Grantland held a March Madness-type bracket this past week to determine the greatest character from HBO's 2002-2008 series "The Wire". The idea came from a conversation between Grantland's Editor-in-Chief, Bill Simmons, and President Obama. Voting took place via Grantland's Facebook page. Spoilers from the results and TV show are within. [more inside]
Nathan Avon "Bodie" Barksdale is a real life Baltimore gangster upon whom the character from "The Wire" was based. Now, Nathan Barksdale has a chance to tell his side of the story in this upcoming documentary. [more inside]
Bill Moyers Journal, April 17, 2009 From crime beat reporter for the BALTIMORE SUN to award-winning screenwriter of HBO's critically-acclaimed The Wire, David Simon talks with Bill Moyers about inner-city crime and politics, storytelling and the future of journalism today. Sorry for the one link post.
"So I found out yesterday that the soundstage for "The Wire" still existed. I wasted no time in visiting it and was there almost less than 24 hours [sic]. It's one of my favorite TV shows ever and I had to see this before everyone ruined it. The building is also scheduled for demolition and they are going to build a super market on it." NOTE: LINK CONTAINS SPOILERS [more inside]
Q. Everyone tells me how great The Wire is, but I've missed the first four seasons. Should I bother with Season 5? A. Yes. Ultimately, you'll want to buy the DVD's, but until then we've got The Wire: four seasons in four minutes. (Single link U-tube)
Prior to his critically acclaimed program The Wire, creator Edward Burns wrote the HBO miniseries The Corner, which also focused on the drug trade in Baltimore. Charles S. Dutton, an African-American Baltimore native and former convict probably best known to most as TV's "Roc," was chosen to direct the miniseries. Who Gets To Tell a Black Story?, part of a Pulitzer-prize winning NYT series on race in America, examines Dutton's take on how to make a TV program which portrays a mostly African-American cast of characters, the struggles and differing perspectives of Dutton and Burns, and how race is portrayed in Hollywood. [more inside]