17 posts tagged with Hollywood by mediareport.
17 posts tagged with Hollywood by mediareport.
Displaying 1 through 17 of 17.
Film preservation 2.0 Unless the unique challenges of digital preservation are met, we run the risk of a future in which a film from 1894 printed on card stock has a better chance of surviving than a digital film from 2014.
The Flick Chick - 11 Days of Garbo: "I recently bought the Greta Garbo Signature Collection...I've been enjoying the collection so much that I've decided to dedicate the next 11 days to looking at the 11 films included in the collection: three silents, the pre-code films which helped establish her as a star who could continue into the sound age, the films made towards the end of her film career for which she is perhaps best known, and a documentary feature produced by Turner Classic Movies." [more inside]
Brad Pitt's Zombie Nightmare: Inside the Troubled 'World War Z' Production The Hollywood Reporter sorts through the problems causing the release of the film version of Max Brooks' post-apocalyptic UN report to be delayed until next June. Via the A.V. Club, which adds links to previous stories about the filming.
"Most of the filmmakers surveyed...were not aware of the perishable nature of digital content or how short its unmanaged lifespan is." After the Motion Picture Academy's release last month of "The Digital Dilemma 2," a warning aimed at independent filmmakers and nonprofit archives, cinematographer John Bailey talks with one of the report's authors about the perils of data migration ("It’s not unreasonable to say that the term "digital preservation" is an oxymoron") and the need to educate filmmakers who are so "enamored with the perceived benefits of digital image capture and workflow" that they fail to realize preservation concerns start to appear almost immediately after their work is completed. Film professor David Bordwell covers the report in a detailed post about preserving "born-digital" films, sixth in his "Pandora's Digital Box" series about the worldwide conversion to digital projection, with lots of good links at the bottom.
Transformers 3 scene from The Island. SlashFilm passes along the news that Michael Bay recycled shots from his 2005 film The Island in his new film Transformers: Dark of the Moon, saving costs by adding different CGI to the same car chase scenes. "I’m not sure how often this kind of thing happens, but my guess is that it happens probably more than you would think."
"The brutal reality is Netflix’s bargain days for streaming movies and television is coming to an end."
Is Netflix Streaming Its Way Towards Disaster? In the wake of last month's price hike, Edward Epstein (author of The Big Picture and The Hollywood Economist) explores a few issues with Netflix's turn toward streaming video. The licensing deals Netflix cobbled together before studios fully grokked the value of streaming are expiring in the next year or two, outlets like Amazon and HBO are starting their own streaming services, and the right of first sale, which allows Netflix to buy DVDs and then rent them over and over, doesn't apply to streamed content. Via this post from Slashfilm, which adds more links and info. [more inside]
Over the course of four months earlier this year, Dave at Goodfella's Movie Blog posted 100 (!) sharply written analyses of a wide range of classic Noir films. The top position was a bit of a surprise amid the obvious standards, but the real meat is in his informative takes on dozens of lesser-known gems. [more inside]
OVER THE EDGE: An Oral History of the Greatest Teen Rebellion Movie of All Time Vice Magazine gets Matt Dillon (it was his first movie) and a bunch of other cast and crew together for a detailed oral history of Kurt Cobain's favorite flick and "the Apocalypse Now of teen films." Buried by Orion on its original 1979 release, in part because of violence in theaters which had just shown The Warriors, it found a big cult following among kids with HBO in the early 80s. Co-writer Tim Hunter would later go on to direct River's Edge. [more inside]
Director Peter Watkins' web site describes the filming, distribution and critical reaction to each of his controversial films, including Punishment Park, the rock star satire Privilege, The War Game, La Commune and more. He also offers a 10-part critique of "the media crisis" that marginalizes non-mainstream ideas via the Hollywood monoform and the Universal Clock, a style he claims structures almost all of the messages delivered to the public, but which sharply limits the range of relationships possible between media producers and audiences. [more inside]
Lobby Card Invasion. A searchable collection of a wide variety of lobby cards for all kinds of interesting films. [via PCL LinkDump]
The Hollywood moguls were appalled...Hitherto, Tinseltown had the police and politicians in its capacious pocket, yet here, landing like a ton of hot manure, was this crummy magazine from the east coast. A sharp look from British Journalism Review at the career of Robert Harrison, whose 1952 magazine Confidential single-handedly "opened the floodgates of tell-all sleaze." Seems Harrison branched out from publishing a long string of 1940s girlie mags after being inspired by the Estes Kefauver organized crime hearings that gripped early TV audiences in the U.S.A.
Perfection and Eraserhead. Discussing Singing in the Rain and Goodfellas with prisoners. The link between Pasolini, Blind Willie Johnson and Carl Sagan. If you like hanging out at the corner of Film and Word, you might enjoy spending time in the archives at Your Humble Viewer, a wide-ranging, well-written, funny and literate film blog.
Forgotten silent film comedian Larry Semon. Part II - Heyday. Part III - Trouble Brewing. In 1920, he was the world's 2nd-most-famous Hollywood star, with a contract and creative control rivaling Chaplin. In 1921, he made a popular series of films with Oliver Hardy as his main comic foil, six years before Laurel & Hardy became a household name. In 1925, he directed a truly bizarre silent version of The Wizard of Oz, just as wild overspending, erratic behavior and lawsuits ruined his career. The Larry Semon Research site has an interesting picture gallery.
"Mixed" reviews of John Stewart's performance last night. A reminder that someone warned in February that Crash might win best picture because many Academy members were "unwilling to screen Brokeback Mountain" [permalinks broken, scroll down]. Marvel that YouTube somehow managed to get rights [cough] to Oscar video, at the Oscar frocks and that thing on Charlize Theron's shoulder, and at the persistent myth that a billion people watched the awards.
Do Hollywood stuntmen deserve their own Oscar category? Judge for yourself [qt]. Major stunt organizations have now joined forces to lobby the Academy to finally create an award for Best Stunt Coordinator. Does athleticism, courage and sheer gung-ho physicality deserve the same kind of recognition given to other Oscar categories? Only once has the Academy officially recognized a stuntman, with an Honorary Oscar for pioneering stunt coordinator Yakima Canutt in 1967.
The Box Office Oracle You pick the writer, director, genre, actrons, budget, rating and month of release. You get projected box office receipts, chance of winning an Oscar and critics most likely to praise and pan your movie. There's even a BOO Hall of Fame. [via All Movie Guide reviewer Matthew Tobey]
"The military's role is not to advance social issues. That's Hollywood's job!" So argues gay cutie-pie Danny Roberts, who made waves as a cast member on MTV's Real World for his relationship with a closeted military man. Meanwhile, Michael Signorile has taken Rosie O'Donnell to task for "some rather homophobic whoppers of late – e.g., saying she wouldn’t want her children to be gay...that betray she’s got some issues to deal with." Is it smart for queer people to rely on newly out Hollywood stars to do their talking for them?