Film preservation 2.0 Unless the unique challenges of digital preservation are met, we run the risk of a future in which a film from 1894 printed on card stock has a better chance of surviving than a digital film from 2014.
posted by mediareport
on Mar 2, 2014 -
Assembling a Film's Billing Block.
The blurb at the bottom of a movie poster is called the "billing block." And while it might look like a bar code of haphazardly packed type, it is in fact the product of detailed legal agreements and intense contract negotiation. Below is the the billing block for a fictional film and an explanation of how it was constructed. (via kottke.org
posted by xingcat
on Feb 24, 2014 -
The 2013 Black List has been released. For those unfamiliar, the “Black List” is a list of the most liked unproduced screenplays circulating around Hollywood, as voted on by over 250 film executives, and past Black List scripts include The Social Network, Saving Mr. Banks, The King’s Speech, and Slumdog Millionaire.
posted by Artw
on Dec 16, 2013 -
These movies offer not just a twist, but a twist atop a twist, and a joke atop the joke: the “superjoke,” as Billy Wilder called it. Those themes repeat: the lively, often-painful love triangle, the sexual and romantic jealousy, the thrill of sex, and in this case, the carnal kicks co-mingling with the art of stealing, an act more erotic than gold-digging. (Gold-fleecing is much more penetrating.) And then—important during one of the worst economic times in America’s history—there’s Lily and Gaston’s hard, artful work, something to respect.
Ernst Lubitsch’s charming pre-Code transgressions
posted by timshel
on Nov 19, 2013 -
“What I wanted was for kids to see a movie where they don’t need to aspire to be in an army to aspire for an adventure. And I used very deliberate language that is a reference to westerns. I don’t have captains, majors, generals. I have a marshal, rangers . . . it has the language of an adventure movie. I want kids to come out of the movie and say, I want to be a Jaeger pilot! I really think that would be my dream come true.”
- Guillermo del Toro on being a monster loving pacifist
. Designer Wayne Barlowe
talks about Pacific Rim's creatures. But has maneuvering at Legendary doomed the film
before it has even opened?
posted by Artw
on Jul 8, 2013 -
"If I had to conduct an experiment that would give an insight into neorealism, I'd build a time machine and travel to Italy, circa 1952. I'd ask Vittorio De Sica to make a film using Hollywood actors like Montgomery Clift and Jennifer Jones. I'd then team De Sica up with a Hollywood producer, the kind that liked to impose his will and sensibility onto a film—someone like David O Selznick. In bringing these two worlds of cinema together, I'd hope for a clash of sensibilities so great that it would result in two cuts of the same film, one by De Sica and the other by Selznick. I would run these two films side by side and examine each cut, and in the difference I would find something to say about the essence of neorealism."
Sight & Sound magazine's excellent video essay 'What is neorealism?' compares Terminal Station to Indiscretion of an American Wife.
posted by EXISTENZ IS PAUSED
on Jun 25, 2013 -
Until a few weeks ago, David Stein was known mainly as a maker of documentaries on the Holocaust for schools and as the man behind Republican Party Animals, a social club for conservatives in film and television. Then it was revealed that Stein is actually David Cole
, who achieved notoriety in the 1990s for arguing that the Holocaust wasn't as horrible as it is claimed to have been. Moreover, while Stein's documentaries have reflected the consensus position on the Holocaust, he says he still has doubts: "The best guess is yes, there were gas chambers. But there is still a lot of murkiness about the camps." His former associates, meanwhile, are distancing themselves from him as fast as possible: "The reason we were all so pissed at him," according to one of them, "is it plays into every horrible stereotype about the right."
posted by Cash4Lead
on May 6, 2013 -
The problem is that cinema, as I define it and as something that inspired me, is under assault by the studios and, from what I can tell, with the full support of the audience. The reasons for this, in my opinion, are more economic than philosophical, but when you add an ample amount of fear and lack of vision and a lack of leadership you’ve got a trajectory that is pretty difficult to reverse.
- "Retired" director Steven Soderbergh
speaks to the San Francisco International Film Festival about the state of cinema
, full audio at bottom of page 2
posted by Artw
on Apr 29, 2013 -
"If nothing else, "Argo" is an exercise in American exceptionalism - perhaps the most dangerous fiction that permeates our entire society and sense of identity. It reinvents history in order to mine a tale of triumph from an unmitigated defeat. The hostage crisis, which lasted 444 days and destroyed an American presidency, was a failure and an embarrassment for Americans. The United States government and media has spent the last three decades tirelessly exacting revenge on Iran for what happened." -- Nima Shirazi explains what's wrong with Argo's depiction of the Iranian hostage crisis
posted by MartinWisse
on Mar 2, 2013 -
6 Insane Stereotypes That Movies Can't Seem to Get Over.
Cracked.com list of overused, tired and offensive stereotypes of Africa, Asians, women, and more that frequently pop up in mainstream films.
"Imagine if every single movie set in America was filmed in Alaska and focused on gang violence -- that's how Africans feel every time they watch a Hollywood movie about warlords fighting in the desert. Which is a problem for their tourism industry: A board member for the Association for the Promotion of Tourism to Africa even takes the time to explain that there are "middle class people in every African country commuting to work every day, complaining about taxes and watching their kids play soccer every weekend."
That's right: Instead of focusing on the rich wildlife and history, the tourism industry actually has to remind people that coming to their country isn't a fucking death warrant."
posted by sweetkid
on Feb 27, 2013 -
Performers who project relatability but have nothing elusive about them do better as network-television stars, or maybe morning-show anchormen. (Exception: Hanks.) On the other hand, if all you're capable of projecting is mystery and you're a quart low on relatability, you are probably a douchebag. (Exception: Fassbender.)
Just in time for the Oscars, GQ ruminates on what makes a leading man today
posted by psoas
on Feb 24, 2013 -
The Q&A With Jeff Goldsmith
is an irregularly released podcast where Mr. Goldsmith interviews, at length (each episode runs an hour or more), working Hollywood and foreign screenwriters. The most recent episode is a panel conversation with the year's Oscar-nominated screenwriters. You can listen to the podcasts on his site or subscribe in iTunes or on Android.
Goldsmith is also the publisher of the terrific screenwriting magazine Backstory
--currently only available for the iPad but coming (eventually) to the web and Android. You can download the first issue (which is wonderful, and contains full length scripts along with the interviews and stories) for free.
posted by dobbs
on Feb 7, 2013 -
At last night's Golden Globe Awards, actress Jodie Foster
was presented with the Cecil B. DeMille Lifetime Achievement award. During her speech
, the notoriously private actress touched on the very notion of privacy, her sexuality, and the difficulty of being a public person with a normal life.
Reactions have been mixed. [more inside]
posted by mudpuppie
on Jan 14, 2013 -