There was a historic music festival in the summer of 1969. But it's not the one that took place in Bethel, NY. The Harlem Cultural Festival ran from June 29 to August 24 that summer, presenting a concert every Sunday afternoon in Mount Morris Park (known today as Marcus Garvey Park). Three hundred thousand people turned out for the six free concerts, hearing acts like Nina Simone , Sly & the Family Stone (the only act to play both Woodstock and the "black Woodstock"), Stevie Wonder, Mahalia Jackson, The 5th Dimension, Moms Mabley and. Speakers included Jesse Jackson and "blue-eyed soul brother" Mayor John Lindsay. Security was courtesy of the Black Panthers, since the NYC police refused to provide it. Filmmaker Hal Tulchin recorded over 50 hours of concert footage, which has remained unreleased. Historic Films seems to hold the footage; it was supposed to be made into a movie to premiere at Sundance 2007, but its release seems to be continually delayed for reasons unclear. [more inside]
posted by Miko on Aug 20, 2009 - 19 comments

Pilgrim Productions Presents: Voices Across America, an archive of gospel music in a variety of genres, submitted for free play and download by church groups and folk and traditional groups across the country and beyond. Style, age, and quality vary greatly, but fans of noncommercial music will enjoy hunting for the gems of blues, Cajun, bluegrass, choral, shapenote, country, vintage, and mountain gospel and more.
posted by Miko on May 24, 2009 - 15 comments

The foot bone connected to the ankle bone, the ankle bone connected to the leg bone, the leg bone connected to the knee bone, the knee bone connected to the thigh bone, the thigh bone connected to the hip bone, the hip bone connected to the back bone, the back bone connected to the shoulder bone, the shoulder bone connected to the neck bone, the neck bone connected to the head bone, now hear the word of the lord...and be sure to check the hover-overs for link details on all this bony business,
posted by flapjax at midnite on May 2, 2009 - 24 comments

The music of the People's Temple. Five years before Jim Jones coerced 900 of his church members to commit suicide in Guyana, the People's Temple cut an album. [more inside]
posted by Bookhouse on Aug 7, 2008 - 24 comments

September 14, 1998 "the Tan Canary" passes away. He started out as a gospel singer but went on to perform blues, soul, county, and jazz. In 1968 he covered the country standard "Release Me" and it became a hit. His audience grew, but stardom outside of his home in New Orleans was not to be his. [more inside]
posted by nola on Jul 6, 2008 - 4 comments

The Pointer Sisters rehearse. [more inside]
posted by StopMakingSense on Apr 30, 2008 - 11 comments

THE church elder’s reaction was one of utter disbelief. Shaking his head emphatically, he couldn’t take in what the distinguished professor from Yale University was telling him. "No," insisted Jim McRae, an elder of the small congregation of Clearwater in Florida. "This way of worshipping comes from our slave past. It grew out of the slave experience, when we came from Africa." But Willie Ruff, an Afro-American professor of music at Yale, was adamant - he had traced the origins of gospel music to Scotland. [more inside]
posted by brautigan on Jan 11, 2008 - 96 comments

Legendary tremolo guitar king Link Wray discovered him singing gospel with the Mighty Clouds of Joy, and figured he might be the kind of rock'n'roll screamer he was looking for. If he was gonna sing the devil's music, though, he'd need another name, so they came up with a rather unlikely moniker: Bunker Hill. Just listen. [more inside]
posted by flapjax at midnite on Sep 18, 2007 - 14 comments

Here is Uncle John Scruggs singing and playing Little Log Cabin Round the Lane in RealAudio Dial Up and DSL format. The dancing is great and I do like the walk-on kitten part, myself.

