"Hollywood brings glitz, glamour and big budgets to movie-making; France has avant-garde artistry. But what about Britain? Looking at our selection of the 75 greatest British movies of the past century, you'll find that Britain excels at genres you'd expect (kitchen sink and period drama, class-obsessed satire) and plenty you wouldn't (strange sci-fi, blood-freezing contemporary horror). Here are the essential home-grown films to watch, listed in the order they were made..." [SLTelegraph]
Director Mel Brooks spent a lot of money on white handkerchiefs while making his 1974 tour de farce, Young Frankenstein. "I gave everybody in the crew a white handkerchief," said the 88-year-old comedy legend during a recent phone interview. "I said, 'When you feel like laughing, put this in your mouth.' Every once in a while, I'd turn around and see a sea of white handkerchiefs, and I said, 'I got a hit.'"An interview with Mel Brooks on the 40th anniversary of Young Frankenstein, with an overview of the events that lead to what Mel Brooks calls 'by far the best movie I ever made.' [more inside]
Young Frankenstein was more than a hit. It is a comic masterpiece.
In 2004 Joseph Kahn directed the hyper-kinetic, poorly reviewed motorcycle action movie Torque. It was Kahn's directorial debut, and though he was tapped for (one of many) failed Neuromancer adaptations, he devoted the next six years to a largely self financed project: the horror-comedy farce Detention. Noted cultural critic Steven Shaviro discusses in this essay why Detention, despite also being reviewed negatively, is one of his favorite movies of the decade. Shaviro's review contains major spoilers for the plot, and it's probably best to go into the movie blind. A brief non-spoiler synopsis is available below the jump. [more inside]
"Looking back on it, one of the things that's crazy is I don't think I even realized that first of all, Joe Flaherty is supposed to be a vampire but he's howling like a werewolf. [laughs] I just took that for granted, and it must've been years until I saw it and was like "Wait a minute, that's a joke!" Furthermore, Count Floyd's always wearing a turtleneck which is the least vampire thing ever." "Splitsider kicks off its new column, Sketch Anatomy, with television writer Bill Oakley breaking down SCTV’s "Dr. Tongue’s Evil House of Pancakes" (previously). Oww owww oowoooooo!!!
Monstergeddon is an annual, one-night tournament of monsters competing in various categories -- Best Kill, Most Unnecessary Collateral Damage, Sexiest Victim -- with the top prize being the coveted Killer Cup. The objective of the tournament is killing humans.
Cosas Feas (Nasty Stuff) is a short, gooey Lovecraftian coming-of-age comedy by Mexican director Isaac Ezban. Its recomended for fans of Stuart Gordon and anyone who had an awkward childhood.
The Snipist - a post-apocalyptic nightmare set in a post-rabies Britain (warning: absolutely bleak). A Gun For George - a short film about crime-writer Terry Finch, author of the 70s Kentish fiction masterpieces The Reprisalizer. [more inside]
"I have thrown a terrarium of land crabs on the floor at a party in a drunken rage, I have known regret. "
Actor and writer James Urbaniak (Venture Brothers, American Splendor) has a wry, occasionally upsetting "fictional podcast" with every episode written by a new author. Getting On With James Urbaniak.
Between Peter Jackson’s penchant for cartoonish unserious gore and Bob McCarron’s off-screen makeup effects manipulations, Braindead achieves something that approaches inspired genius in the heretofore unknown artform of human carnage. The film is filled with moments of joyous slapstick tableaux... And then there is that moment where Braindead finally breaks through to achieve a transcendentally surreal glory of excess where Tim Balme wades into battle against the zombies armed with a lawnmower, drenching an entire room in showers of blood. (Braindead holds the record for the greatest amount of artificial blood ever used in a film). The film is a work of perverse genius. - Richard Scheib
Return of the Living Dead (NSFW) is one of the greatest zombie movies ever made. Not only does it have loads of great looking zombies in it, it's one of the few zombie movies, besides its sequel, that has a perfect blend of humor and horror.
"Bob Shuter, suburban vigilante. Driven by rage to wage a one-man war on the underworld of Kent, Bob Shuter is... The Reprisalizer."
"You're going nowhere, son. Just you, me ad the walls. So wipe that bloody grin off before it's shot off, and don't slouch. You toe rag. You bin. Pay attention when I break you. And break you I will, boy. You're in my manor, now." Buck up! It's Terry Finch's THE REPRISALIZER! Follow Bob Shuter, whose mission of reprisal against his brother's killers, their families, associates, progeny and property takes him across the desolate wasteland of 70s Britain, primarily Kent AKA FINCHLAND. Finch, writer of The Reprisalizer and DRAW!, the cowboy whose name means death, is soon to be the subject of a major motion picture from Matthew Holness, creator of Garth Marenghi's Darkplace.
Prepare for the Return of the Spook-A-Blast... After 17 years, Sam Raimi has returned to the genre that made him a cult legend with a new, low(ish) budget film; get ready for DRAG ME TO HELL [more inside]
Zombie Sushi Bar: A clip from the 1998 Hong Kong Horror-Comedy classic "Bio Zombie" (Sun faa Sau si) shows our intrepid heroine trying to blend in at a Undead Sushi Bar with delightfully disgusting results. NSFS (Not Safe For Squeamish) [more inside]