTCG, a Ted Turner-owned UHF station that would become a satellite channel by the end of 1976. Along with the pay-only HBO (started in '75 in select markets), WTCG paved the way for a cable TV revolution. Its name would be changed to WTBS (otherwise known as Superstation WTBS) in 1979. [more inside]
Since finding that Tongue In Chic was on CD at last, of late I've thought of the rhythm section nonpareil, Chic, with that welded groove between Nile Rodgers's guitar and Bernard Edwards's bass. As performers and producers--applying the patented Chic sound to an encyclopedia of superstars--what Chic played was a tight and transcendent penthouse funk. Now I find that Nile Rodgers has a homepage, too. The Links pages one and all are motherlodes of Chic-ism, let it be noted. Ah-h-h, Freak Out!
Yay, after the flash fest that was Royksopp's 'Remind Me', here's anoter retro-pixel music video (and a damn catchy choon), from Junior Senior and it can be distributed freely too. "A Tummy Touch-esque slab of nu-disco breaks. The single The Avalanches forgot to make, slick discoid beats, wonderful smile-inducing vocal & beats to make you throw down the funk." according to breaksworld.com