That's from the Center For Southern African-American Music Video Link Page. Their audio link page is a wonder, too with individual artists galore. But, for the real deal, check out the Various Artist compilation album pages. Those may be 20 second of so mp3 clips but, still, those Yazoo, Document and Folkways albums are the bomb and there you get a taste of what they offer. And anywhere you can hear, for example, even a few bars of Blind Alfred Reed's How Can A Poor Man Stand Such Times And Live ? or Estil C. Ball and Lacey Richardson's Trials, Troubles, Tribulations rules in my world.
posted by y2karl on Jun 29, 2007 - 9 comments

Five Blind Boys Of Alabama - Too Close
Supreme Angels - Hush Hush
Soul Stirrers - Listen To The Angels Sing
King Louis Narcisse - This Little Light Of Mine
Goldia Hayes with the Harmonizing Four - Beams of Heaven
Sister Rosetta Tharpe & Choir - Up Above My Head
Hall Johnson Choir - Little Black Sheep
Norfleet Brothers - I Am A Pilgrim And A Stranger
Caravans - No Coward Soldier
Soul Stirrers - I'm A Soldier In The Army Of The Lord
Gospel Paraders - Have You Got Good Religion
Pilgrim Jubilee Singers - Testify
Imperial Gospel Singers - The Lord Will see You Through
Lucy Rodgers Singers - Hold To God's Unchanging Hand

YouTube in the Holy Spirit--mostly old school black gospel...
posted by y2karl on Dec 4, 2006 - 53 comments

For murder ballads, here's your Mississippi John Hurt's Louis Collins and your Grayson & Whitter's Ommie Wise. Then, for some early white blues bottleneck guitar, here's your Frank Hutchison's K. C. Blues. Not to mention Charley Patton's Screamin' And Hollerin' The Blues. All courtesy the Internet Archives 78 RPM tag. where there is way more--like Bix Beiderbecke's first record, Davenport Blues, Louis Armstrong's Ain't Misbehavin' and Geeshie Wiley's Last Kind Words, among many others. Then, for more, Nugrape Records has an mp3 page. The standout there, at least for me, is Gus Cannon's Poor Boy Long Ways From Home. As for their namesake, the Nugrape Twins, well, the Archive has the mp3 of I've Got Your Ice Cold Nugrape. And don't let me omit mentioning PublicDomain4U. They have Mississippi John Hurt's Frankie, for one. Tyrone's Record and Phonograph Links will lead you to more 78 RPM goodness. And don't forget the inestimable and erudite vacapinta first directed us to Dismuke's Virtual Talking Machine.
posted by y2karl on Aug 25, 2006 - 48 comments

Made most popular to many Americans as the closing song for the Grand Ole Opry programs, Will The Circle Be Unbroken was written in 1907 by Ada Habershon, an intensely religious young woman and acquaintance of Dwight Moody and Ira David Sankey. The music was "composed" by Charles Gabriel, a popular songwriter and composer of the era who is often solely credited with the song, but while he may have put the notes down on paper, the tune itself already existed as the African-American spiritual Glory Glory / Since I Laid My Burden Down. [lots more inside]
posted by luriete on May 26, 2006 - 18 comments

So You Think You Hate Country Music? Then listen to this. The roots of American country music may surprise you. In this series of NPR programs, trace the gradual development of real country music through the first half of the 20th century. Learn how a woman's instrument of the late 1800s, the parlor guitar, became the the central symbol of country and rock; see how African-American musical forms like gospel and blues meshed with the development of country and early rock and influenced the traditional forms in turn; listen to German-Mexican hybrids of accordian style; find out why women had so many honky-tonk torch songs to sing in the late 40s. The series contains hours of content (narrative, interviews, music tracks), and a multitude of excellent links for deeper digging.
posted by Miko on Feb 2, 2006 - 111 comments

Vera Hall was a black woman born near Livingston, Alabama at the turn of the century. She grew up in a supportive family and community, but in difficult, poor rural living conditions. At a young age, Hall became a respected and devout member of the church, and remained so for the rest of her years. But after leaving home, she also fell in with more worldly crowd, for whom blues, craps, and alcohol were the entertainments of choice. The tension between these two spheres-- that of spirituals and the church, on one hand, and that of blues and the juke-joint, on the other-- is a theme that recurred throughout her life and infused her music. She drew upon both perspectives to cope with and overcome her life's perennial difficulties; sadly, it was dotted with tragedy: she lost both parents, a sister, a husband, a daughter, and two grandchildren-- all before she herself passed away in 1964 at the age of 58.

