"Most of the filmmakers surveyed...were not aware of the perishable nature of digital content or how short its unmanaged lifespan is." After the Motion Picture Academy's release last month of "The Digital Dilemma 2," a warning aimed at independent filmmakers and nonprofit archives, cinematographer John Bailey talks with one of the report's authors about the perils of data migration ("It’s not unreasonable to say that the term "digital preservation" is an oxymoron") and the need to educate filmmakers who are so "enamored with the perceived benefits of digital image capture and workflow" that they fail to realize preservation concerns start to appear almost immediately after their work is completed. Film professor David Bordwell covers the report in a detailed post about preserving "born-digital" films, sixth in his "Pandora's Digital Box" series about the worldwide conversion to digital projection, with lots of good links at the bottom.
John Carter, previously John Carter of Mars, previously A Princess of Mars, could be the biggest movie write-off of all time.
The Seventh Art is an independently produced video magazine about cinema with three sections: a profile on an interesting group/company/organization in the industry, a video essay and a long-form interview with a filmmaker.
Le Blues De Memphis — behind the scenes at STAX & FAME Recording Studios (1969) and Hollywood Blues, a 1969 Hollywood Recording Session. Just a sample of the vintage 50s, 60s & 70s music, movies, microcode and high-speed pizza delivery at Bedazzled.tv. [sacré bleu]
New York Mag presents the balance sheets of an A-List actor for our perusal.
Yet by 1944 the IRS named Barbara Stanwyck the highest-paid woman in America. From 1930-57, she did a minimum of two pictures a year, sometimes even four or five. Yet it wasn't workaholism, according to the actress: "I was afraid they'd get somebody better, frankly. I never really thought I had any clout. For a lot of years I was free-lancing, by choice, but I think discipline stays with you. It's this fear that maybe somebody can come in and take over. Maybe a Redford or a Streep can take the luxury of a year off, but I never thought I could. Of course, we were more workable in those days. And they make more money now. Anyway, I never had self-assurance about leaving."
Homicide detectives who have reopened an investigation into the death of Natalie Wood after three decades said on Friday that the film star's husband, actor Robert Wagner, was not considered a suspect. [more inside]
Director, writer, and raconteur, Peter Bogdanovich has a blog where he talks movies -- and you better believe it's called BLOGDANOVICH. [more inside]
Will Your Favorite Star Survive Color? This article from a 1935 issue of the Hollywood fan magazine Photoplay breathlessly anticipates a new standard of screen beauty due to the spread of Technicolor motion pictures. You can read or download the whole magazine, for free, legally, at the Media History Digital Library. [more inside]
Yellowface: A Story In Pictures - A chronicle of Asian/Middle Eastern characters as performed by white actors. (Previously on MeFi)
"You know something very bizarre is going on in Hollywood when the movie Rise of Planet of the Apes tells more about the black experience in America than The Help." Max Gordon reflects on the truths that Hollywood can't talk about openly, and the dangers involved in sugarcoating the past.
Cinevault has over 1000 full length streamable movies, most from the golden age of Hollywood.
Leonard Michaels' "The Zipper": Rita Hayworth is never seen disrobed in the movie, though it is threatened more than once. The atmosphere of dark repression and mysterious forces – the mood or feeling of the movie – might be destroyed by the revelation of her body. It scared me as she began her striptease dance in the nightclub. I didn’t want everybody to see her body, or even to see that Rita Hayworth had a body. [more inside]
An unbelievable collection of Roddy McDowall’s never-before-seen silent home movies from the summer of 1965 were uploaded onto YouTube yesterday, featuring impossibly young, impossibly gorgeous stars like Natalie Wood, Paul Newman, Robert Redford, Jane Fonda, Hope Lange, and Rock Hudson frolicking on the beach. You simply MUST go to the website and watch them all. The takeaway for me, though, is Sal Mineo slinking out the back door with a guilty-looking blond who may or may not be Bobby Sherman. What were THEY up to? Also mesmerizing: The closeup of Natalie Wood’s freckles, Jane Fonda sticking out her tongue, and Paul Newman’s hunky son.
