The long take, an uncut, uninterrupted shot in film, is
seen by some as the counter to CGI, the last great field for cinematic art. The linked page features six clips from 1990 on, plus
the opening shot from Orson Welles' 1958 film,
Touch of Evil. Alfred Hitchcock's film from a decade earlier,
Rope, took the long cut further, with the whole film shot in eight takes of up to 10 minutes each,
a decision shaped by the limit of the physical recording media. With digital media, the long take could be pushed further, as with
Russian Ark, from 2002. The movie was shot in one long take, with the narrative working through the history of Russia,
set within The State Hermitage Museum, and captured in one day on the 4th take. If the long takes are a tad long for you, try the "short" long takes that are
one-shot music videos [videos inside]
[more inside]
posted by filthy light thief
on Dec 28, 2010 -
74 comments
De Hermitage Amsterdam. In the early 1990s Professor Mikhail Piotrovsky, director of
The State Hermitage Museum in St Petersburg was considering the possibility of having satellites of the museum in the West. The
Nieuwe Kerk and the Hermitage had already established a strong relationship through the organisation of major exhibitions, and Ernst Veen, director of the Nieuwe Kerk, suggested that Amsterdam would be the
ideal location for a branch of the Russian museum, given the
historical links between the two cities over the past 300 years.
posted by the fire you left me
on Mar 16, 2004 -
3 comments
