“What I wanted was for kids to see a movie where they don’t need to aspire to be in an army to aspire for an adventure. And I used very deliberate language that is a reference to westerns. I don’t have captains, majors, generals. I have a marshal, rangers . . . it has the language of an adventure movie. I want kids to come out of the movie and say, I want to be a Jaeger pilot! I really think that would be my dream come true.”
- Guillermo del Toro on being a monster loving pacifist
. Designer Wayne Barlowe
talks about Pacific Rim's creatures. But has maneuvering at Legendary doomed the film
before it has even opened?
posted by Artw
on Jul 8, 2013 -
During the Golden Age of Hollywood and until 1967, mainstream movie studios were banned by the Production Code
from depicting taboo topics like drug addiction, explicit murder and venereal disease, or even showing explicit nudity. But in the 1930's and 1940's, films marketed as "educational" could and did fly under the radar, and three of the best known 'educational' propaganda exploitation films are: Sex Madness
(1935), Reefer Madness
(1936) and The Cocaine Fiends
(1938). [more inside]
posted by zarq
on Oct 15, 2012 -
Weekend At Kermie's: The Muppets' Strange Life After Death.
Elizabeth Stevens asks:
What if, in 1990, instead of recasting Kermit—something that had been done to Mickey and Bugs Bunny before him—the Muppets had continued on Kermit-less, as "The Simpsons" did after Phil Hartman died. Recall Susan’s words on "Seasame Street" about Mr. Hooper in 1982: “Big Bird, when people die, they don’t come back.” Let’s say Robin showed up saying his uncle Kermit had passed away? Or, if that was too dark for Disney, what if Kermit had left show business to go off to start a family with Piggy? Someone else could lead the gang of weirdoes.
It would’ve made more artistic sense than what happened
posted by zarq
on Jul 14, 2011 -
First, there was colossal miscalculation
. Something so bad it could make parable a four-letter word
. Didn't faze him. His next was "bizarrely compelling... Slower than watching a train wreck,"
but yet invoking, "that same level of disbelief."
It was also like swallowing spiky clusters of manure
. Maybe he had lost his mind
? But yet he rose again... Or should we say he blew? No really, it was the wind this time . A feeble gust of an environmental horror story. "You feel like you're not watching the end of the world but the end of a career."
Alas, like the undead, you cannot stop him. His latest, sitting at a paltry 0%* on the
, is whitewashed
, and offers an experience that's a headache-inducing
, husk that Roger Ebert called "agonizing... in every category I can think of and others still waiting to be invented."
It enchantingly makes, "Jake Lloyd’s performance in The Phantom Menace look studied."
And, "the Golden Compass... look like a four-star classic."
With $150 million spent on production, and $130 million on marketing alone
, has this "auteur"
finally created his masterpiece
? Or will it be the Last Straw® (in 3d
!)? [more inside]
posted by PBR
on Jun 30, 2010 -
reviews the latest screenplays from Hollywood, usually with links to the screenplays themselves.
posted by alby
on Jul 7, 2009 -
Hollywood? Old. Bollywood? That's soooo 2003. Make room for Nollywood
, Nigeria's own film industry which is growing by leaps and bounds every year, and is currently worth about $45 million dollars
. About 400 Nollywood films are produced every year many on a budget of around $15000 and are distributed almost entirely by VHS and VCD. The stories are very much simplistic
and pulpy (check out 419 Stalk Exchange. Yes, 419 as in the email scam) but are much preferred
by local residents and emigre's than the usual arthouse fair one often thinks of when talking about African cinema. Now if you'll excuse me there's a bucket of popcorn and a copy of GSM Connection
waiting for me in the living room.
posted by PenDevil
on Jan 19, 2004 -
The "Sum Of All Fears"
trailer recently went online, and is already causing some heated discussion
over major changes from the book. In the wake of 9/11, it seems that terrorists in the film have been changed from Muslim to Neo-Nazi (who then go on to detonate a bomb within the United States). Hollywood knee-jerk reaction or a good call given the timing of things? Discuss...
posted by almostcool
on Mar 28, 2002 -