Today is the 100th birthday of Raymond Nicholas Kienzle, better known as Nicholas Ray. The seminal Hollywood-outcast-turned-French-New-Wave idol behind Rebel Without a Cause, Bigger Than Life, Bitter Victory and the hallucinatory Western Johnny Guitar made intensely emotional films about isolated people, often infused with profound desperation and a sense of the nightmarish. Francois Truffaut dubbed him "the poet of nightfall," while Jean-Luc Godard simply declared that "the cinema is Nicholas Ray." He studied architecture under Frank Lloyd Wright, mentored Jim Jarmusch and let Wim Wenders film him as he was dying of cancer. Bob Dylan even wrote a hit song about one of his movies. [more inside]
Weekend At Kermie's: The Muppets' Strange Life After Death. Elizabeth Stevens asks:
What if, in 1990, instead of recasting Kermit—something that had been done to Mickey and Bugs Bunny before him—the Muppets had continued on Kermit-less, as "The Simpsons" did after Phil Hartman died. Recall Susan’s words on "Seasame Street" about Mr. Hooper in 1982: “Big Bird, when people die, they don’t come back.” Let’s say Robin showed up saying his uncle Kermit had passed away? Or, if that was too dark for Disney, what if Kermit had left show business to go off to start a family with Piggy? Someone else could lead the gang of weirdoes..
It would’ve made more artistic sense than what happened
Photos by Irving Penn [nsfw] | Photos by Linda McCartney | Photos by Yul Brynner [nsfw] | photos by Henri Dauman | Photos by Phil Stern | A Woman We Love: Ava Gardner | Paintings by Michael Carson | Photos by Ken Schles [nsfw] | Photos by Lillian Bassman| "classic Hollywood" and more | LiveJournal collections by everyday i show.
"As part of the DGA's 75th Anniversary, DGA Lifetime Achievement Award recipient and three-time DGA Award winner, Steven Spielberg, was celebrated on June 11, 2011..." [more inside]
SI has written an oral history about the making of the movie "Major League". Charlie Sheen was also interviewed for this piece.
The Academy of Motion Picture Arts and Sciences’ Margaret Herrick Library today launched its latest online research tool, the Production Art Database. The database contains records for more than 5,300 items from the library’s collection, including motion picture costume and production design drawings, animation art, storyboards and paintings. Nearly half of the records include images, making this an invaluable online resource for researchers interested in motion picture design.
Transformers 3 scene from The Island. SlashFilm passes along the news that Michael Bay recycled shots from his 2005 film The Island in his new film Transformers: Dark of the Moon, saving costs by adding different CGI to the same car chase scenes. "I’m not sure how often this kind of thing happens, but my guess is that it happens probably more than you would think."
A letter by director Michael Bay helpfully advising projectionists the proper way to show his new film Transformers 3 in movie theaters and a very grateful response from the Projectors' Guild.
The Girl With the Golden Wardrobe. Long after the Golden Age of Hollywood has dimmed, and its legendary stars taken a bow, history's most iconic film costumes are returning to the spotlight as actress Debbie Reynolds sells her showcase collection.
The Catalogue (PDF)
The Catalogue (PDF)
"The Duke in His Domain" - a profile of Marlon Brando by Truman Capote, published in The New Yorker, November 9, 1957
'Star Wars' Producer Gary Kurtz Reflects When George Lucas and I began planning the first film, we had no idea what it would become; the kind of devotion it would attract... So what was it that made Star Wars so different, so special? I can give you one small example of the kind of care we took when putting the film together...
A cure for blocked screenwriters "Michels also told the writer to get an egg timer. Following Michels’s instructions, every day he set it for one minute, knelt in front of his computer in a posture of prayer, and begged the universe to help him write the worst sentence ever written. When the timer dinged, he would start typing. He told Michels that the exercise was stupid, pointless, and embarrassing, and it didn’t work. Michels told him to keep doing it."
Beloved anime classic Akira (previously) is in the process of getting a live-action adaption courtesy of Warner Bros. and Legendary Pictures. In fact, they're currently trying to assemble a cast. Oddly enough, despite keeping the leading characters' names Kaneda and Tetsuo, all the actors approached are white. This hasn't gone unnoticed, and Racebending.com is preparing a campaign to protest. Just last year M. Night Shyamalan's adaption of The Last Airbender (previously) drew massive criticism for having an all-white cast in an Asian setting. [more inside]
In the movie business, sometimes a flop is just a flop. Then there are misses so disastrous that they send signals to broad swaths of Hollywood. “Mars Needs Moms” is shaping up as the second type. Is the fact that the Robert Zemeckis animation tanked so badly (A $7m opening weekned against a $150m budget) part of a back-lash against 3D or was Mars Needs Moms just a particularly bad film?
