6 posts tagged with Gender by Kattullus.
Displaying 1 through 6 of 6.
Women are called upon every day to prove our right to participate in music on the basis of our authenticity—or perceived lack thereof. Our credentials are constantly being checked—you say you like a band you've only heard a couple of times? Prepare to answer which guitarist played on a specific record and what year he left the band. But don't admit you haven't heard them, either, because they'll accuse you of only saying you like that genre to look cool. Then they'll ask you if you've ever heard of about five more bands, just to prove that you really know nothing. This happens so often that it feels like dudes meet in secret to work on a regimented series of tests they can use to determine whether or not we deserve to be here. The "fake geek girl" test is one, door guys stopping female musicians carrying gear to make sure they're actually in the band and not just somebody's girlfriend is another. Big rock magazines that interview male musicians about gear and female musicians about sexual harassment—that's up there too.—Meredith Graves talks about musical authenticity and gender, taking Andrew WK and Lana Del Rey as her examples. Graves is in the noise rock band Perfect Pussy. Here's a video for their song "I", a live performance and a short segment where Graves and bandmate Ray McAndrew buy books.
Miss Marley was dead: to begin with. There is no doubt whatever about that. The register of her burial was signed by the clergywoman, the clerk, the undertaker, and the chief mourner. Miss Scrooge signed it: and Miss Scrooge’s name was good upon ’Change, for anything she chose to put her hand to. Old Miss Marley was as dead as a door-nail.Genderswitching the Classics is a project by Kate Harrad where she takes classic works of literature and changes everyone's gender. So far she's done A Christmas Carol, two Sherlock Holmes stories, a Father Brown tale and, most ambitiously, Pride and Prejudice (first seven chapters are here). Harrad is now at work on James Eyre. She wrote about her project for The Guardian.