The tradition of making
Japanese dolls, called ningyo—meaning human figure—goes back as far as 10,000 years to clay figures made during the Jomon period. The more recent rise in popularity, though, is most often traced to
Hina Matsuri--Girls' Day, or the Doll Festival, celebrated on March 3--originating during the Edo period. These
antique ningyo are highly sought after by
collectors, such as the American
expert Alan Pate, who has written a
number of articles on the subject. The modern Japanese doll culture, however, is anything but traditional. In the late 19th and early 20th centuries, the ningyo tradition was exported to make
toys for the West (
previously featured on MeFi), and has culminated in popular Barbie-type dolls such as
Superdollfie and
others. Contemporary artists have transformed the Japanese doll tradition into something else entirely:
Simon Yotsuya,
Ryo Yoshida,
Koitsukihime,
Yoko Ueno,
Mario A.,
Etsuko Miura, and
Kai Akemi. A number of these artists were featured in the
Dolls of Innocence exhibit at the Museum of Contemporary Art Tokyo. Of course, notable artists outside Japan have worked with dolls before, including
Hans Bellmer, who inspired much of the artwork in
Innocence, the follow-up to Ghost in the Shell. Explore more:
[1] [2] [3] [4] [5].
[Several links are nsfw.]
posted by monju_bosatsu
on Mar 24, 2006 -
11 comments
Rephotographing Atget: Eugene Atget photographed Paris from 1888 until his death in 1927. Christopher Rauschenberg retraced Atget's steps in 1997 and 1998, photographing the same scenes, and documents his project in a gallery at Lens Culture. The gallery includes an audio discussion of the project. [more inside]
posted by monju_bosatsu
on Feb 24, 2006 -
19 comments
