Belgian designer Kristof Luyckx recently made six short videos as interstitials between lectures at the Beyonderground graphic festival. They are covers of famous songs, as sung by a cast of bizarre, colorful and very calm monsters. You can see all six at his site, or on Vimeo: [more inside]
A timeline of Blue Note jazz album covers.
Sleeves Received is a collection of the best-designed finds from The Wire's mailbag. (via thingsmagazine)
Swissted New York graphic designer Mike Joyce takes vintage flyers from punk, hardcore and indie rock shows and redesigns them "into international typographic style posters. Each poster is sized to the standard swiss kiosk dimensions of 35.5 inches wide by 50 inches high and set in berthold akzidenz grotesk medium, all lowercase. Every single one of these shows actually happened."
Eggs And Sausage (In A Cadillac With Susan Michelson) a typographic music video by graphic designer Jackie Lay. Via.
JOIN THE COOLCATS MVMT. So-Me is the art director for Ed Banger Records. His job description includes touring with his muse Busy P, living with Justice, directing music videos, fashioning t-shirts and album art, designing Coca-Cola bottles, contributing to art exhibits, and just being a Cool Cat. [more inside]
“Blue Monday” Owners’ Club Photos of actual original “Blue Monday” sleeves (Peter Saville die-cut design) as brandished by their owners. Also You Are There! photos of searching for “Blue Monday” in the wild and finding it. (Creaky old frame-based site)
He had me at "Peter Saville's Factory Records logo is cut from the same conceptual cloth as the P.I.L logo."
Matthew Ingram at Stylus pontificates various band logos, revealing some secret origins and offering some perspectives on consistency and cultural signifiers built into them.
Does this design trend remind anyone else of Autechre album cover art circa 1997? See also [ dform ], [ ngin ], and the mother of them all [ vir2l ].