The Vera Hall Project [+}
posted by y2karl on Sep 17, 2005 - 5 comments

Ry Cooder once said Dark Was The Night--Cold Was The Ground was the most soulful, transcendent piece of American music recorded in the 20th Century. Unearthly and music of the spheres were common descriptions long before both became fact when it was included on a golden record was affixed to the star bound Voyager space probe. My first encounter with Dark Was The Night was while watching, and then listening to the soundtrack album of, Piero Paulo Pasolini’s The Gospel According To St. Matthew--or as it is known in Sicily kickin' Bootsville, Il Vangelo de Matteo--which is, in my humble opinion, the Greatest. Jesus. Movie. Evar. Ironically, coincidentally and serendipitously, it was an apt choice by Pasolini, as the hymn from which Blind Willie Johnson's wordless moan derives is a song about Christ’s passion—his suffering and crucifixion. (Continued with much more within)
posted by y2karl on Sep 15, 2005 - 67 comments

"Precious Lord" sung by Mahalia Jackson (mp3)
No artist brought more acclaim to gospel music than Mahalia Jackson (October 26, 1911 – January 27, 1972). Beginning in 1950, her divine (.wav) talents were featured weekly on Studs Turkel's radio program, and through her music and gentle personality she became so beloved worldwide that her funeral rivaled that of royalty. Mahalia sang "Precious Lord" at Reverend Martin Luther King, Jr.'s funeral -- at Mahalia's funeral, Aretha Franklin did the honors. Mahalia was inducted into the Rock & Roll Hall of Fame posthumously in 1997. Word has it she also made a mean okra gumbo.
posted by miss lynnster on Jan 27, 2005 - 6 comments

In the spirit of Sunday morning (and the Martin Luther King holiday weekend), I bring to you the news of a musical release of historical proportions. Dust to Digital has compiled Goodbye, Babylon an exhaustively annotated, beautifully packaged collection of American gospel music from the turn of the century up until 1960. Some performers are recognizable names in sacred and secular music. Others practice lesser known styles like Sacred Harp singing. Non-religionists, don't feel left out, this music is enjoyable strictly on it's musical and historical import, since along with blues, traditional country and Tin Pan Alley, gospel music both white and black is one of the main foundations of modern American music. Judging by the raves it's been recieving, this (admittedly expensive, but worth every penny) box set is destined for a place next to the Anthology Of American Folk Music in the collection of any serious student of American music.
posted by jonmc on Jan 18, 2004 - 15 comments

"Now What a Time": Blues, Gospel, and the Fort Valley Music Festivals, 1938-1943
Approximately one hundred sound recordings, primarily blues and gospel songs, and related documentation from the folk festival at Fort Valley State College (now Fort Valley State University), Fort Valley, Georgia. The documentation was created by John Wesley Work III in 1941 and by Lewis Jones and Willis Laurence James in March, June, and July 1943. Also included are recordings made in Tennessee and Alabama by John Work between September 1938 and 1941. Audio Title Index

The John and Ruby Lomax 1939 Southern States Recording Trip
Folk singers and folksongs documented during a three-month trip through the southern United States. Audio Title Index

California Gold: Northern California Folk Music From the Thirties
Materials from the WPA California Folk Music Project Collection, including sound recordings, still photographs, drawings, and written documents from a variety of European ethnic and English- and Spanish-speaking communities in Northern California. The collection comprises 35 hours of folk music recorded in twelve languages representing numerous ethnic groups and 185 musicians. Audio Title Index (As Always, More Inside)
posted by y2karl on Apr 14, 2003 - 12 comments

The best CD I've purchased so far this year is the latest from the Blind Boys of Alabama. this record features superb vocalizing, great bluesy guitar, and a Sones(!) and Tom Waits(!!) cover. In an age where "gospel music" has sunk into the quagmire of "Contemporary Christian", its easy to forget that old-school gospel both black and white were huge influences on rock and roll. Little Richard, for one, took his trademark "Whoo!" from Marion Williams and countless rockers from Aretha to Elvis learned to sing in church. Now, can I get an Amen?!
posted by jonmc on Apr 2, 2002 - 25 comments