Jesse Heiman, World's Greatest Extra. According to myth, he has appeared in every movie and tv show ever created. (via)
"To someone my age (47) Keith Richards (67) in his memoir Life has a kind of rare healthy post-Empire geezer transparency. But for my younger friends, it’s no longer rare; it’s now just the norm. What does shame mean anymore? my friends in their 20s ask. Why in the hell did your boyfriend post a song called 'Suck My Ballz' on Facebook last night? my mom asks. But nothing yet compares to the transparency that Sheen has unleashed in the past two weeks—contempt about celebrity, his profession, the old Empire world order..." Bret Easton Ellis on Charlie Sheen and the worlds of pre- and post-"Empire," i.e., celebrity.
Jane Russell, Sex Symbol of the 1940's and 50's has passed on today; the stars shine a little dimmer today. Here she is in Gentlemen Prefer Blondes
'The studios have won' Interview with Alex Cox, director of Sid And Nancy, Repo Man and more recently Repo Chick.
Marilyn by Larry McMurtry.
So here's what's on tap two summers from now: an adaptation of a comic book. A reboot of an adaptation of a comic book. A sequel to a sequel to an adaptation of a comic book. A sequel to a reboot of an adaptation of a TV show. A sequel to a sequel to a reboot of an adaptation of a comic book. A sequel to a cartoon. A sequel to a sequel to a cartoon. A sequel to a sequel to a sequel to a cartoon. A sequel to a sequel to a sequel to a sequel to a movie based on a young-adult novel. And soon after: Stretch Armstrong. How did Hollywood get here? There's no overarching theory, no readily identifiable villain, no single moment to which the current combination of caution, despair, and underachievement that defines studio thinking can be traced. But let's pick one anyway: Top Gun.
The Day the Movies Died. (via)
The Day the Movies Died. (via)
Rod Hilton has been "editing" and abridging movie scripts since 1998 (first script: Godzilla). In all this time, he has given 5 stars to only six movies: Saving Private Ryan; The Matrix; Being John Malkovich; Star Wars: Episode V - The Empire Strikes Back; The Lord of the Rings: The Return of the King; and Inception. (Previously)
It was not easy to get Terence Malick to direct again, as this article about the making of "The Thin Red Line" from Vanity Fair shows.
Unsung. Helen Mirren honestly appraises Hollywood at a rewards show earlier this month, but no one told you about it.
"Designed by Giant Robot head guru Eric Nakamura and his friend Len Higa, the car was stripped down and operated on extensively, with a simple goal in mind: transform this Scion car into one giant Nintendo Entertainment System. " The Scion Gallery and Giant Robot team up to curate "Pixel Pushers" a show about the 8-bit aesthetic. The Scion gallery's tour of the show.
Zombie Baby, Fucking Jane Austen, The Last Witch Hunter, Abraham Lincoln: Vampire Hunter, American Bullshit, Better Living Through Chemistry... just some of the titles that made this year's Black List, a list of the best unproduced screenplays of the year as voted on by industry insiders. LA Times and Deadline Hollywood have pieces on it and here's an October audio interview with Franklin Leonard, creator of the Black List. In past years, aspiring screenwriters could find PDFs of the scripts online. It's gonna be a lot harder now.
The Magnificent Ambersons, Orson Welles' second film, has inspired a legend around the lost footage excised by the studio to make it more appealing to audiences. The film's making is a cautionary tale in letting the studio have creative control, and the finished product pained Welles to his dying day. The mythical status of the lost footage has inspired a few to try and track it down. [more inside]
"The brutal reality is Netflix’s bargain days for streaming movies and television is coming to an end."
Is Netflix Streaming Its Way Towards Disaster? In the wake of last month's price hike, Edward Epstein (author of The Big Picture and The Hollywood Economist) explores a few issues with Netflix's turn toward streaming video. The licensing deals Netflix cobbled together before studios fully grokked the value of streaming are expiring in the next year or two, outlets like Amazon and HBO are starting their own streaming services, and the right of first sale, which allows Netflix to buy DVDs and then rent them over and over, doesn't apply to streamed content. Via this post from Slashfilm, which adds more links and info. [more inside]