A decade on, the Coen brothers' woefully underrated
O Brother, Where Art Thou? [alt] is remembered for
a lot of things: its sun-drenched, sepia-rich
cinematography (a pioneer of
digital color grading), its
whimsical humor,
fluid vernacular, and
many subtle references to Homer's
Odyssey. But one part of its legacy truly stands out:
the music.
Assembled by
T-Bone Burnett, the soundtrack is a cornucopia of American folk music, exhibiting everything from
cheery ballads and
angelic hymns to
wistful blues and
chain-gang anthems. Woven into the plot of the film through radio and live performances, the songs lent the story a
heartfelt, homespun feel that echoed its cultural heritage,
a paean and uchronia of the Old South.
Though the multiplatinum album was recently
reissued, the movie's medley is best heard via famed documentarian
D. A. Pennebaker's
Down from the Mountain, an
extraordinary yet
intimate concert film focused on a night of live music by the soundtrack's stars (among them
Gillian Welch,
Emmylou Harris,
Chris Thomas King, bluegrass legend
Dr. Ralph Stanley) and wryly hosted by
John Hartford, an accomplished
fiddler,
riverboat captain, and
raconteur whose struggle with terminal cancer made this his last major performance. The film is free in its entirety on
Hulu and
YouTube -- click inside for individual clips, song links, and breakdowns of
the set list's fascinating history.
[more inside]
posted by Rhaomi
on Dec 22, 2011 -
107 comments
There was a historic music festival in the summer of 1969. But it's not the one that took place in Bethel, NY. The
Harlem Cultural Festival ran from
June 29 to August 24 that summer, presenting a concert every Sunday afternoon in
Mount Morris Park (known today as Marcus Garvey Park).
Three hundred thousand people turned out for the
six free concerts, hearing acts like
Nina Simone , Sly & the Family Stone (the only act to play both Woodstock and the "black Woodstock"), Stevie Wonder, Mahalia Jackson, The 5th Dimension, Moms Mabley and. Speakers included Jesse Jackson and "blue-eyed soul brother" Mayor John Lindsay. Security was courtesy of the
Black Panthers, since the NYC police refused to provide it. Filmmaker Hal Tulchin recorded
over 50 hours of concert footage, which has remained unreleased.
Historic Films seems to hold the footage; it was supposed to be made into a movie to
premiere at Sundance 2007, but its
release seems to be continually delayed for reasons unclear.
[more inside]
posted by Miko
on Aug 20, 2009 -
19 comments
Did a 'dream team' of biblical scholars mislead millions? [Chronicle of Higher Education] You may recall the curfuffle over the gnostic "Gospel of Judas"
(previously). The National Geographic's documentary premiere "attracted four million viewers, making it the second-highest-rated program in the channel's history, behind only a documentary on September 11. . . . However, it's a perfect example, critics argue, of what can happen when commercial considerations are allowed to ride roughshod over careful research. What's more, the controversy has strained friendships in this small community of religion scholars — causing some on both sides of the argument to feel, in a word, betrayed."
posted by spock
on Jun 30, 2008 -
142 comments
Gnostic Gospel of Judas, they say! Hot on the heels of
Christ On Ice and the, er,
"newly discovered" Gospel fragment, the news outlets are currently
drooling all over
National Geographic's recent conclusive dating and translation of surviving fragments of the
Apocryphal Gospel of Judas, now dated to about 300 CE. The text is classically
Gnostic, emphasizing a
duality splitting Christ's "spiritual" and "fleshly" natures, as opposed to Christian orthodoxy's belief in the
Incarnation. Looking beyond the wide-eyed "OMG THIS WILL REVOLUTIONIZE CHRISTIANITY AS WE KNOW IT" sensationalism, Internet Monk asks if a
300 year-old apocryphal biography of George Washington would be regarded as authentic were it discovered in 1970.
James F. Robinson, an expert on ancient Egyptian texts,
regards the Judas Gospel as mostly a dud, produced by Cainite Gnostics who took it upon themselves to "rehabilitate" villians of Bible mythos. Even if you don't believe in the
account of Judas, there's no denying his
contributions to the Christian narrative.
Truly a historical icon.
posted by brownpau
on Apr 6, 2006 -
42 comments
So You Think You Hate Country Music? Then listen to this. The roots of American country music may surprise you. In this series of NPR programs, trace the gradual development of real country music through the first half of the 20th century. Learn how a woman's instrument of the late 1800s, the parlor guitar, became the the central symbol of country and rock; see how African-American musical forms like gospel and blues meshed with the development of country and early rock and influenced the traditional forms in turn; listen to German-Mexican hybrids of accordian style; find out why women had so many honky-tonk torch songs to sing in the late 40s. The series contains hours of content (narrative, interviews, music tracks), and a multitude of excellent links for deeper digging.
posted by Miko
on Feb 2, 2006 -
111 comments
"Precious Lord" sung by Mahalia Jackson (mp3)
No artist brought more acclaim to gospel music than
Mahalia Jackson (October 26, 1911 – January 27, 1972). Beginning in 1950, her
divine (.wav) talents were featured weekly on
Studs Turkel's radio program, and through
her music and gentle personality she became so beloved worldwide that
her funeral rivaled that of royalty. Mahalia sang "Precious Lord" at Reverend Martin Luther King, Jr.'s funeral -- at Mahalia's funeral, Aretha Franklin did the honors.
Mahalia was inducted into the Rock & Roll Hall of Fame posthumously
in 1997. Word has it she also made a mean
okra gumbo.
posted by miss lynnster
on Jan 27, 2005 -
6 comments
