Yet by 1944 the IRS named Barbara Stanwyck the highest-paid woman in America. From 1930-57, she did a minimum of two pictures a year, sometimes even four or five. Yet it wasn't workaholism, according to the actress: "I was afraid they'd get somebody better, frankly. I never really thought I had any clout. For a lot of years I was free-lancing, by choice, but I think discipline stays with you. It's this fear that maybe somebody can come in and take over. Maybe a Redford or a Streep can take the luxury of a year off, but I never thought I could. Of course, we were more workable in those days. And they make more money now. Anyway, I never had self-assurance about leaving."
posted by Trurl
on Nov 27, 2011 -
41 comments
Leonard Michaels' "The Zipper":
Rita Hayworth is never seen disrobed in the movie, though it is threatened more than once. The atmosphere of dark repression and mysterious forces – the mood or feeling of the movie – might be destroyed by the revelation of her body. It scared me as she began her striptease dance in the nightclub. I didn’t want everybody to see her body, or even to see that Rita Hayworth had a body. [more inside]
posted by Trurl
on Sep 5, 2011 -
14 comments
An unbelievable collection of Roddy McDowall’s never-before-seen silent home movies from the summer of 1965 were uploaded onto YouTube yesterday, featuring impossibly young, impossibly gorgeous stars like Natalie Wood, Paul Newman, Robert Redford, Jane Fonda, Hope Lange, and Rock Hudson frolicking on the beach. You simply MUST go to the website and watch them all. The takeaway for me, though, is Sal Mineo slinking out the back door with a guilty-looking blond who may or may not be Bobby Sherman. What were THEY up to? Also mesmerizing: The closeup of Natalie Wood’s freckles, Jane Fonda sticking out her tongue, and Paul Newman’s hunky son.
posted by BoringPostcards
on Sep 5, 2011 -
46 comments
Weekend At Kermie's: The Muppets' Strange Life After Death. Elizabeth Stevens asks:
What if, in 1990, instead of recasting Kermit—something that had been done to Mickey and Bugs Bunny before him—the Muppets had continued on Kermit-less, as "The Simpsons" did after Phil Hartman died. Recall Susan’s words on "Seasame Street" about Mr. Hooper in 1982: “Big Bird, when people die, they don’t come back.” Let’s say Robin showed up saying his uncle Kermit had passed away? Or, if that was too dark for Disney, what if Kermit had left show business to go off to start a family with Piggy? Someone else could lead the gang of weirdoes.
It would’ve made more artistic sense than what happened
.
posted by zarq
on Jul 14, 2011 -
67 comments
The Academy of Motion Picture Arts and Sciences’ Margaret Herrick Library today launched its latest online research tool, the Production Art Database. The database contains records for more than 5,300 items from the library’s collection, including motion picture costume and production design drawings, animation art, storyboards and paintings. Nearly half of the records include images, making this an invaluable online resource for researchers interested in motion picture design.
posted by Trurl
on Jul 2, 2011 -
7 comments
Transformers 3 scene from The Island.
SlashFilm
passes along the news that Michael Bay recycled shots from his 2005 film
The Island in his new film
Transformers: Dark of the Moon, saving costs by adding different CGI to the same car chase scenes. "I’m not sure how often this kind of thing happens, but my guess is that it happens probably more than you would think."
posted by mediareport
on Jul 1, 2011 -
78 comments
'Star Wars' Producer Gary Kurtz Reflects When George Lucas and I began planning the first film, we had no idea what it would become; the kind of devotion it would attract... So what was it that made Star Wars so different, so special? I can give you one small example of the kind of care we took when putting the film together...
posted by modernnomad
on Apr 19, 2011 -
132 comments
A cure for blocked screenwriters "Michels also told the writer to get an egg timer. Following Michels’s instructions, every day he set it for one minute, knelt in front of his computer in a posture of prayer, and begged the universe to help him write the worst sentence ever written. When the timer dinged, he would start typing. He told Michels that the exercise was stupid, pointless, and embarrassing, and it didn’t work. Michels told him to keep doing it."
posted by puny human
on Apr 1, 2011 -
43 comments
"To someone my age (47) Keith Richards (67) in his memoir Life has a kind of rare healthy post-Empire geezer transparency. But for my younger friends, it’s no longer rare; it’s now just the norm. What does shame mean anymore? my friends in their 20s ask. Why in the hell did your boyfriend post a song called 'Suck My Ballz' on Facebook last night? my mom asks. But nothing yet compares to the transparency that Sheen has unleashed in the past two weeks—contempt about celebrity, his profession, the old Empire world order..."
Bret Easton Ellis on Charlie Sheen and the worlds of pre- and post-"Empire," i.e., celebrity.
posted by bardic
on Mar 16, 2011 -
110 comments
So here's what's on tap two summers from now: an adaptation of a comic book. A reboot of an adaptation of a comic book. A sequel to a sequel to an adaptation of a comic book. A sequel to a reboot of an adaptation of a TV show. A sequel to a sequel to a reboot of an adaptation of a comic book. A sequel to a cartoon. A sequel to a sequel to a cartoon. A sequel to a sequel to a sequel to a cartoon. A sequel to a sequel to a sequel to a sequel to a movie based on a young-adult novel. And soon after: Stretch Armstrong.
How did Hollywood get here? There's no overarching theory, no readily identifiable villain, no single moment to which the current combination of caution, despair, and underachievement that defines studio thinking can be traced. But let's pick one anyway: Top Gun.
The Day the Movies Died.
(via)
posted by Horace Rumpole
on Feb 20, 2011 -
146 comments
Unsung. Helen Mirren honestly appraises Hollywood at a rewards show earlier this month, but no one told you about it.
posted by parmanparman
on Dec 26, 2010 -
92 comments
Zombie Baby, Fucking Jane Austen, The Last Witch Hunter, Abraham Lincoln: Vampire Hunter, American Bullshit, Better Living Through Chemistry... just some of the titles that made this year's
Black List, a list of the best unproduced screenplays of the year as voted on by industry insiders.
LA Times and
Deadline Hollywood have pieces on it and here's an October
audio interview with Franklin Leonard, creator of the Black List. In past years, aspiring screenwriters could find PDFs of the scripts online. It's gonna be
a lot harder
now.
posted by dobbs
on Dec 13, 2010 -
42 comments
