Matthew Kirschenbaum talks to The Atlantic about his book on the history of word processing, what early word processing looked like, early adopter Len Deighton, and how writers of all kinds adapted to the new technology.
Studio Heads Of The Classic Era Ranked In Terms Of Personal Awfulness -by resident Hollywood expert The Whelk [via mefi projects]
"There Aren't Enough Bricks in the World to Throw at Roland Emmerich’s Appalling Stonewall" - The first reviews of Roland Emmerich film about the Stonewall riots are in. They are not favorable.
You Must Remember This: Charles Manson's Hollywood - Karina Longworth's podcast on the hidden history of Hollywood (previously, previously) takes an an in depth look at the darker side of the 60s. [more inside]
Book publishers back then didn’t always have much interest in books as such. They were experts at merchandising. They manufactured a certain number of titles every year, advertised them, sold as many copies as possible, and then did it all over the next year. Sometimes a book would be reprinted and sold again. Print runs were modest and so, generally, were profits.
Then, one day, there was a revolution...Pulp’s Big Moment
Then, one day, there was a revolution...Pulp’s Big Moment
"I'm here because my family went through slavery" - Steve McQueen on 12 Years A Slave, the story of Solomon Northup. ‘12 Years a Slave,’ ‘Mother of George,’ and the aesthetic politics of filming black skin. Before Solomon Northup: Fighting Slave Catchers in New York. The final fate of Solpmon Northup remains unknown. (Previously)
Dead men tell some tales - a visit to the Hellfire Caves, home of one of the most infamous Hellfire Clubs.
In 1977 Dial Press of New York published Robert Mayer’s first novel, Superfolks. It was, amongst other things, a story of a middle-aged man coming to terms with his life, an enormous collection of 1970s pop-culture references, some now lost to the mists of time, and a satire on certain aspects of the comic superhero, but would probably be largely unheard of these days if it wasn’t for the fact that it is regularly mentioned for its supposed influence on a young Alan Moore and his work, particularly on Watchmen, Marvelman, and his Superman story, Whatever Happened to the Man of Tomorrow? Alan Moore and Superfolks: Part 1: The Case for the Prosecution, Part 2: The Case for the Defence, Part 3: The Strange Case of Grant Morrison and Alan Moore.
Ken and Robin Talk About Stuff, a podcast in which writer and game designer Robin D. Laws (Hamlet's Hitpoints, The GUMSHOE system) and game designer and writer Kenneth Hite (Tour De Lovecraft, GURPS Horror) (previously) talk about stuff. Stuffs include: Why vampires are assholes and the Hermetic Order of the Golden Dawn, stopping WWI and Beasts of the Southern Wild, Margaret Atwood and the difference between a mystic and an occultist, why no invented setting is as interesting as the real world and Woodrow Wilson, Gencon and sundry RPGs, Neil Armstrong, HP Blavatsky and theosophy, the ebook prcing settlement, what big publishing could learn from RPG publishers, and the many crazy fictional possibilities of Charles Lindbergh and his UFO investigating chums, and Dungeons and Dragons edition wars and Aliester Crowley.
Century 21 Calling - Dreamily retro footage of the 1962 Seattle World's Fair, AKA the Century 21 Exposition, including a visit to the Bell Systems pavilion. A slice of space age science propaganda, the fair gave Seattle some of its most enduring landmarks in the form of the Space Needle and the Alweg Monorail, and, of course, brought Elvis to town.
A space wardrobe - images of the National Air and Space Museum’s collection of spacesuits from throughout the history of American space exploration.
This is all rooted in a vision I had, of William S. Burroughs as a CIA agent, and Philip K. Dick as his young henchman, going head-to-head with notorious gangster and pervert Adolf Hitler somewhere in Hamburg to find out where Hitler is shipping all the computers he can get his hands on. - In another world Charles Stross wrote this sprawling work of Alternate History instead of the Merchant Princes books. Fictional books are of course themselves a common them in Alternative History stories, from The Grasshopper Lies Heavy in The Man in the High Castle to Adolf Hitlers pulp novel Lord of the Swastika in The Iron Dream. Stanisław Lem was particularly enamoured with the idea of the fictional book, and wrote two volumes of reviews and introductions for them, lovingly described here by Bruce Sterling.
Today marks the 200th birthday of Edgar Alan Poe, and as happens every year the mysterious Poe Toaster marked the date by placing three red roses and a half-filled bottle of cognac at his Baltimore grave. The identity of the toaster isn't the only question surrounding Poe - his presence in Baltimore and the circumstances of his death remain a mystery. Some speculate that he may have had rabies, others that he may have been a victim of cooping. And while Baltimore embarks on a year long celebration of Poe some argue that his body shouldn't be there at all.
This is the Wartime Broadcasting Service. This country has been attacked with nuclear weapons. Communications have been severely disrupted, and the number of casualties and the extent of the damage are not yet known. We shall bring you further information as soon as possible. - The BBC releases its script for use in the event of nuclear war.
The first known recording of a digital computer playing music, recorded by the BBC in 1951. The music played on a Ferantti Mark 1, one of the first commercial general-use computers, and was entered via punchtape and played on a speaker usually used for making clicks and tones to indicate program progress.